Call it the burning

In 2022, when the economic crisis in her native country was at its peak, she decided to visit her family there. She turned her short trip into a collage-like diary in which she reflects on her relationship with her homeland, which is in a state of protracted decay. The film is composed of spontaneous snapshots capturing the author's stay, interspersed with inserted captions serving as personal, often poetically formulated comments and observations. As a result, the film does not hide its strongly subjective perspective, but at the same time builds on it to make an important statement that shows the transformation of Lebanese society in everyday details such as the appearance of the city itself or in the intimate sphere of the author's family life.

Deep in Mexico two brothers sit in a plaza discussing a broken fuel pump. In a few days they will leave for work. With their father and some friends they will ride a bus 1,300 miles north and enter the United States by walking through the desert. They call America “El Otro Lado,” the other side.

Three boys and three girls. All born in the Middle East now living in Sweden. All with different views of Islam, integration, the World and Sweden. Some follow Sharia. Others fight Islamic roles. One is a hip hopper. The other thinks music is a sin. One thinks that the woman must obey her husband. One fights for women’s liberation. One girl is a boxer. The other is an ordinary worker. Some are closely followed by the Security Police. Children of Islam is a documentary about religion, culture, conflicts and looking for an identity in a changing Sweden.

The humorous portrait of a female artist. The film follows the career of 24-year-old Janine F. who in 2002 caused a commotion from the rooftop of a Berlin building.

From the 1st projection to the newest technology IMAX and 4DX, we will travel trough the history of french theaters, asking questions about technological developments throughout history, and finally, the hoped-for future of movie theaters and how they envision themselves in 20 years.

A visual essay on the stimuli that draw a bridge to past memories of my life; a real documentary about where I was and where I am, what I did and what I do; a reflection of the person I was and continue to be.

Mohammed Alsaleh, a young Syrian refugee, is rebuilding his life after being granted asylum in Canada. In Vancouver, he counsels and helps resettle newly-arrived Syrian refugee families so that they may find new homes and begin again.

An elegy about ‘José Ð Almeida’s life and work. Along an intimate metamorphosis, this dreamlike and visually expressive world created by the visionary and insane dreamer is recreated and performed between a symbiosis of moving image, photography and painting- in a scenic, dramatic, symbolic and mystical tone.

Maru is experiencing a strong grieving process. The image of her, which she had built over the years, of laughter and good times, now turns to tears. Luci, her cousin and her best friend, serves as her listener and advisor, she has always been like that.

In operation to this day, the mansion known as Madame Satan began its activities in 1983, and in the 1980s was the main hub of avant-garde artists of the city, from which came out disparate and essential names for music, performing arts, visual arts, journalism, photo and video of Sao Paulo, as well as mythical characters of the night of São Paulo who made history with their absurd and impactful performances.

Private-sector rented accommodation for the Surinamese and Antillean Dutch who increasingly moved to Amsterdam from these former colonies in the early seventies was woefully inadequate. In 1982, André Reeder graduated from The Netherlands Film Academy (NFTVA) with Onderneming onderdak (The Price of Shelter) – a documentary about this appalling situation.

Reverend Richard Coles opens up the conversation around bereavement, as he goes on a personal grief voyage and tries some unconventional activities that have helped others to live with loss

Člověk si sám se sebou vystačí, respektive nevystačí

What if from one day to the next, you’re no longer seen, but instead are stared at? The leading characters in this multi-layered film have ended up in a new world where suddenly nothing seems to align. In their new lives in the Netherlands, they unintentionally provoke reactions on a daily basis. Even after many years, they still hear the same questions over and over again: where are you from, do you speak Dutch, do you tan in the sun?

Actor, author, humorist and renowned performer John Lithgow goes back to school to demonstrate the transformative power of arts education. He immerses himself with teachers and students to explore four arts disciplines: dance, ceramics, silk-screen printing and vocal jazz ensemble. The program celebrates how arts education nurtures and inspires the hearts and minds of students of all ages.

The story of a normal water bottle living the average day to day life when suddenly tragedy strikes and he isn’t anymore, but what is it that remains of him? Has anything even changed in his absence? Does anyone notice the water bottle is gone?

When a young woman is shot by an undocumented immigrant on Pier 14 in San Francisco, the incident ignites a political and media furor that culminates in Donald Trump’s election as President of the United States. In the eye of this storm, two public defenders fight to reveal the truth.

The film discusses the emotional aftermath of disasters, emphasizing the importance of expressing feelings and seeking help. It highlights personal experiences of individuals affected by hurricanes and earthquakes, focusing on their feelings of guilt, anxiety, and the need for support. The discussion underscores that sharing experiences can alleviate emotional pain and that professional help should be sought for those struggling to cope with trauma.

Place Belgique

Kurnia, a 37-year-old woman, returns to face her past memories through projected images that bring both emotion and sorrow. On this journey, she recounts the stories of love, acceptance, separation, and regret that shaped who she is today. Remininsing her memories, Kurnia slowly finds the strength to let go of her attachment to the past and attain a sense of acceptance.