The Celebration of the Tragic Silence of the Youngest One

Vanessa is back in her hometown for the summer after moving away for college. Things get complicated when her friendship with Claire turns into a summer fling.

For 13-year-old Kaitlyn, her world threatens to collapse when she learns that her parents want to get a divorce, especially because it threatens the loss of the house they shared in Portland, which had always been Kaitlyn's home. The teenage girl has dark thoughts and lost interest in life. The breeding pigeons given to her by her mother's police colleague don't make things any better. What should she do with the birds? Then her best friend Adam gives her an idea: they could steal the very valuable racing pigeon named Granger from the local breeder Jaan Vari, sell it and use the proceeds to pay off the mortgage on her family's home. The plan initially works, but then everything seems to go wrong and Kaitlyn loses her footing even more. But surprisingly, the old man who was robbed takes care of the girl and a bond develops between the two, which ultimately leads her to a new outlook on life.

In a small town of 1960's India, where cinema is forbidden for women, a 14-year-old embarks on a quest to watch her first film.

A teenager plans her own kidnapping with the help of her boyfriend and her best friend. They dream of going to live in the United States to have the baby they are expecting; however, the situation gets out of control and she becomes a victim of her own game.

Thrown together under incredible circumstances, two strangers must discover courage and strength when they begin a journey across the treacherous African desert! Equipped only with their wits and the expertise of a native bushman who befriends them, they are determined to triumph over impossible odds and reach their destination. But along the way, the trio face a primitive desert wilderness.

A portrayal of girlhood through the eyes of an average teenage girl.

Reyhan, raised in a religious family, arrives to spend her summer holidays at her grandmother Ummu's house in a conservative central Anatolian village, accompanied by her mother Hatice, and her 6 year old brother Mehmet. The 13 year old is gripped by a state of inner turmoil. She has just had her first period and dreads the consequences of being unable to perform the required religious rites. Reyhan's concerns mount after she finds out the water supply at her grandmother's village house is cut off. She is desperate to find a way to perform the required religious ablution rites, which she has always been told will protect her from attacks by djinns and facial disfiguration. She starts having nightmares. At the same time, Reyhan is also determined to help Şükran, her best friend in the village.

The 12-year old Dolores, a feisty preteen desperate to be seen as a grown-up in 1976 suburbia is on her humiliating, hilarious journey from girlhood to growing up. She fantasizes about sex, womanhood, work... and Freddie Prinze. The girl thinks she's got the lowdown on being a woman, but when her overworked single mom Janice hires Cleo to babysit her world collides with the super cool black 16-year old's, each learns painful truths about what it really means to grow up.

The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.

Paty, an employee of an advertising company, is summoned to a business dinner by Mr. Gutiérrez, a successful businessman. She cannot refuse the invitation since the signing of the contract depends on this meeting. In 1993 this film received the Ariel Award from the Academy of Motion Picture Arts and Sciences for best medium-length fiction film.

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

Inspired by true experiences of grief, girlhood, and growing up, Jessie Barr’s SOPHIE JONES provides a stirring portrait of a sixteen-year-old. Stunned by the untimely death of her mother and struggling with the myriad challenges of teendom, Sophie (played with striking immediacy by the director’s cousin Jessica Barr) tries everything she can to feel something again, while holding herself together, in this sensitive, acutely realized, and utterly relatable coming-of-age story.

4 stories about 4 criminal children. Two teenagers trapped in a world full of drugs and human trafficking, another two kids bring their loved ones to the limit, other two resentful kids want to fulfill their most evil desires, and one kid who has to decide between killing or loving.

June 2010. 11 years old Julia and Raphaëlle are the best at killing time together. Between walking their blind neighbor’s dogs and finishing their music video before Raph returns to Romania, they unconsciously grow apart. This nostalgic semi-autobiographical story recounts the last moments of the inevitable and awkward summer between childhood and adolescence.

A young woman travels abroad trying to realize her dream of being a model, but there she is deceived and subjected to prostitution at the Cabaret Tango Bar, where she experiences the horrors as a victim of a sex trafficking network.

After years of traveling, Anyas parents have decided to return from Australia to their native France, and she has to attend a public school for the first time in her life. But normal everyday school life quickly causes problems for the girl. On the first day, she gets a shot with a soccer ball on the head. When no one wants to apologize for this, a violent argument immediately ensues. So she messed it up with the locals right from the start. Anya becomes an outsider, which doesn't even really bother her. But Zoé, Nils and Jade, who are also a bit different, take care of her. A new clique is formed. But the pretty outsider would prefer to be friends with Nathan, the school director's son. But he gives her the cold shoulder because it wouldn't be cool to be interested in girls in front of his buddies. Meanwhile, the girls hatch a plan to win their place in the schoolyard. A real fight ensues between the students. Now it's girls against boys. But how far can a dispute between children go?

This engaging series of childhood recollections tells of an unconventional school in Tokyo during World War II that combined learning with fun, freedom, and love. The school had old railroad cars for classrooms and was run by an extraordinary man – its founder and headmaster, Sōsaku Kobayashi – who deeply valued children's independence, and who was a firm believer in freedom of expression and activity.

Sweet Sixteen presents eight 16 year old girls that unveil themselves through 8 bittersweet monologues. All highlighted in a evocative and poetic setting, the characters deliver on different themes; self-image, eating disorders, anxiety, their first love, their first kiss, friendship, sorority, sex, rape, incest, social media, social and political revolts. Constructed as a symphony form, the piece of work goes through four movements and is musically supported. The strong visual identity forces the movie to define itself somewhere between full feature film and object of art. Sweet Sixteen is a cinematographic adaptation done by Alexa-Jeanne Dubé from the play of the same name written in 2018 by the late Suzie Bastien.

Alma is a young film lover who dreams of one day making a living creating stories. Determined, she decides to go to the city to study film, but finding herself alone and without the care of her mother, she collides with the dangers of the big city, which makes her question whether she is following a good path or has just let herself be carried away by the illusion of a dream.

A single mother goes out for a run and never returns.