Dance

The portrayal of the over masculine Minotaur and his transformation. A reimagination of Picasso’s 1937 print series, the Vollard Suite.

During the end of the world, two best friends walk around their city, talking about their sex lives, and one of them reveals they are still a virgin.

A humorous look at relationships and sex.

An experimental sampled film which shows the pleasurable art of movies about movies through scenes inside of theaters.

Landscapes revealed themselves through text, paper through movement, while the sun gave them relief. This is a journey across found words, enunciating a discovery, their textures constructing the sea and the waves, in a travelogue from the first exploration, the first step over the sand towards the shore. “Amor” writes this joy to underline it in its time, captured on paper. This film has been composed through a scanner, and it’s the first chapter of the “Reír al Sol” series.

An aspiring clown grappling with her gender identity combats a fascistic caped crusader.

A group of transvestite friends sneaks into the municipal swimming pool like every night. The darkness protects them from the gaze of the world. But tonight is different.

Vincent leads a life of sorrow until Venus walks into their universe.

A sensual hommage to Germany's most productive queer filmmaker, Rosa von Praunheim.

A seagull, a dog, a child, a call to prayer; Looking through a window, the corridor of a train, the wall of a medina; Everyday life is momentarily paused through the eyes of a stranger in an unknown land.

A symbolic reflection on issues of female sexuality, art and identity constructs.

Hercules travels by bicycle from Krefeld on the Lower Rhine to Olympus, the throne of ancient deities. The Hercules myth, as a primal myth of male power, is questioned through biographical reflections and the staging of mythological echoes. The dramaturgical structure of the hero's journey disintegrates in a multi-material perspective into questions about male identity, ideals and remorse.

Shifting Margin Part 1 (1991) Produced, Directed, Photographed, and Edited by Albert Gabriel Nigrin Special Thanks: Brodsky and Treadway and DAK Productions Length: 3 minutes A statue of a horse [located in the Luxembourg Gardens in Paris, France] shot at 18fps on Kodachrome color super 8mm film transferred to high quality video. The film camera was shaken at various intensities to simulate the various forms of horse locomotion -- walk, trot, gallop, etc. The film is silent yet one hears the rhythm of hooves. The green color of the statue's faded bronze was amplified, as was the blue sky in post-production. A homage to Pegasus, Le Magnifique in Cocteau's Beauty and the Beast, and Eadweard Muybridge.---AGN

A down-and-out businessman travels to a seaside town, where he meets a woman with unusual sexual powers.

The film is about the relationship between crazy scientist George Edison and his son Leo. After being electrocuted as a child, Leo is no longer able to touch people without electrocuting them.

Pictures taken between France and Mexico running at 8 frames per second.

A short film collaboration between director Kristian Day and make up artist Patrick Boltinghouse. Patrick had created the make up for Pride Weekend 2010 in Des Moines, Iowa. After the parade, he called Kristian up explaining that he was in make up and had a bird on his shoulder. Kristian's only reply was "I'll get the camera ready". Filmed entire in his home, Kristian made two versions: a single play version and a "locked groove" version which played on a loop at the Resident Artists: Guns Blazin' show on July 9th, 2010 in Des Moines.

Julia experiences a confused world seemingly against her after receiving a pessimistic tarot reading, as her feelings inevitably differ from her thoughts. Which way to go?

Valerie, a Czechoslovakian teenager living with her grandmother, is blossoming into womanhood, but that transformation proves secondary to the effects she experiences when she puts on a pair of magic earrings. Now seeing the world around her in a different light, Valerie must endure her sexual awakening while attempting to discern reality from fantasy as she encounters lecherous priest Gracian, a vampire-like stranger and otherworldly carnival folk.

In 1480, or thereabouts, as Princess Blanche prepares to unite with the handsome prince of a neighboring kingdom, her father decides to marry her to Melchior, his coarse army commander whom she barely knows. Devastated, she asks for the help of her godmother, who reveals that she is in possession of a mysterious “skin” which, once worn, will allow Blanche to become a man and thus get to know her fiancé incognito.