In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.
Yoshika has had a crush on Ichimiya, whom she calls "the One" since she was in middle school. Now, a 24-year-old salarywoman, her all-consuming fixation has prevented her from even considering another candidate for boyfriend until an office colleague asks her out.
Aspiring writer Lucy Simon embarks on a psychedelic road trip to the planet Mars with her brash, unnamed drug dealer behind the wheel in this hallucinogenic space adventure presented entirely through the use of close-up photography.
Lulu the dog gets a job at the local convenience store and stays up all night cleaning the back room. Short created for Adult Swim Smalls.
A man pays local children to bring him flies. After having cut off their wings and legs, he sticks them on the walls of his apartment. When a prostitute appears at his door, he sees in her the final piece to his work.
Santa Inocencia
A subway passenger suffers from hallucinations and sees the metro that he has just boarded accelerate and gain speed quickly.
A man is horribly tortured by another who wants him to reveal where his girlfriend is hiding.
Two friends find out the importance of paper in their friendship.
A man's car somehow becomes completely autonomous and takes the powerless driver, to a scrap yard, or a 'cemetery for cars', where several more vehicles are waiting to be crushed by powerful reducing machines, their passengers still inside.
A man comes home at night and is attacked by a bottle.
After Billy finds a winning scratch ticket, the gas station gets a new lottery machine that becomes the talk of the town. Part of [adult swim] smalls and second Gassy's Gas n Stuff short
A sculptor models a face with boxing gloves.
An ambulance heads towards the "crossroads of the crow's feet" in response to an accident. Unable to find the place, the driver stops at an intersection to ask for directions from a dull-eared local.
A woman carries a cat in a shopping bag that refuses to be petted. Tired of its behaviour, she violently strikes the bag repeatedly against a wall. Then, with the blood of the animal, she draws a heart pierced by an arrow.
The strange transformation of a surveillance camera.
A couple are watching television together. Over time, the shows become more bizarre: a news report about the arrest of two terrorists reveals they have the same faces as the two spectators; in another, a female strips for the man and finally a politician demonises the couple and declares them enemies of the people. Panicked, the couple phone a television exorcist.
Channelling Lye and McLaren, de Bruyn continues his explorations of ‘direct-to-film’ inspired artwork barely contained within the frame.
At the beginning of the twenty-first century, abstraction - that most quintessentially modernist innovation - maintains a peculiarly contradictory position. Used, on one hand, by post-modernist artists as just one more quotable style amongst many, it is on the other hand still considered an elitist or hermetic language by audiences intimidated by its lack of recognizable subject matter. Yet ultimately, abstraction continues to be a viable creative path for contemporary artists of all generations, many of whom embrace it as the most inclusive and fundamentally resonant of artistic languages. Filmed at the artists' studios, the Dia Center for the Arts, and the Guggenheim Museum during their exhibition, "Abstraction in the Twentieth Century."
An Art and a Short Film in which the director records his childhood experiences and memories through the mischievous activities of a boy named Mohammad Saadh.