The Flesh, The Needle and Bullet

A negative film in black and white, inspired by Focault's text Utopian Body.

Alessia initiates a discussion with her father in an attempt to discover the moment when the separation between them occurred, but along the way, everything becomes uncertain, memories mix and intersect, and no one seems to have an exact answer.

A short documentary following the story of a local pub in Adelaide facing threats of demolition.

A painter with artist's block is sent on a disorienting journey after a mysterious painting appears in his home.

Two friends, hiking in the Yorkshire Dales, take the Cove Road home. But is the Cove Road out to take them?

Roma '23

A collection of 8mm film reels from İlhan Mimaroğlu’s archive—once tucked away in whisky boxes—has found new life through art. Curated by director Serdar Kökçeoğlu and producer Dilek Aydın, the project brings together visual artists and musicians to reimagine these long-lost images. Over thirty artists transformed the footage into fifteen distinct audiovisual pieces, blending experimental soundscapes with contemporary video art. The project concludes with a special highlight: the first-ever screening of Mimaroğlu’s silent short film about a street jazz festival, accompanied by Erdem Helvacıoğlu’s dark jazz score.

The film weaves together archival footage of Yugoslavia’s idealized unity with a personal investigation into the filmmaker’s grandfather’s imprisonment under the regime. Rooted in archival theory, the project questions the authority of official histories, exploring how archives shape power and memory.

Disjunctive fabric or network that collides, by means of re-appropriated or stolen resources, liberated archives that disrupt structures of power and institutions. Psychiatry and universities explode in an accelerated disruptive essay of archiving and post-archiving that coins “anarchoautism” as a flow of liberated desire. Through its form and politics of liberation, autistic and schizophrenic becomings imply a violent line of flight within institutional spaces.

A charcoal animation of the meeting of a woman and a man.

New light is shed on the complex relationship between Romy Schneider and her mother Magda, a German film star of the 1930s admired by Hitler - who welcomed her and her daughter to his chalet in Berchtesgaden.

Peronoise is a being who tells us a story, who proposes the senses as currency instead of using Argencard or Mastercard, who presents and provides emancipation as a path, who establishes a Ministry of Hearing, who announces that we can dance, that it's a party!, whose enemy is Dr. Mutantis, the white male patriarch of holy causes from the Austro-Hungarian suburbs.

A SOV remake of The Exorcist, made by children.

Every winter, a small town in Castilla-La Mancha called Luzón transforms into a little hell. Its inhabitants, dressed as devils, venture into the darkness and roam its streets with horns, bells, and smeared with soot. Una dança non sancta could have been just an anthropological documentary. Instead, it delves into the inferno with the town’s residents to participate in and immortalize this unholy ritual.

Nearly twenty years ago Wade created a documentary about 'The Busby Stoop Inn', its ghosts, and its famous legends. After seventeen years the original 8mm footage has been found and Wade returns to Thirsk to tell the story.

This Super 8 short film was discovered on May 22, 2024, at the Paraguayan-German Cultural Institute in Asunción. The film is the result of a workshop produced by the ICPA's film department in 1987, led by filmmaker Marie Louise Alemann, a pioneer of experimental cinema in Argentina.

EHHHH! is a Super 8 film edited in-camera and projected with a tape delay from two projectors onto a screen, which travels through the parking signs of Buenos Aires, where the letter E dialogues with a sound composition / phonetic poetry of voices saying "eh", a typical Argentine filler word

Analía and Andrés are neighbors but barely know each other. On the night of December 31, 1999, both are forced, for different reasons, to spend New Year's Eve alone.

Someone waiting, a letter arriving, an unexpected kiss in the garden, a doorbell ringing, someone on the street waving with their suitcase in hand. One-by-one camera montage. No reshooting or interruptions.

A woman returns, after a long time, to an empty house to confront her memories.