winterlieb - libawka

Wolves divide and fascinate us. 150 years after they were driven to extinction in Central Europe, they are returning slowly but inexorably. Are they dangerous to humans? Is it possible to coexist? Using Switzerland as a point of departure, where wolves have returned in the very recent past, this documentary sheds light on the wolf situation in Austria, eastern Germany, Poland, Bulgaria, and even Minnesota, where freely roaming packs of wolves are more common sight.

"I can live better in a place whose history I know," says a young Pole in the prologue of this film. He lives in Kopaniec, formerly Seifershau - a village in Lower Silesia. Between the past and the present lay the expulsion of the Germans and the resettlement of the Poles, many of whom were themselves expellees from what is now Ukraine. The village is the focus of the film and the link between the former and present inhabitants. The younger Poles have grown up with the visits of the former German inhabitants. The life stories of the older Poles and Germans tell of war and expulsion, but also of the time when they lived together in the village, directly after the war. The region was called "The Wild West" in Poland at the time. "Silesia's Wild West" asks what home is: a place, a person, a feeling, a memory?

Lusatia - the former energy production center of the GDR, today a landscape depleted by lignite mining. Large lakes have been created in which you can "rust" while swimming, and landscape formations reminiscent of the Grand Canyon of the Wild West. Native wolves and many exotic species of international flora and fauna are inexorably conquering new habitats. The people who have remained persevere like settlers. They appear in the film as narrators of their sometimes bizarre stories. We see how they try with imagination and commitment to wrest a re-inhabitable piece of earth from their battered landscape. For Lusatia harbors the old dream of Prince Pückler: the dream of a landscape for people. More is happening in Lusatia than we dare to dream.

wuhlo – kohle

blaubeeren - cerne jagody

Wilma has many qualifications and talents, yet suffers just as many disappointments in life. After she catches her husband cheating, she runs away to Vienna in search of a new life. There she lives with bustling bohemians, tries her luck at a variety of jobs and perhaps... at love again.

15-year old Klaus Kambor, called Kurbel, is living in a village in Lusatia and already thinks of himself as an adult. He can hold a lot of rhubarb wine and has already kissed a girl. But with his new method of lawn mowing, which he thinks is brilliant, Klaus makes a big mistake: He causes a wild fire in the forest. Then he does not react adult-like at all, but shirks the responsibility, which leads to the break-up with his girlfriend Daniela. Furthermore, Klaus does not realize that several of the places he likes the most in his environment are now going to be sacrificed to mining. When Klaus becomes friends with the teacher Konzak and with the construction worker Jule, he feels understood for the first time and starts to take more responsibility.

A weekend in the mountains.

"We, the Yazidis, became doves. Doves without wings", says Hedil. Stranded with her family in a Yazidi refugee camp in Eastern Turkey, she reminisces about her former life in Northern Iraq and recounts the horrors of her escape. The film follows two families' attempts at normality in an otherwise miserable place. (ML)

Amal is 14 years old when she ends up on Tahrir Square during the Egyptian revolution, after the death of her boyfriend in the Port Said Stadium riot. During the protests, she is beaten by police and dragged across the square by her hair. This coming-of-age film follows her over the years after the revolution. As the film cuts between the unfolding current events and Amal’s rapidly changing life and appearance, we see her searching for her own identity in a country in transition. Amal is fiery and fearless, sinking her teeth into the protests and constantly lecturing her mother, who works as a judge. A girl among men, she also has to fight for respect and the right to take part, both in the street and in the rest of her life. In Egypt, even for a young woman like Amal—her name means "hope"—the choices open to her for her future are limited.

East of Walbrzych

Dans la forêt de Borek

"[This film] embodies (...) one of his [Hahnemann's] most mature films. Rainy rides along Schönhauser Allee, which seems to be depopulated. Past the 'Viennese Café', the meeting place par excellence. From a moving train the view of idyllic landscapes, on the horizon a castle. The camera tilts, turns, until the world is upside down. Scenes of an action with the artist friend Heike Stephan: in the sanctuary Hahnemann, black painted with a white turban, and Stephan, stack cages with rabbits on top of each other. Then TV recordings of a discussion forum with Jean-Luc Godard and Rosa von Praunheim - scenes as from another planet. From the off again and again a poem Hahnemann, recited by Peter Mario Graus. The diction is initially calm, almost factual, increases, eventually overturns, but then falls back, resigned. " (Claus Löser in "Gegenbilder")

Chronicles five of fashion photographer Peter Lindbergh's muses, the supermodels of the early 1990s.

Joyful, magical, inspiring, Into the Light with Cité Mémoire soars above the city, revealing history through giant projections that compel us to slow down, look up and breathe as characters of the past emerge from the stone walls of Old Montreal, touching us deeply with their human stories.

Special-effects wizard Ray Harryhausen is the honored guest star of this presentation, a bonus feature on the "Mighty Joe Young" DVD. The Chiodo brothers - three of them - all interview Harryhausen on the 50th anniversary of the film. The Chiodo brothers - Charles, Edward and Stephen - are modern-day special-effects movie men.

Fifteen years ago, social networks were seen as a new democratic ferment that, by promoting the dissemination of information and horizontal communication between citizens, would help people break their chains, from Eastern Europe to the Arab world. The story is different: the assault on the Capitol by Donald Trump's supporters, the chaotic reign of his counterpart Jair Bolsonaro, the offensives targeting Muslims in Narendra Modi's India, or the dazzling success of the racist slogans of Italian League leader Matteo Salvini have highlighted the devastating power on a global scale of the calls to hatred and disinformation that circulate in real time on social media.

A collection of performances by street musicians across the country, from New York to San Francisco, New Orleans to Chicago, the film presents 19 musicians in seven cities, and was one of Doob's first feature-length films. Among the singers, guitarists, drummers, dancers, and other artists, Doob includes street performance legends such as Brother Blue, Gene Palma, Bongo Joe, the Automatic Human Jukebox, and bluesman Jimmy Davis. The film captures a cross-section of Americans filled with raw talent, showmanship, and hustle, and presents a time capsule of the fashion, architecture, and culture of the 1970s. (Yale Film Archive)

Shortly before ten o’ clock in Karlsruhe. Bustle in the court room. The rituals before a major court ruling have been exactly the same for decades. The issues are evolving with the times. ARD law expert Frank Bräutigam is right at the centre.

The Listeners follows new volunteer trainees in suicide prevention as they answer suicide hotlines. Through their eyes and ears the film examines mental health and suicide prevention, volunteerism and the life-saving power of empathy.