Fragmented Memories

Peronoise is a being who tells us a story, who proposes the senses as currency instead of using Argencard or Mastercard, who presents and provides emancipation as a path, who establishes a Ministry of Hearing, who announces that we can dance, that it's a party!, whose enemy is Dr. Mutantis, the white male patriarch of holy causes from the Austro-Hungarian suburbs.

A super 8 film. A woman in search of precious items left behind by someone special. Una mujer en busca de objetos preciosos dejados por alguien especial.

A poetic Super 8mm film created by Rachael Wilson and Anderson Matthew set to accompany the live recital performance of Olivier Messiaen’s Harawi – Chant d’amour et de mort (1945).

Paying tribute to artist Noah Purifoy and his Outdoor Museum, Matthew’s film ‘A Desert Moment with Noah’ rapidly animates 78 still Super 8mm images like a slideshow gone haywire. Exploring the of elasticity of time, the film manipulates the essence of a moment as it periodically pauses to allow the viewer a space with various objects, surfaces, and textures within Purifoy’s Joshua Tree sculptural environment.

Served as the inspiration for Jerry O'Sullivan's 'Gut Pile'.

Served as the inspiration for Jerry O'Sullivan's 'Gut Pile".

This is an experimental video with original music and text, made from a film shot by my grandfather Juan Antonio Álvarez Mujica in the 1970s.

Re-editing of commercial films that seeks to confront the images fixed in the emulsion with the physical projection medium.

Crossing an old bridge in the Buenos Aires neighborhood of Barracas, the filmmakers come face to face. They walk towards each other, crossing paths until all that remains is the metal structure of the bridge.

A portrait of experimental filmmaker Marie Louise Alemann in two alternating characters

"I am the man who walks down the street. At first there is no one. The protagonist smokes, goes to a bar, takes a bus, walks down the street, wanders around and little by little more people appear. And then more and more people, until he ends up on Florida Street, merging into the crowd."

Audiovisual interpretation of the famous triptych by the Flemish painter Hieronymus Bosch (1450-1516), known worldwide as El Bosco.

It's a staging of The Maids, which, set in the 1930s, tells the story of two sisters working in the house of an abusive woman. Genet's film begins with a ritual: the lighting of candles. It's a black and white film with complex lighting design.

An island is a refuge. Within the forest dwell ancient trees, stones, animals of all sizes, and a few branches found along the way. Childhood and discoveries. Knowledge lost in the mist, aboard a ship. A field of attraction where past, present, and future dance in the fire without temporal order; the children are all ages. We have arrived at the strange land of Gombaut.

Between 7,000 and 11,000 years ago, a group of extraterrestrial visitors landed on the Chubut River for a picnic. For unknown reasons, they abandoned (or perhaps forgot?) one of their own. This abandoned extraterrestrial is recording his last days on Earth.

The Legend of Tibrogargan is a film about Australian identity and about my own identity: growing up in France, I felt far removed from the country I belonged to. Ten years after my last visit, I decided to pay homage to my ancestors with one of my grandfather's orchestral compositions, "The Legend of Tibrogargan," and a radio recording of his voice telling it.

This film is a secret and also an offering. When we add our initials we are the closest thing to love, to teaching and to a certain greatness. We met in the worst year of our lives and somehow you chose to save me and I to adore you.

Rosagante is an erotic poetry collection written by Lola Navaja. From its pages springs this short film: images that breathe to the rhythm of its verses, bodies that speak the language of their desire.

In the Darkness is a Super 8 short film that, based on a cinematic diary, delves into the rumors circulating in a small Argentinian town. The images accompany the way in which the gossip is uttered, transformed through word of mouth, and, in its repetition, shapes collective perception.

A study of light on nature, a lyrical film in the first person that records in an abstract and impressionistic way where the vision is altered to the pulse of a time that accelerates and stops.