Phase Shifting Index

Bolivian artist and filmmaker Luciana Decker Orozco delves into ancient and essential acts: eating, masticating and digesting. Her suggestive celluloid slips through mouths, intestines and entrails, as well as experiments in the catacombs of the human being and the Earth. Inspired by the avant-gardist and indigenist Peruvian writer Gamaliel Chumata, the surface and the underground, the real and the extraordinary, mysteriously merge together.

hægtesse

Fragments of pottery. Gold, silver, jewellery. Contemporary art. Luciana Decker Orozco visits various museums and collections in London, tracing a homegrown past present on another continent. Each piece are windows that open and close, briefly revealing what they hide, a mystery that she encapsulates in her celluloid and magical editing.

When the individual lifestyles of the embodiments of urban and nature meet... They clash, and create a new parasitic relationship.

Haunted by flooding memories of their parents' verbal abuse, an insecure person decides to stop reflecting and start living the life they never knew they could have.

Eden

Abstract video art by John Sanborn and Dean Winkler. Dedicated to Ed Emshwiller.

The wind carries an aspiring healer into a chaotic, virulent parallel world. Paralyzed by a familiar universe that is gradually becoming distorted, she discovers she has the power to stop time.

A Sunday walk in a forest turns into a poetic journey on perception.

An experimental dance film that explores how we change ourselves, altering our appearance and behaviour in order to please other people and the emotional and mental impact that has on us.

Latest installment from the on-going collaboration between filmmaker Paul Clipson & musician Jefre Cantu-Ledesma. Paul's Super8 films, shot entirely in New York City, channel the blissed out states of color drenched psychadellia explored by Brakage as well as lovely black and white still life's that reminisce on Ozu's 'pillow shots' & Chantel Akermans monumental portrait of Pre-Giuliani New York 'Letters Home'. Jefre's music is culled from the same sessions that launched his 2007 release on Students Of Decay 'Shinning Skull Breath', (the two share a track in common). Billowy clouds of distorted guitar expand out into long passages of muffled static and fuzzed out melody.

"Ephemeris" (2011) is a conversation of image and sound, between filmmaker Paul Clipson and electronic musician Aki Onda, rendered as if from a fragmented journey of landscapes and memories. Clipson and Onda each investigate very personal, intuitive spaces, through their favored technologies of Super 8mm film and cassette Walkman. Both artists base a significant emphasis of their work on performance environments, where their visual and sonic field recordings interact to create sensory collages born out of the subjective impressions of the audience.

Super 8mm, 21 min., color and b&w, music by Jefre Cantu-Ledesma

Music by Austin Cesear, 16mm film by Paul Clipson.

Music By Jefre Cantu-Ledesma, Super 8mm Film By Paul Clipson.

A sunflower dances in the wind. Mother sleeps. The setting sun shimmers.

Experimental short film visualising the musical piece titled "An Ending (Ascent)" composed by Brian Eno. The film was nominated for the national award in the experimental category at the 11th Annual Student Film Awards (1984) organised by the Academy of Motion Pictures, Arts and Sciences USA.

When Adrian's friend denies him a loan of money, a rampage of thoughts starts within him. Why won't Jacob lend him any money? And why won't he lend any to him, specifically?

an abstract short film about a boy left alone

A garden in autumn.