Between Tables

An acting and directing exercise gone wrong.

A neurotic, alcoholic trans man struggles through navigating his social and love life.

Created by Antonio Rezza using an auto-timer and edited in the video camera, it describes selfishness and one-sided relationships. The only person who listens to everyone else’s problems ends up sopressing himself before the eyes of his confidantes/ executioners.

A scientist returns an alien egg back to its mama.

When a rogue priest discovers the exact date the Antichrist will be born, he enlists a Death Metal record store clerk and a cheesy TV psychic for an urban spree of gore, sacrilege and twisted humor to prevent the Apocalypse.

A guy opens up to his significant other while an unseen cameraman directs how his emotions should look.

Amidst a world in flames, a disillusioned workaholic returns to their childhood home in an attempt to escape from their apocalyptic day job.

When the owner of a struggling used car lot is killed, it's up to the lot's hot-shot salesman to save the property from falling into the hands of the owner's ruthless brother and used-car rival.

A man killing himself because he’s unpopular. Analisys of the suicide of a man who had never been born or seen.

I HAD A... (DREAM) unfolds as a trip where dance, stop-motion animation, sound, and imagery interplay, far from established dimensions and expectations. Mushrooms immerse the viewer in a dreamlike space, where the film becomes a site for deviation and disruption.

A husband and wife suffering from an undefinable defect in their relationship seek guidance from an "alternative" therapist who advises them to take a weekend vacation to Joshua Tree and drop acid together as a antidote to their problematic marriage. But not all trips go as planned.

A seagull, a dog, a child, a call to prayer; Looking through a window, the corridor of a train, the wall of a medina; Everyday life is momentarily paused through the eyes of a stranger in an unknown land.

Placing a word widely acknowledged as amongst the most offensive in the English language into the hands of each of the women in her video, Minter reclaims it from chauvinistic associations and rescues it from centuries of censorship and degradation.

The portrayal of a gargantuan baby splashing through silver paint.

The word “me” sinking into a bubbling puddle of metallic goo. The piece is about how narcissistic artists have to be to make their work, but by admitting their narcissism, they can at least take some steps to control it.

The model’s feet are uncomfortably squeezed into the heels, and her movements are slippery on slick silver liquid, before she slowly and ominously destroys the glass pane separating the subject from the viewer.

Along the silver stream

A winged creature begins the precarious return from the city to the forest. There she will meet a group of mysterious beings who guide her to the heart of the forest. Step by step, they push her to transform, to leave herself behind. What happens when you decide to return to the forest?

Relaxing in the park, haunted by the tower, city, and modern world, hallucinated by the internet.

An homage to the influential practice and philosophy of artist Nasreen Mohamedi. The film incorporates Mohamedi’s personal notes and her unique singular vision, drawing upon the aesthetics of the bare line, and its metaphysical journey eliminating physical borders/barriers.