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Official music video of the song 'las miradas' by Cuñados Invisibles

The music video plays with the concept of bad habits, portraying a group of interconnected characters whose harmful routines lead them to live out this story.

Official music video of the band Cuñados Invisibles, where our protagonists delve into the world of the subconscious.

A story of young and eternal love creates the perfect atmosphere for the official music video of *Superamor*, by Fran Aguilar, Cuñados Invisibles, and Blanca Soler.

Official music video of the song 1:01 by Cuñados Invisibles.

Official music video of the band Cuñados Invisibles.

"Temazcal, the documentary" is the final result of over a year of collecting audiovisual material from the emerging Seville-based band Cuñados Invisibles. It offers a look through videos, images, and interviews at what it's like to form a music group from scratch, as well as the creation process of their first album, "Temazcal".

In 'El Regreso', you’ll see the process of evolution and change over the past year of Cuñados Invisibles — from their split, to the first meet-ups, to the hiring of their new vocalist, Rocío Ponce.

Alejandro Sanz - La musica no se toca (En vivo)

Show recorded at the Zénith in Strasbourg on January 19 and 20, 2014 for the benefit of the Restos du Coeur.

When Black Bill's father is murdered and his uncle kidnapped, he sets out in pursuit of the perpetrators.

Florent Pagny, la voix nue

A video designed to challenge existing models of AIDS treatment in our society. Using a collage of elements as well as techniques from video and performance, the themes of mourning, urgency and healing are explored in a poetic and highly charged video. Got Away in the Dying Moments suggests natural alternatives to the current treatments and attitudes that constrain our hearts and minds with respect to the AIDS crisis.

Richard Locke was the star of the Gage Trilogy, ground-breaking feature length gay porn films made in the late seventies. This tape is a document of an erotic performance intercut with statistics of HIV transmission in North America.

A miniature film set to classical music. The film was made using combined animation techniques and was inspired by Antonio Vivaldi's "Winter" from "The Four Seasons." It tells the story of the most important periods in a person's life. The image combines elements of winter landscapes associated with old age. The story of human biological existence is a pretext for philosophical reflections on transience and the meaning of life.

A film miniature set to classical music. The theme of the musical piece serves as a pretext for an allegorical tale about the conception of life and human maturation. A colorful butterfly flies out of the pupil of an eye and merges with a man's face. Another butterfly lands on an orchid flower, merges with it, and then turns out to be a woman's face. The butterfly-shaped faces merge with each other. After a moment, the camera follows a tiny seed rushing deep into matter. The seed grows dynamically and transforms into a human embryo. From this moment on, the images on the blocks – puzzles – change very quickly: they show life from the birth of a child, through taking its first steps and discovering the world, to reaching full maturity.

Lato z cyklu „Pory Roku”

Xuxa Festa: Ao Vivo

Show de Natal da Xuxa: O Direito das Crianças a Ter Direitos Iguais

A film miniature set to music from Antonio Vivaldi's concert The Four Seasons. The seasons are linked in film impressions to periods in human life. The film refers directly to the theme of autumn in relation to man and his "autumn" season of life. During this period, despite a certain stability, people try to be active and creative. To this end, they draw on their wealth of experience and mature reflections. However, memories increasingly creep into their daily routine of intense work. They want to capture the color and mood of these memories and preserve them in their minds through associations with music.