Песни родной стороны

A bissele Glik

"Scottish Myths & Legends" explores the magic, mystery and sprinkling of mayhem that covers the dramatic landscape of Scotland. From the ancient tales of the Loch Ness Monster to the stories of shape shifting Kelpies, we go on a fascinating journey of discovery to uncover the stories behind the myths and the magnificent Scottish landscape that has inspired these truly legendary legends.

Fašánek

Sviatočné chvíle rodov Hontu a Novohradu

Jízda králů

Karol Plicka was an important musician and composer. He recorded folk songs immediately after hearing them in musical notation to preserve them for future generations. Similarly, he records and interprets traditions associated with dance, folk song and local stories that vary from region to region in his film The Eternal Song. The short documentary presents merry-making in Slovak and Czech regions that are changing with the coming modernization and transformation of musical records.

Lidé pod sněhem

Valašské tance

Six part TV series where Karpo Godina filmed common folk, showing the world of people who have filled their lives with hobbies and skills of their own making. It features gold panners on the river Pek, a shepherdess who plays music on a leaf, a football fan, a potter, and an unusual orchestra.

Hrály dudy

Ľudoví umelci

Taneční zeměpis I. – Z Moskvy do Prahy

Taneční zeměpis II. – Z Balkánu do Prahy

Taneční zeměpis III. – Mládež pěti kontinentů

Exploring the obsessive, compulsive, and competitive side of the dance world, Seize deconstructs the festive, enchanting, and imperfect image of Quebec folklore. It is through the synchronicity of movement, concomitant rhythms, the appropriation of space, and tangible coincidences that the jiggers convey their passionate obsession with this art.

Walker takes us on a personal journey into a world of myth and imagination that he learned from his grandmother. He travels from the Moors of Devon and the Highlands of Scotland to the brooding Celtic landscapes of Ireland and the intimate hills of Cape Breton, in his search of this potent “otherworld” of the imagination.

Rozprávkár

Chan Kwai-sheung visits the brothel with So Tung-bo while his wife, Lau Yuk-ngo, is sleeping. As this is the first time Sheung did this, Ngo wants him to suffer and so makes him wear a lamp on his head. During the Lantern Festival, the Emperor has fun with his officials. After a few drinks, Bo says that Ngo has lost the virtues of a woman. Ngo immediately appeals to the Emperor. All the women there, including the Empress, say that Bo should be punished. Bo is unhappy and invites his cousin, Kam Cho, seduce Sheung to make Ngo unhappy. Sheung, a philanderer, schemes to take Cho as his concubine. Ngo finds out and beats him. Bo urges Sheung to divorce Ngo. Ngo is furious and lodges a complaint with the imperial court. The Emperor allows Sheung to have a concubine. Ngo pleads that she would rather drink poison than let Sheung take a concubine. Feeling remorseful, Sheung drinks the poison after his wife. Fortunately, the queen has switched the poison with vinegar. The couple reconciles.

The film presents a parade of customs, music, songs and dances of the Slovak people in four seasons, based on a theatre play by I. Teren and K.L. Zachar from the first years after the liberation.

Kandráčovci & Čechomor