3 x 2³

Old ghosts celebrate the past as it intrudes on those who think it past.

A Documentary film, following a group of friends going through their college life. with 3 months of filming starting in August 25th to November 1st 2024. most of everything was filmed in Boston. the purpose of the movie isn't to look amazing and have great story telling, but instead its meant to stamp a period in time. so that in 50 years we can look back and notice the human growth in a movie format. I hope you like the movie and thank you for watching :)

«I often have dreams. Careless dreams. When the sun was shining. It was calm and quiet. And a peaceful sky overhead.» An experimental musical film on the theme of love. Memories of the past excite the imagination and make you evaluate what is happening in the present in a new way.

Full stop! is an experimental film that uses symbolic gestures of a high school student to explore daily life and broader social issues, particularly the responsibility of public officials for the tragedy that occurred on November 1, 2024, at the Novi Sad Railway Station. The main character of the film is not a person, but an ordinary pencil, which becomes a symbol of the everyday actions and inner struggles of a young person growing up in a system of deeply corrupted values. The pencil leaves a mark of our thoughts, aspirations, and reality. Its smallest trace is a dot, a full stop. However, to come to a full stop with injustice is a necessary and at the same time a great act.

Through four nonlinear but interconnected Finno-Ugric storylines, approximately 7,500 years ago, traces of the Kaalo meteorite – that struck the Estonian island of Saarema – left a profound mark on the peoples living along the Baltic Sea, shaping local myths and legends.

After tragedy strikes a bustling London neighbourhood, disarray ensues, and our hero becomes lost to their pain. A cherub-like spectre soon appears, embodying the change the community desperately craves. All bear witness as winds of hope and unity take shape and the seeds are sown for their growth out of grief

In 1967, Beulah struck Reynosa. Family survives through images from memory circling the wreck. Rituals of celebration and violence like hurricane, shift between dancing, cyanotypes, blue fire and lost family archive. We have come to see the damage that was done and the treasures that prevail. Thus invent colors that burn the eyelid like 火藥.

An AI takes millions of inputs and rehashes them into something semi-new. The same thing human brain does when sleeping. Humans call it "dreams".

A walk through the life and work of the brilliant French filmmaker Georges Méliès (1861-1938), pioneer of special and visual effects.

An old woman is carrying shopping bags. A child with a gun is riding a scooter. Birds are flying. A city is falling. A party is lit.

A creature is born from the cosmos. In his journey through the void he searches for what it means to be human. Marching he soon finds himself chased by the chaos that comes along with finding a safe home-ground.

A corridor of an apartment is transformed into a claustrophobic and vertiginous vortex that swallows and imprisons you in an infinite fall through a mise en abyme: it’s a pure enclosure inside the image world, it’s the Descent into the Maelstrom.

Elétrico Magnético

A stasis work invoking the memory of the lynching of Mary Turner, a young, pregnant African American woman in South Georgia. Publicly demanding justice after the murder of her husband, Turner was kidnapped by a mob, hung up in a tree, set on fire, her child cut out and killed, and shot hundreds of times before being buried on-site in 1918. Returning to the origins of cinema, filmed on the exact date and time of Turner’s lynching 105-years earlier, # 3 uses form, time, light, shadow, and landscape as metaphor to not only invoke the memory of Mary Turner, but to also ponder perspective relating to racial violence, violence against women, our failure to acknowledge our past, and the racial divide that continues to exist today in the schizophrenia of America life.

A collection of restored prints from the Lumière Brothers.

An experimental sampled film which shows the pleasurable art of movies about movies through scenes inside of theaters.

The sequel to Lumière! L'aventure commence (Lumière! The Adventure Begins) reveals another hundred Lumière films, all immaculately restored, and aims above all to explore more deeply the history of the invention and affirmation of cinema in the world. This new feature-length film, following the great success and worldwide release of its predecessor, will confirm to audiences everywhere that the roots of the greatest and most beautiful works in the history of cinema lie in its origins, which are both profoundly French and truly international.

A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.

"Labyrinth" is a groundbreaking multi-screen 45-minute presentation produced for Chamber III of the Labyrinth at Expo 67 in Montreal, using 35 mm and 70 mm film projected simultaneously on multiple screens. A film without commentary in which multiple images, sometimes complementary, sometimes contrasting, draw the viewer through the different stages of a labyrinth. The tone of the film moves from great joy to wrenching sorrow; from stark simplicity to ceremonial pomp. It is life as it is lived by the people of the world, each one, as the film suggests, in a personal labyrinth. Re-released in 1979 as "In the Labyrinth" by the National Film Board of Canada in a 21-minute single projection format.

The corner of a street is matched and mixed with the chant of a bird recorded on that same street. A symbiotic relationship is triggered: the rapid and successively repetitive montage cuts between the image of the street and the corners of the video frame itself produce new textures and shapes in our brain, whilst the sound follows the same rhythmic movements by emphasizing different “corners” (frequencies) from the bird’s singing. The energetic potency stemming from the junction of these elements creates a new image that is almost tactitle, maleable and rippling. The result is a somewhat humorous operation of the portuguese word "corner" throughout the different stages of making the piece, finally unveiling a piercing physical and kinetic experience for all the corners of our eyes and ears.