Nothing Like Before delves into the creation of the Clube da Esquina Album (Brazil, 1972). Considered by many music critics one of the best albums of all time, it presented to the world musicians like Milton Nascimento, Lô Borges, Toninho Horta, Beto Guedes and Wagner Tiso.
Ruído das Minas was produced by journalists Filipe Sartoreto, Gracielle Fonseca, and Rafael Sette Câmara as a graduation project in Social Communication at Universidade Federal de Minas Gerais (UFMG). The film gained visibility after being screened at the first IN-EDIT Brazil International Music Documentary Festival in June and July 2009, in São Paulo and Rio de Janeiro. This exposure led to an invitation from MTV Brasil, and the documentary was later broadcast as part of the channel’s Doc.MTV programming block, dedicated to music documentaries. Heavy guitars, long hair, crosses, and demons: heavy metal from Minas Gerais became one of Brazil’s most influential scenes. Belo Horizonte gave rise to bands such as Overdose, Sarcófago, and one of the biggest metal acts in the world, Sepultura. Ruído das Minas tells this story through the voices of those who lived the early days of heavy metal in the state capital firsthand.
Não Sei Qual Cidade se Passa aos Olhos Dele
videomemoria
GêVê
Cruzeiro: As crônicas do Bicampeão da América
Curral Central
Nigim is an ufologist from the city of Passa Tempo in MG who recorded numerous appearances of et’s from the Planet of Jov. But now, it seems like who is being watched is him.
Bateria Meritíssima TABU 2023
Follow all the behind the scenes of Cruzeiro Esporte Clube's conquest and celebration of the Sixth Brazilian Cup. Unpublished images and testimonies of the club's tenth national title.
Amadeu
Pra Ver a Banda Passar
Memórias Culinárias do Quilombo Ausente Feliz
Gerais da Pedra
Soberano o Cruzeiro Resplandece
In the morning after the night they met, Alana and Laís talk on the phone about what that night meant to each of them.
Eva tries to confront her problems with menstruation but escaping the cycle of pain seems to be impossible.
La Folie Disneyland Paris : L'Anniversaire des 25 ans du Parc
Jean Reno discusses his career and his role in the film Léon: The Professional (1994).
A hotel in the centre of town is a war-time home and refuge for many of Sarajevo's homeless people. Every morning they leave the hotel and wander around the destroyed city gathering again at the defunct hotel in the afternoon. This film follows their separate fates through the bitter comparing of images of the bums with those of dogs abandoned by their owners and now left et the mercy of the war ravaged streets of Sarajevo.