TV Insomnia

A time-lapse animated meditation on geothermal energy, erosion, seismic activity and magma. Shot above the Yellowstone Caldera and amongst the Bryce Canyon hoodoos, the film explores how they connect these past cataclysms to the present endangered environment within the sixth mass extinction and future threats to an ecosystem already in collapse. The musical accompaniment, composed and performed by Pauline Kim Harris, is based on a reimagining of the Chaconne from the Partita No.2 in D minor (BWV 1004) by Johann Sebastian Bach.

A loose sequel to "Self Reflection", "Inner Reflection" is about art, memories, filmmaking, and the director themselves, told through disconnected visuals and a man suffering from violent delusions.

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.

Host Scott Forrest presents a curated compilation of eight independent short films in this rapid-fire science-fiction feature. Genres collide, narratives twist, aesthetics clash, and even humor, both campy and dystopian, showcase the vast creative possibilities of each story's individual world, offering the viewer a brief glimpse into the lives of every character's attempt to survive the otherworldly chaos around them. Released in 2001, the selected shorts span original creation dates of 1997 to 2001; most of the featured filmmakers also appear as themselves in short video interviews to talk about their inspirations, creative process and motivations while working on their individual shorts.

A meditation on the Moon as a series of spheres melting away. The audio-visuals are synchronized via a repeated glitch process: the same values that databent the visuals are also used to change the base audio samples, creating a translation between a visual glitch and an audible one, even though in the final presentation they seem entirely different.

The Listener

A collection of solitary urban images intersect with each other.

.wszechświat

After waking up with amnesia on the beach, the protagonist is pursued by the police to face the consequences of an unknown past. This soundscape uses tension as a tool to explore how uncertainty, anguish and urgency mobilize a body that would otherwise remain paralyzed in time.

After a period of time where her hearing begins to overtake her sight, Casandra searches for the cause of her problem, isolating herself from society. She starts having visions that remind her of the past and promise an apocalyptic future.

Searching for life in daily rituals, Losing Touch undertakes a shift in perception and presents the city as an ugly yet ecologically rich landscape. The film depicts the internal dialogue on coping with the grief and fear of ecological degradation, using the local streets of Berlin as a means to materialise and confront these emotions. As both the body and mind begin to wander, encounters with the landscape over a 24 hour period are transformed into an overstimulating and emotionally charged journey. Camcorder footage, film developed in beer and cyanotype create sensational and playful depictions of the surroundings, joining the rats scurrying on the ground and fleeing the night lights with the moths. Creatures of metal and flesh interact within and between the frames, coming together as an ugly yet vibrant community. Subverting the nature-culture dichotomy, a new image of nature is formed, not only as a romantic, distant place, but rather a dirty, omnipresent force.

An experimental and video art film in which an ox is butchered by a butcher.

Four puppet soldiers walk and make a movement inspired by Samuel Beckett’s Quad (1981). By visually adapting Deleuze’s analysis of Quad (The Exhausted, 1995), the film explores the idea of "The exhaustion of possibilities” through stop-motion animation. The puppets and the printed images slowly disintegrate, and the residue envisions new possibilities.

A washed up actor performs night after night in a grimy theater to a nearly empty audience. However, everything changes when a clueless dog jumps on stage.

Upon becoming aware of an ancestor guilty of several cruel acts who bore a striking resemblance to himself, a man begins to fear he too could be capable of similar sadistic deeds.

In this 57-second short film, a dog-like doll faces another doll. It begins with an innocent, playful tone, but quickly turns dark and unsettling. Bach’s classical music adds a heavy, melancholic mood to the scene. The Dog of Sarandi Alley is a strange and brief story about violence, loneliness, and the secrets hidden behind the simple faces of toys.

Fragments from Brussels, about the flow of the city, A cinema, A body, A film, and a wind that blows through the town. The film is a Schizomentry experience that blends real stories and fiction. After all, where is the border?

An underground fight is taking place in a painter's studio between the artist and the ten tyrants.

Photographic animation and digital painting. This work presents itself as a study of the possibilities for comparison between human machines, exploring the different solutions offered by different aptitudes or physical characteristics within the human landscape