A Coyote Walks

A teenage skateboarder becomes suspected of being connected with a security guard who suffered a brutal death in a skate park called "Paranoid Park".

Three memories that become one. An attempt to merge heterogeneous materials: a film sequence shot in Rome, a photo from the 1930s, a noisy soundtrack. Fragmented lines, exploding bass frequencies and flickering.

When brash Texas border officer Mike Norton wrongfully kills and buries the friend and ranch hand of Pete Perkins, the latter is reminded of a promise he made to bury his friend, Melquiades Estrada, in his Mexican home town. He kidnaps Norton and exhumes Estrada's corpse, and the odd caravan sets out on horseback for Mexico.

When the farmer's away, all the animals play, and sing, and dance. Eventually, though, someone has to step in and run things, a responsibility that ends up going to Otis, a carefree cow.

An animated film drawn entirely in pastels. Various fantastical plant-like things "grow" from the ground, eventually launching five spheres. The spheres drift in space while changing shapes and come back down to another setting, which eventually becomes more fantastical and symbolic than the opening one. The soundtrack has a jazz slant, with an ensemble of four saxophones and synthetic sound (i.e. sound created by drawing directly on the soundtrack).

"Labyrinth" is a groundbreaking multi-screen 45-minute presentation produced for Chamber III of the Labyrinth at Expo 67 in Montreal, using 35 mm and 70 mm film projected simultaneously on multiple screens. A film without commentary in which multiple images, sometimes complementary, sometimes contrasting, draw the viewer through the different stages of a labyrinth. The tone of the film moves from great joy to wrenching sorrow; from stark simplicity to ceremonial pomp. It is life as it is lived by the people of the world, each one, as the film suggests, in a personal labyrinth. Re-released in 1979 as "In the Labyrinth" by the National Film Board of Canada in a 21-minute single projection format.

An actress’s perception of reality becomes increasingly distorted as she finds herself falling for her co-star in a remake of an unfinished Polish production that was supposedly cursed.

Metamorfosi is a veritable dance ballet on the rocks, performed by a great climber, Patrick Berhault, set on the picturesque French Riviera and the Lingurian coast. Berhault's movements, in the sea, in caves, on rocks and precipices, are extremely difficult but are above all executed to give the movement an aesthetic value. Matemorfosi is the story of a cycle without words, told with gestures and music. Climber Monica Dalmasso also participates in the film.

A corridor of an apartment is transformed into a claustrophobic and vertiginous vortex that swallows and imprisons you in an infinite fall through a mise en abyme: it’s a pure enclosure inside the image world, it’s the Descent into the Maelstrom.

My Hair is a River of Tears is a hypnotic experimental animation that plunges viewers into the isolating depths of schizophrenia. Through poetic visuals and haunting narration, the film traces a solitary journey across surreal cityscapes and shifting inner landscapes. As the protagonist’s thoughts unravel - sparkling with hope, yet clouded by fear - the world becomes a kaleidoscope of anxiety and longing. Dreamlike imagery and a flowing, lyrical script immerse us in the raw emotions of loneliness, confusion, and fleeting hope, offering a powerful meditation on the lived experience of mental illness.

A witness to his mother’s death at the hand of a man, the coyote, Chico, has learned to hate and fear him. Taken into captivity and exhibited in a small desert roadside zoo, he learns much but never loses his bitterness toward his enemy: man. Chico makes his escape and bounds off for a life of adventure in the desert where he mates with Tula. He sees an eagle grab one of his pups and worries when his mate raids a chicken coop. Realizing the dangers of man, Chico decides to take his family deeper into the desert to help his family try to win the battle for survival.

Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.

A young boy creates a make believe world to escape his truth, a world where, at the water's edge, beneath the shade of an ancient tree, a mother forms a perimeter to protect herself and her child from an unspeakable darkness.

A surprised coyote stowaway on a freight train ends up in Nashville where he meets a friendly beagle and an aspiring songwriter. The songwriter is unable to sell his songs, so he returns to California, taking the coyote back to his desert home

A tactile exploration of the inherent duality of violence and sensuality in nature.

The night before her eighteenth birthday recital, an overworked and undertalented pianist is abducted by three ghouls.

The innovative and influential British filmmaker Derek Jarman was invited to direct the Pet Shop Boys' 1989 tour. This film is a series of iconoclastic images he created for the background projections. Stunning, specially shot sequences (featuring actors, the Pet Shop Boys, and friends of Jarman) contrast with documentary montages of nature, all skillfully edited to music tracks.

Visual companion to the album Oh My God by Kevin Morby. Described by Morby as "half documentary and half dreamscape."

Following a tragic event that shattered her life, renowned author Alice Chevalier struggles to find meaning in her existence. Searching for answers and a sign from destiny, she meets Thomas, a mysterious man who offers her an experience that defies the boundaries of reality. Driven by the hope of rebuilding herself, Alice embarks on a mystical journey, like an astronaut venturing into the far reaches of the unknown.

After tragedy strikes a bustling London neighbourhood, disarray ensues, and our hero becomes lost to their pain. A cherub-like spectre soon appears, embodying the change the community desperately craves. All bear witness as winds of hope and unity take shape and the seeds are sown for their growth out of grief