SPLIT - Maggie Lindemann

The year is 2021. And Hong Kong is one match away from qualifying for the World Cup. Flash back to 2009. Cheuk-long, aged 18, branded a geek by his girlfriend and an all-round loser by his mother. But he has a dream, ignited by a no-nonsense, Churchill-quoting teacher and driven by a spirited, big-hearted coach. The wannabe footballer grows up overnight, and through blood, toil, tears and sweat, makes the big leaps from the substitute's bench to captaining the Hong Kong side. Three World Cups later, Cheuk-long is one free kick away from making history and legend.

A vibrant anthology of LGBTQ+ short films and music videos that delve into the complexities of youth, identity, and desire. This diverse collection showcases a range of cinematic voices—both emerging and established—exploring the exhilaration, vulnerability, and confusion of coming-of-age through stories that celebrate queer love, self-discovery, and the breaking of societal boundaries. Blending narrative shorts, experimental visuals, and music-driven pieces, the anthology offers an evocative, multifaceted portrait of innocence transformed.

Derrick is a struggling law student who takes a job as an awards show seat filler to make ends meet. One day, he is seated next to the beautiful pop superstar Jhnelle, who mistakes him for a well-known industry executive. With an instant chemistry, the unlikely pair begin to date.

A boy seeks revenge after a crazed weasel with a sniper rifle kills his father.

An intense short movie showing a turbulent marriage. The wife is always smiling. The man gets angry time and again.

A modern love story to the rhythm of rock in Mexico City.

The story of Ivan and Josh, two dimwitted ex-security guards who love music videos. Out of work, with no job prospects, they form a music video production company. They soon learn the ins and outs of the business in LA, and with some help from Mo Fuzz, they soon become hot property. But not all goes smoothly when they try to resurrect the career of their favorite R&B duo, the Swanky Modes.

A ballet dancer moves and shifts in a space unknown.

High schooler Asaya Kanata throws himself into creating music videos. One night, he is stunned by the voice of a woman performing live on the street in the rain. The singer is Yū Orie, who abandoned her musical career and has just started working as a teacher at Kanata's high school.

One of three films made as part of the multi-media project ‘Doem, Dood & Verderf’ (2017) by Mees Joachim, chronicling the most traumatic moments from three of their prior long-term relationships. This multi-media project took the form of twelve 100x65cm illustrations, 4 per relationship, an EP released as Pink Boah (Zalmroze in collaboration with Jerboah) and three experimental films backed by the three title tracks from the Pink Boah EP. Each of the three films is a self-projected character study, with the three relationships being depicted and acted out, by the artist and a placeholder model, through physical performance and touch. Visually it is most in line with the artist’s photographic series "The Gaze Upon The Male Gaze”, made for Sauce Magazine, with both the films and that photo series being highly sexploitative in nature.

One of three films made as part of the multi-media project ‘Doem, Dood & Verderf’ (2017) by Mees Joachim, chronicling the most traumatic moments from three of their prior long-term relationships. This multi-media project took the form of twelve 100x65cm illustrations, 4 per relationship, an EP released as Pink Boah (Zalmroze in collaboration with Jerboah) and three experimental films backed by the three title tracks from the Pink Boah EP. Each of the three films is a self-projected character study, with the three relationships being depicted and acted out, by the artist and a placeholder model, through physical performance and touch. Visually it is most in line with the artist’s photographic series "The Gaze Upon The Male Gaze”, made for Sauce Magazine, with both the films and that photo series being highly sexploitative in nature.

One of three films made as part of the multi-media project ‘Doem, Dood & Verderf’ (2017) by Mees Joachim, chronicling the most traumatic moments from three of their prior long-term relationships. This multi-media project took the form of twelve 100x65cm illustrations, 4 per relationship, an EP released as Pink Boah (Zalmroze in collaboration with Jerboah) and three experimental films backed by the three title tracks from the Pink Boah EP. Each of the three films is a self-projected character study, with the three relationships being depicted and acted out, by the artist and a placeholder model, through physical performance and touch. Visually it is most in line with the artist’s photographic series "The Gaze Upon The Male Gaze”, made for Sauce Magazine, with both the films and that photo series being highly sexploitative in nature.

Sal

In an isolated land, two creatures embark on a journey of adventure through uncontrollable forces of nature to find each other.

the story of one long day following a group of friends wasting their time in the summer. from moshing at house shows to stealing from gas stations in the pursuit of a first kiss.

Crab Day is a short film made to accompany Cate Le Bon’s eponymous album, released on April 15, 2016 via Turnstile. Directed by Phil Collins and shot on location in Berlin in the winter of 2015.

On a trip to attend a wedding, a young girl sees herself amidst a major rampage at a construction site of a flying city after a slight malfunction of her means of transportation.

Music video by The Weeknd performing "Double Fantasy", theme song from the series "The Idol".

A bored shop assistant has her day turned upside down when she is rocketed to Planet Love.

A short film with dialogue for Eason Chan's Mandarin song "Don't Mind Me" 社交恐懼癌 (from his most recent album "Chin Up"), which was produced as an extended backstory for the music video. The Chinese title literally translates as "social anxiety cancer". Starring Eason Chan himself, along with a guest appearance from Tony Leung Chiu-Wai.