Kennedy

Following the death of her brother, filmmaker Robie Flores returns to her hometown Eagle Pass on the Texas/Mexico border, wanting to turn back time. She collides with unruly experiences of adolescence – quinceañeras, Rio Grande river excursions, teen makeovers and beyond – that invite her to soak up the details of the home her brother adored and she ignored. What emerges is a playful dance between a personal and collective coming-of-age portrait of kids on the border and Robie herself as she rediscovers the possibilities of joy in the aftermath of grief.

A symbolic and personal representation of the filmmaker's journey with grief, after losing their father in 2015. He owned a pair of gold Crocs which he wore everywhere, from lounging around at home to going to the shops. These shoes have been with the filmmaker's family throughout their childhood and have great sentimental value. Now these Crocs belong to the filmmaker's family and everybody who visits wears them. They have become a staple of their home where they will continue to see many more years of their family's life events.

One night, nine children from the same Tunisian village attempt the deadly crossing. Like a poem or a prayer, this film welcomes the words of bereaved mothers and gives dignity to their grief.

The true story of the rise of a Japanese businessman from Los Angeles named Eishy Hayata from an Airline engineer into the legend of the Emerald world -- the Emerald Cowboy

Kurnia, a 37-year-old woman, returns to face her past memories through projected images that bring both emotion and sorrow. On this journey, she recounts the stories of love, acceptance, separation, and regret that shaped who she is today. Remininsing her memories, Kurnia slowly finds the strength to let go of her attachment to the past and attain a sense of acceptance.

A terrorist attack hits Shira's homeland shortly after she moves to the United States. Picking up a camera, she looks for ways to cope with the tragedy, thousands of miles away from those she loves and lost.

The film discusses the emotional aftermath of disasters, emphasizing the importance of expressing feelings and seeking help. It highlights personal experiences of individuals affected by hurricanes and earthquakes, focusing on their feelings of guilt, anxiety, and the need for support. The discussion underscores that sharing experiences can alleviate emotional pain and that professional help should be sought for those struggling to cope with trauma.

In 1999, 11-year-old Nisha Platzer lost her older brother, Josh, to suicide. Twenty years later, her search for a specialized medical treatment leads her to the door of someone who was once exceptionally close to Josh. And so it is that she finally has the chance to truly know her brother through his chosen family. Captured over five years in which synchronicities continually manifested, Platzer’s documentation of these encounters gently asserts that both grieving and healing are meant to be communal experiences.

La Salsa Vive is a vibrant cinematic exploration of Afro-Cuban music's history, tracing its roots from New York's lively streets to Cali, Colombia, now the global salsa capital.

The story of a normal water bottle living the average day to day life when suddenly tragedy strikes and he isn’t anymore, but what is it that remains of him? Has anything even changed in his absence? Does anyone notice the water bottle is gone?

In the United States, there is an active shooter incident every 12 days. In Memoriam shows the wrenching perspective of wounded survivors, grieving relatives, and heroes of the horrific attacks at the Las Vegas Route 91 Harvest Music Festival, the Sutherland Springs Baptist Church in Texas, and the Marjory Stoneman Douglas High School in Parkland, Florida.

A documentary about an upcoming artist who is in grief but is trying to manage his musical career as a rapper.

Experimental Colombian short documentary on the treatment of livestock.

Dejen quieta la Iguana

In early September 2011, Leah decided to go to Lebanon to film her grandmother. Two weeks after the end of filming, her grandmother died of metastatic lung cancer. It would take her 12 years to regain the courage to review their last conversations. Through memories and poems she draws the portrait of her grandmother paying homage to her colorful spirit that made her unique.

SYNCHRONOUS is an intimate portrait of love and the reverse side of love: mourning. The granddaughter/maker looks idealistically at the endless love between her grandfather and grandmother. When her grandfather dies, she decides to look for answers by filming her grandmother. What happens when you've been together all your life and your great love dies? Where is the love then?

Colombia, A Giant Peacock Bass Expedition

Shows the colonization process in the nature reserves of La Serranía de la Macarena and Bajo Caguán in Caquetá. The settlers and a FARC leader describe the causes of the burning of the forests and the role of the guerrillas in areas where there is no state presence.

As a “spiritual follow-up” to 'Fin', 'Death Boom' “pulls back the curtain on the catastrophic mental and environmental impacts of the contemporary death care industry. The film, shown through the lens of the workers at the heart of it as they prepare for the passing of 77 million baby boomers, exposes the toll that embalming, cremation, and traditional burial have on those who’ve passed, their families, and deathcare workers, and the corruption – political, religious, and corporate – that stands in opposition to greener methods being nationally legalized and accessible.”

Filmed in their home in Norway, this intimate documentary follows conversations between trans physician and queer-rights advocate Esben Esther Pirelli Benestad and their partner Elsa Almås. As Esben Esther lives with cancer, they reflect on queer aging, love and mortality, and what it means to face an uncertain future together.