A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
A generational trauma through the lens of an Asian American teenager through food and poetry.
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.
A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.
Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.
Several characters realize their personal way to build their own identity from the choice of genre. Transsexual, transgender, crossdressing – the defining of terminologies different ways of looking at yourself are constantly rising, portraying a universe of possibilities, expanding the boundaries of the possible and permitted.
Exploration of the ordinary lives led by women of different classes—a college professor, an unmarried woman, and a seasoned drama artist. They unveil the societal intricacies woven into their social backgrounds, with typical evening talks besides them. Gripping tales of yore immersed in the metaphorical embrace of their surroundings, their familial shelters are emblematic of resilience and protection, where profound truths lie hidden within the depths of the commonplace.
Sol de Mayo
Kang Aries and Kang Oca are two cultural observers of Kujang who try to provide a justification perspective on the Kujang Philosophy made by one of the blacksmiths named Abah Jajang, where the general public often considers that Kujang is a sharp weapon. The two of them "Kang Aris & Kang Oca" entered the realm of the trial to defend the essence of Kujang, so as not to be considered misunderstood by the general public.
El abogado
Como se Ninguém Estivesse Olhando
A poetic short film showing a day in the 2019 protests in Santiago, Chile through documentary images.
The second half of Gustav Deutsch's experimental Film ist. series, constructing new narratives and moods out of existing footage, mostly from early silent era films.
The story of Nisar Ahmed Khan, told through his children and the people he served, a spiritual guide whose followers still visit his tomb on his birth and death anniversaries. And alongside how his family spends a few days at the village keeping his traditions alive.
Stegophilia
Exterínio proposes a reflection on the lives of trans women in a city in the interior of Rio Grande do Sul, based on a murder that occurred in 2016. Memories, provocations, life stories that intersect in a plot about the difficulties of living and being trans in the interior of the country that most murders trans women in the world.
A short film following Anthony, a young child from the small, rural town of San Antonio de los Baños, Cuba. We see him in different moments of his daily life as he interacts with different forms of environmental, familial, and social influences. While Anthony displays contradictory traits of creativity, destruction, rigidity, and tenderness as he interacts with his external and internal worlds, we see a story built from the the multidimensionality of Anthony's layered personality as a young man.
Con Traje y Sin Zapatos
Choreography of familiar gestures that the author was able to spice up with a peculiar and original perspective.