The world through their eyes

The Algerian region of Tindouf is home to more than 170,000 Sahrawis, who have been living in refugee camps since 1976, when Morocco occupied the Western Sahara region. In a place of inhospitable conditions and scarcity, the Sahrawi population lives on dwindling humanitarian aid. Six percent of them face the added difficulty of coeliac disease.

My Sahrawi family' is a report - documentary that reflects the bonds of unity between Sahrawi families and Spanish families who every summer welcome minors from refugee camps into their homes.

The Sahrawi people have lived in exile for almost half a century in the driest desert of the African continent. There, where basic resources such as water are scarce, there is a film school. As the world looks the other way, a group of young filmmakers carries out a battle against oblivion.

This is the true story of Fetim Salam, a Saharawi refugee falsely portrayed as a slave in the Australian documentary 'Stolen'. Australian filmmakers, Violeta Ayala and Daniel Fallshaw, travel to the Saharawi refugee camps in Tindouf, Algeria in 2007 and claim to discover 20,000 slaves in the camps run by the independence movement Polisario Front. Refugees are outraged for being portrayed as slaves, and humanitarian aid workers are incredulous about these allegations as they know the camps intimately. Filmmaker Carlos Gonzalez retraces their steps in search of the truth and finds a web of lies, misinformation and Moroccan operatives reshaping the truth.

"Legna: speak the Saharawi verse" is an audiovisual poetry story that traces the essential elements of the Saharawi culture, chaining the verses recited in a rigorous and evocative way in Hasania and Spanish by the poets and poetesses themselves. Poems that sing and evoke the essence of Bedouin material culture linked to the movement from Saquia el Hamra to Rio de Oro. A magical journey from the Draa River in the north to Agüenit and Leyuad on the southern border with Mauritania, from the coast with the white beaches of Bojador up to the vague boundaries of the Badia. A Saharawi national territory marked by the trace of the recent history of revolution, war, resistance (intifada) and waiting. Territory, history, culture, basted from poetry full of life, love and nostalgia.

In this exclusive broadcast, Democracy Now! breaks the media blockade and goes to occupied Western Sahara in the northwest of Africa to document the decades-long Sahrawi struggle for freedom and Morocco's violent crackdown. Morocco has occupied the territory since 1975 in defiance of the United Nations and the international community. Thousands have been tortured, imprisoned, killed and disappeared while resisting the Moroccan occupation. A 1,700-mile wall divides Sahrawis who remain under occupation from those who fled into exile. The international media has largely ignored the occupation—in part because Morocco has routinely blocked journalists from entering Western Sahara. But in late 2016 Democracy Now! managed to get into the Western Saharan city of Laayoune, becoming the first international news team to report from the occupied territory in years.

Young Mohamed Dih, who in Seville, returns to his birthplace – a refugee camp in Western Sahara. Time flows differently here: the times of the day are marked by calls to prayer and the seasons – by the rainfall. When a torrential downpour destroys his family’s home, the protagonist stays in the camp for longer to help to rebuild it.

Straddling a 2,400-kilometer-long wall constructed by the Moroccan army, the Western Sahara is today divided into two sections — one occupied by Morocco, the other under the control of the Sahrawi National Liberation Movement’s Polisario Front. Drawing from stories of flight, exile, interminable waiting and the arrested, persecuted lives on both sides of that wall, this film bears witness to the Sahrawi people, their land, their entrapment in other people’s dreams. In an esthetic that sublimates the real, Lost Land resonates like a score that juxtaposes sonorous landscapes, black-and-white portraits and nomadic poetics.

The Nomad Garden is an ode to the impossible. A young Sahrawi refugee shows how he grows organic vegetables and herbs in one of the most inhospitable places on Earth, overcoming challenges like the lack of water, extreme temperatures and a barren soil.

The political upheaval in North Africa is responsibility of the Western powers —especially of the United States and France— due to the exercise of a foreign policy based on practical and economic interests instead of ethical and theoretical principles, essential for their international politic strategies, which have generated a great instability that causes chaos and violence, as occurs in Western Sahara, the last African colony according to the UN, a region on the brink of war.

In the depths of the Algerian desert the Sahrawi people have been dwelling in the refugee camps for over 40 years. Camps gradually turned into settlements, named after towns in their homeland Western Sahara. One of them is called El Aaiún.

Tebraa is the song of the women of the Sahara desert. Songs of love or lamentation that they sing when they are alone. This collective documentary made by a group of Andalusian women tells the life and injustices that Sahrawi women experience in the adverse conditions of exile and in the occupied territories of Western Sahara.

Documentary about the arduous early years of the Sahrawi cause (1977)

The rocky desert in southwestern Algeria is the temporary home of about 150,000 refugees from Western Sahara. Goats grazing or the opening of a beauty salon are among the many scenes of everyday life of people who are eagerly awaiting the beginning of the film festival. The observational documentary captures the unwavering love of film in a place that the world has forgotten.

Sahrawi artist and visual poet Mohamed Sleiman Labat follows the story of the emerging phenomenon of small scale family gardens in his local community in the Hamada Desert. The film features the story of four families in Samara Camp with small scale gardens, their practices and the knowledge they develop as part of their practices in the garden. The camps are located in a very harsh environment with extreme climate conditions, and the Sahrawi are still dependent on international food aid.

The Sahara desert occupies a third of the African continent and is one of the most inhospitable regions on the planet. The region is dry enough to mummify corpses and kill bacteria. For centuries, the Sahrawis have lived under these extreme conditions in the desert. In 2019, the GalileoMobile project carried out astronomical outreach activities in the five Saharawi refugee camps to exchange knowledge and representations of the cosmos.

Benda, a young Sahrawi woman in the diaspora wonders about the future of her people's children and women. We accompany her on an emotional journey to the refugee camps to see the more human face of the conflict. The film leaves the political as a mere context to focus on the dreams and drama of a people determined in their struggle to return home.

It describes the way of life of the Sahara people in the Western Sahara Desert, in particular it tells the story of a child bitten by a snake.

The narrative of resistance of Sahrawi poet Jadijetu Alaÿat flows against the background of raveling images from an unknown land.

Reality documentary that chronicles the Saharawi refugees living in camps in the Tindouf Hammada, Algeria, Sahara desert. Through an informative overview of the events that led them to this situation and the statements of four of its people we understand their past, we discover their present and get to know their future