Narciso

El Arte del Despues

Can an adolescent experience define our perception of love? Can or should everything be connected or have a reason? A character recounts to his niece or nephew, in the form of a confession, an event from his adolescence that defines his particular way of perceiving love. While this exercise serves to tell a story that, regardless of genre, has surely been experienced by more than one person, it expresses the director's idea that discourse can sustain a work on its own, even if what is depicted on screen appears to have no connection.

Desesperadas medidas

Using footage filmed in Peru in 1950 by a foreigner, Víctor writes a letter to his son to question the country he will inherit: among heartbeats and ruins, he searches for a hope that still endures amid disillusionment.

Ensayo 1º: Conversación.

Grata

In this video essay, the filmmaker reflects on the contrast between himself and the space around him, a student dormitory.

El doble fin de semana de los críticos

Growth is beautiful, and often progress, too, but if it's not measured, growth can be predatory. Made using the principles of essay film, and using an anonymous character, this film chronicles and critiques how provincial cities grow, change, and gradually lose their identity.

Fragmentos del reflejo en el espejo

Catherine and Mack and their close friends Chris and Madge graduate from a West Coast college and fly to New York City to find work.

Mazel Brouk

In and out of jail her whole life, Crazy Amy Stronghold seems to be stuck in a rut as a homeless street hustler, until her estranged daughter wants to reunite but not until she gets a real job and a house in suburbia. But when her daughter arrives unexpectedly, at her white-washed house, full of all her strongholds, Amy must learn how to be set free from within before her daughter is lost to her forever.

Huling Hininga

A teenager postpones his determination to become a songwriter so that he can keep his younger brother and two sisters together as a family following the death of their parents.

A magical tale about a man traveling home to claim his estranged father's inheritance when he encounters a peculiar stranger that seems to know everything about his life.

Arghya Sen who takes Mrinmoy's son Amartya's art classes, visits their house when the mystery unfolds. On his arrival, he learns that not only has Mrinmoy been killed, but Kaberi Bhattacharya, Mrinmoy's beautiful sister, is also missing.

The world out there is halted by a pandemic, and during lockdown, an apartment in Rome becomes the same as one in Milan, Naples, Paris, and New York. Each one lives a story identical to all the others, yet unique and personal. Four young people under thirty have been sharing an apartment for some time and, stopped by the infection, find themselves facing shadows bigger than living there. The opportunity to make some easy money at the expense of their shady landlord will lead to a crescendo of tension and delirium. The young people's choices and actions will become increasingly ambiguous as the consequences upend their dreams and hopes, fears and loves, until the unexpected ending.

Frederick Osborn is too busy to tend to his family duties and his wife Frances feels neglected. But Frederick's attention is caught when his wife takes up with a pair of companions to whom she is devoted, but whom he sees as more than a little shady.

When Mary O'Brien falls in love with Ernest Randall, the younger son of an English baronet, she gives herself completely to him and becomes pregnant. Her father (Robert Broderick), an Irish gentleman, finds this out and demands that she marry Randall.