An experimental documentary looking at the transgender experience around the world over two hemispheres, three continents and with four interviewees. The film employs limited B roll shots or edits during the interviews, instead opting to have the interviews mostly uncut, with the goal of creating both a level of sincerity and a conversational narrative between any one of the interviewees and the audience.
Ninja is famous around the world for her fierce ballroom performances, but she is not as well-known in her native country of French Guyana. But a trip home to teach a workshop might change that.
The artist stalks and serenades Joe Dimaggio in her car as he strolls the docks unaware that she is videotaping his every step.
A man sees mountains and sets out to recreate them. During a traverse across the Western United States, we observe familiar sites in a new light, and the world gets lost in the fold.
A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.
Trailblazing artists, activists, and everyday people from across the spectrum of gender and sexuality defy social norms and dare to live unconventional lives in this kaleidoscopic view of LGBTQ+ culture in contemporary Japan.
Activists of the LGBTQ+ association Rain Arcigay Caserta come back living in a property given to them in concession, confiscated from the Camorra in Castel Volturno. The goal is to reconnect with the local inhabitants and propose a new idea of sharing and regenerating the park.
A short documentary immersing you in the intimacy and harsh reality of young LGBTQ+ artists, working in Los Angeles in the midst of the glamorous neighborhood of West Hollywood.
The voices of five gay men who cruised for sex at the World Trade Center in the 1980s and 1990s haunt the sanitized, commerce-driven landscape that is the newly rebuilt Freedom Tower campus.
It takes courage to be a queer teenager at an LGBTQIA+ youth summer camp. Along with 65 other queer youngsters, Faas, Fano, Jeroen, and Finley are on their first summer camp, spending five intensive days of workshops that teach them how they can love themselves more. For the first time in their lives, the youths are surrounded by peers, all struggling with the same problems and feelings. As different as they are, they all share one thing: the need for contact and understanding. Mutual recognition of each other’s childhood or coming-out stories stirs up more emotions than they may have thought. Will this help them get closer to each other and eventually themselves?
In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.
Chileans are asked about their definition of the word (and the concept of) "power", as they answer images flash on the screen of powerful and powerless figures in Chilean history.
A trip that the author makes to a distant beach trying to find the place where his grandfather made a painting years ago.
Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.
Fragments from Brussels, about the flow of the city, A cinema, A body, A film, and a wind that blows through the town. The film is a Schizomentry experience that blends real stories and fiction. After all, where is the border?
Homophobia is a recurring issue in Arab and Muslim societies. However, many people from these communities also identify with the LGBTQ+ community. The short documentary HARAM explores the relationship between Muslim religious identity and queer sexual identities through discussions, testimonials and performance art.
"Emotional memories that had formed the ambiguous boundaries between reality and fantasy began to divide exactly in two, and at the same time there was no emotion left on either side of reality and fantasy." Chang Gyeong is the name of a palace in central Seoul - a palace that was turned into a zoo by the occupying Japanese.
Inside a computer a space-time is revealed in which image and sound become numbers and motion manifests as rhythm, flow and chaos. This tracking and integration experiment removes the superficial identity of video to detect kinetic disturbances in everyday environment.
An inspiring 75min DIY documentary film on new art and the young artists behind it. It was all filmed on the heat of live action of the first NOVA Contemporary Culture Festival, July and August 2010 in São Paulo, Brazil.
Peter Alexander, interviewed in Sydney, born and brought up as Mavis Higgins in New Zealand, speaks of his sex change from female to male. He discusses the aspects of his personality when younger which influenced his decision, his view of women in society and his plans for the future. Although Peter talks about shaving it is not clear if any medical intervention had assisted his sex change. The predominant voice in this clip is that of Alexander, dressed in jacket and tie, talking cheerily about his interest in sport, his awareness that his "male side and personality" were always dominant, his desire to marry and continue with his musical career. The story was sensationalised in the tabloid newspaper of the day "The Truth".