No Muy Delicado Sufrir
The consequences of the lockdown during COVID-19, putting the minds of two beings in an apartment to the test.
The world shifts subtly while silent watchers already understand.
Education is a caged bird. This short film pays homage to experimental cinema, which is characterized by the absence of narrative, lack of focus, paint or scratches on the screen, abrupt cuts and asynchronous sound. With the aim of redefining our way of seeing, exploring new spatial and temporal concepts.
An anthology of strange horror tales featuring yokai. It begins with astronauts finding a katana on the moon.
A mysterious entity closes in around John, keeping him trapped inside his house. The only thing protecting him from being crushed is the egg timer ticking down on his kitchen table.
A girl struggles with a dissociative episode in her bedroom.
In this 57-second short film, a dog-like doll faces another doll. It begins with an innocent, playful tone, but quickly turns dark and unsettling. Bach’s classical music adds a heavy, melancholic mood to the scene. The Dog of Sarandi Alley is a strange and brief story about violence, loneliness, and the secrets hidden behind the simple faces of toys.
A lonely kitten finds itself hunted by a sinister presence.
A young man wishes to finish writing his script, but his father has grown tired of him wasting his time and takes matters into his own hands.
Trapped between the frames of time.
Pigpen has a snore. Bailey has a lot of nerve. And Curt Garrish has a gun.
Nube gets a new student called Jun Kagami, a shy boy who has just transferred to Doumori Elementary School. Due to his insecurities, Jun believes that his only friend is a mysterious clown entity that lives inside mirrors. It is up to Nube to find out the true nature of this clown.
An exterminator carries out a massacre against hordes of vermin, while addicted to his own pesticides.
A man dreams a vision which irreversibly changes the course of his life.
“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?
A young man struggling with a shopping addiction embarks on a fashion-fueled journey to cleanse himself of an ailment called "Deep Silver."
The first part of two experimental short films used to promote the featurette Dan Lehwer eller "Men frels oss fra det onde". The two parts consist solely of footage not included in the extended work.
The second part of two experimental short films used to promote the featurette Dan Lehwer eller "Men frels oss fra det onde". The two parts consist solely of footage not included in the extended work.
A found footage film about a strange and mysterious movie production.