Film reconstruction of five real stories about the heroic deeds of the residents of Kyiv region during the Russian occupation. A story about those who heroically and selflessly saved tens of thousands of Ukrainian lives.
The life of Ukrainian-Soviet avant-garde composer Alexander Mosolov inspires three stories about creation and individualism in the face of state power, set against the Great Purge of the 1930s and the ongoing Russian invasion of Ukraine.
Documentary about Ukrainian heroes and others who keep making music in the harshest conditions, to lift people's spirits during the war with Russia. Shot on location in Ukraine, Russia, and Poland.
Lugansk region, May 2014. The Novozhilov family, by chance, finds itself in the thick of events in Lugansk. Vlad Novozhilov is a former participant in the war in Afghanistan. He knows firsthand what war is. Having seen enough of the horrors of war in his time, in principle he does not even want to touch a weapon. In a situation, he sees only one way out - to leave the country. But you can't run away from the war, the border is already closed. To save his family, he will have to make difficult moral choices.
A dance symbolizes the inner struggle of a teenager in a war-torn Ukraine.
The story of war, love and death that was documented by the immediate participants of events. Off screen and later on it are the two - a boy and a girl. He volunteered for the front; she went to the place just after the battle. He got into Ilovaysk cauldron, lost his closest brother-soldiers. She, while travelling along the ruined towns, strives to understand the essence of war and love. Both tell openly one another about their feelings during the war, escaping the cauldron, a try to live together after, and a common trip to the frontline.
The story of trust and its absence against the background of events unfolding in Eastern Ukraine in early 2014. The main topic is revealed through the prism of the Luhansk border base, whose fighters the separatists and Russian special services tried unsuccessfully force to betray their country.
In the spring of 1994, a series of mysterious events occur in the small town of Stryhiltsi, Luhansk Oblast, Ukraine. While several of the town's children go missing, three teenage boys discover a local Soviet-blocked river, which appears to have the ability to send a diver 30 years into the future. When the boys try it out, they find themselves in the Russian-occupied Luhansk Oblast in the 2020s, where they find a connection between the local kidnapper and the "time machine" river.
When war erupts in his homeland of Ukraine while visiting Los Angeles, a young traveler Andrii faces a soul-searching journey. He grapples with the guilt of leaving his country behind and the desire to return and make a difference. Through near-death experiences and cultural clashes, he learns the true meaning of nationalism and the power of love.
Between February and April 2025, filmmakers Bernard-Henri Lévy and Marc Roussel filmed the Pokrovsk and Soumy fronts in eastern Ukraine, following the fighters of the Anne de Kyiv Brigade, armed by France. They filmed the daily lives of the inhabitants, bombarded by Russian forces terrorizing civilians on the eve of possible negotiations. They interview President Zelenskyy, who is reluctant to travel to Washington, and then watch the rebroadcast of the meeting with Ukrainian soldiers in a bunker. For the real heroes are the anonymous fighters and civilians who hold their heads high in the face of adversity and suffering, and who are filmed on a daily basis. The final part of Lévy’s “Ukrainian Quartet”, Our War is a diary, peppered with flashbacks in which the author recalls the high points of this war that began in 2014.
The story of a Ukrainian family living on the border of Russia and Ukraine during the start of the war. Irka refuses to leave her house even as the village gets captured by armed forces. Shortly after they find themselves at the center of an international air crash catastrophe on July 17, 2014.
A couple races to rescue their kidnapped daughter from occupied territory. When a deal fails, commander SOVA and engineer SID launch a daring operation livestreamed worldwide by a journalist who must choose between escape and truth.
After the downing of the Ukrainian plane, the crew members find themselves in the occupied territory of Donbas and are forced to get out of there alone, for which they will have to turn the "double Immelmann" with their lives. The mother of one of the crew members, who is trying to help her son escape from captivity.
Katia, a volunteer from Kyiv fighting against the invasion of Ukraine, uses a laptop donated to the resistance and comes into contact with the young son of the computer’s original owner, who is desperately in search of his missing parents. Her attempts to help the child will see her risk all she holds dear.
A Russian war propaganda film about a virtuoso violinist from Belgium witnessing war crimes.
In temporarily occupied Luhansk, the occupiers are trying to destroy any mention of Ukraine - they impose a distorted history on Ukrainian students, in universities in the temporarily occupied territories, Russian occupation forces burn Ukrainian books. A history teacher organizes a secret Ukrainian studies society, one of the tasks of which is to preserve Ukrainian literature.
When the war breaks out in Ukraine, Sasha — a father and civilian — is forced to redefine his role overnight. What begins as a mission to protect his family quickly turns into a commitment he cannot abandon. As he moves between home and the frontline, between care and combat, Sasha is caught in a growing tension between responsibility and survival. Heading Home is an intimate portrait of a man navigating impossible choices, where the idea of “home” becomes uncertain.
After spending months as a prisoner in Donbas, Ukrainian aerial reconnaissance expert Lilia returns home to her family. But the trauma of captivity continues to torment her and surface in dreamlike ways. Something growing deep within Lilia will not allow her to forget, yet she refuses to identify as a victim and will fight to liberate herself.
Mykola is an eccentric pacifist who wants to be useful to humanity. When the war begins in Donbas, Mykola’s naive world is collapsing as the militants kill his pregnant wife and burn his home to the ground. Recovered, he makes a cardinal decision and gets enlisted in a sniper company. Having met his wife’s killers, he emotionally breaks down and arranges “sniper terror” for the enemy.
A young Ukrainian street photographer reflects on his feelings of longing and connection to his father as he explores the streets of New York City.