A Coyote Walks

A teenage skateboarder becomes suspected of being connected with a security guard who suffered a brutal death in a skate park called "Paranoid Park".

When actress Nikki Grace gets the lead role in a cursed film, her world becomes more and more surreal, blending realities and ideas of infidelity, reincarnation, and supernatural forces.

A lone man’s ordinary life takes a surreal turn as strange and unexplainable events begin to unfold around him.

in my darkest moment, fetal and weeping, the moon tells me a secret, a confidant As full and bright as I am, this light is not my own and a million light reflections pass over me, the source is bright and endless. She resuscitates the hopeless. Without her, we are lifeless satellites drifting.

The corner of a street is matched and mixed with the chant of a bird recorded on that same street. A symbiotic relationship is triggered: the rapid and successively repetitive montage cuts between the image of the street and the corners of the video frame itself produce new textures and shapes in our brain, whilst the sound follows the same rhythmic movements by emphasizing different “corners” (frequencies) from the bird’s singing. The energetic potency stemming from the junction of these elements creates a new image that is almost tactitle, maleable and rippling. The result is a somewhat humorous operation of the portuguese word "corner" throughout the different stages of making the piece, finally unveiling a piercing physical and kinetic experience for all the corners of our eyes and ears.

A coyote adopted by an old Navajo, Delgado, thinks he is a sheepdog, though he is not accepted by the other dogs of the area.

Landscapes revealed themselves through text, paper through movement, while the sun gave them relief. This is a journey across found words, enunciating a discovery, their textures constructing the sea and the waves, in a travelogue from the first exploration, the first step over the sand towards the shore. “Amor” writes this joy to underline it in its time, captured on paper. This film has been composed through a scanner, and it’s the first chapter of the “Reír al Sol” series.

Filmed during summer 2019, Jesus Is King brings Kanye West’s famed Sunday Service to life in the Roden Crater, visionary artist James Turrell’s never-before-seen installation in Arizona’s Painted Desert. This one-of-a-kind experience features songs arranged by West in the gospel tradition along with new music from his forthcoming album.

Four young men have the same dream in which a mysterious voice tells them to search for Wal-Mart. They each awake and manage to find each other. A soothsayer offers very clear directions to their destination, but secretly plans to sabotage their journey. Several weird mishaps occur on their adventure.

The innovative and influential British filmmaker Derek Jarman was invited to direct the Pet Shop Boys' 1989 tour. This film is a series of iconoclastic images he created for the background projections. Stunning, specially shot sequences (featuring actors, the Pet Shop Boys, and friends of Jarman) contrast with documentary montages of nature, all skillfully edited to music tracks.

WHAT ARE DREAMS? Alesia asks herself these question as she guides us on a psychedelic and abstract journey on the limits of the senses of dreams.

When brash Texas border officer Mike Norton wrongfully kills and buries the friend and ranch hand of Pete Perkins, the latter is reminded of a promise he made to bury his friend, Melquiades Estrada, in his Mexican home town. He kidnaps Norton and exhumes Estrada's corpse, and the odd caravan sets out on horseback for Mexico.

The conventions of documentary, musical theater, and magical realism are combined and subverted to address issues of personal, national, and artistic identity through the eyes of a composer desperate to pull off one final backer’s audition whilst hounded by a disdainful documentarian named Charon.

After I had already begun to conduct my first cinematographic experiments in 2015, I shot between 2016 and 2019 (during my time as a student in Rostock) exclusively for this "No Budget Feature-Length Experimental Film", now titled "Transfragmentation", which was originally conceived to last three hours, based on Werner Fritsch's "Faust Sonnengesang" (2011), but now has a running time of approximately two hours. In 2015, I also began my correspondence with the Brussels-based Sound-Artist Unenthüllte, who eventually composed four twenty-minute pieces for this work and has to be regarded as my sole artistic collaborator in this sense. My cinematographic concept was clearly outlined from the beginning: The duration of each shot is exactly 1 minute. Only two elements diverge from this primary premise: The Seventeen Minute Prelude, Created In Post-Production (2020-2022), And The Slow Motion Sequences Involving My Voice-Over, Which Linger In The Heart And At The End Of The Work.

What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.

When forest animals invade our cities, the world is in disarray. Office vixen Fiona struggles with her banana phone addiction. Will she succumb to it? Temperamental bunny Barbara only gives her stag sugar daddy Nestor his special massage, after he dines her and plays the big spender. This obscure short film pinpoints postmodern tropes of consumerism, eroticism, and art with an homage to the theater stage and references to literature. This work uses a fantasy language and needs no subtitles.

Otis is a mischievous, carefree Holstein cow who lives on a farm where, unbeknownst to humans, the animals are anthropomorphic. He prefers having fun with his best friends: Pip the mouse, Freddy the ferret, Peck the rooster, and Pig the pig - rather than following strict rules and accepting responsibility. This annoys his stern adoptive father Ben, the leader of the farm's community. One evening, Otis convinces Ben to cover his night watch so he can attend a massive party in the barn and impress Daisy, a pregnant cow who recently arrived at the farm with her best friend Bessy as a newcomer. As the animals party, Dag the coyote and his pack attempt to raid the chicken coop. Ben fends them off alone but is fatally wounded and killed. Otis must now learn the value of responsibility when he becomes the leader of his farm home's community.

A student finds out he is late for his train.

In 1960s France, a jazz musician becomes the subject of an impromptu documentary.

TEN`I-III