From Muybridge and Porter, passing by John Ford and Howard Hawks, all the way to Sergio Leone, Quentin Tarantino and the Coen brothers, a story of a cowboy trying to escape death cut from over 100 films.
In Preparação I (Preparation I) Letícia Parente prepares herself to go out. In front of a bathroom mirror, she places bandages over her mouth and eyes, draws eyes and a mouth over the bandages, fixes her hair, takes her bag and leaves the room. This masquerade becomes a political commentary about the female gaze, voice, modes of interaction, sociality and corporeality in Brazilian society during the 1970s.
To produce speech, a set of mechanisms must be brought together. What is the normal articulation for speech? How to produce the sounds that make it up in the correct way? A physiological analysis of the aspects of speech shows us how: the jaw must move in a certain way; the air must be expelled from the lungs in another. Based on the concepts stated in the film "Normal Speech Articulation" (1965), produced by the University of Iowa (USA), we intend to reflect on the way women have been represented, and consequently educated, over the years, both in film and in the media. Largely composed of archival footage, this film intends to make evident, through a montage inspired by Structuralist movements, the violence of this education.
A cine-essay about the ego death and consciousness rebirth.
As people overrun tourist attractions, the inherent beauty crumbles to dust.
A reflection on man's relationship and needs with the earth, with the self and with hope.
“Belladonna Museum” is a short film that portrays a personal experience of a transgender woman in a tragic love relationship: it is a visual poetry that reinterprets iconic paintings from surrealism and post-impressionism to address themes such as emotional dependence, loneliness, objectification, the attachment and the abuse both emotional and physical.
When actress Nikki Grace gets the lead role in a cursed film, her world becomes more and more surreal, blending realities and ideas of infidelity, reincarnation, and supernatural forces.
Made entirely as stopmotion, this experimental short compiled over 900 images of pure strangeness, with frightening visuals and disturbing sounds.
The wind carries an aspiring healer into a chaotic, virulent parallel world. Paralyzed by a familiar universe that is gradually becoming distorted, she discovers she has the power to stop time.
A seagull, a dog, a child, a call to prayer; Looking through a window, the corridor of a train, the wall of a medina; Everyday life is momentarily paused through the eyes of a stranger in an unknown land.
A teenage skateboarder becomes suspected of being connected with a security guard who suffered a brutal death in a skate park called "Paranoid Park".
Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror tropes. A corresponding soundtrack of stock screams and "scary" music suggests that the girls' toying with gender roles and power dynamics may have dire consequences.
A sensual hommage to Germany's most productive queer filmmaker, Rosa von Praunheim.
A hen questions the meaning of her life on a farm.
Las Preguntas que Perdimos
Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.
Two robots embark on a quest to become human.
The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.
Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.