The Garden

A fascinating hall of mirrors through a montage of film noir scenes where the actors face a painted portrait. This perfect blend of cinema and painting was commissioned to supplement a book study. Provost exploits the rules of editing to create an imaginary museum visit. He guides us through living rooms and picture galleries of 1940s and 1950s noir crime thrillers, gothic melodramas, and ghost stories.

In every act of compassion, a foreign place becomes home.

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

A hearse cruises the streets of Medellín, while a young director tells his story in this city marked by conflicts, violence and paradoxes. He remembers his childhood and the discovery of his sexuality.

"Yom Rishona" follows a young woman's chaotic journey to self discovery as she commemorates the day she made crucial realizations in terms of queer and Jewish identity. As Rishona celebrates a year since the day she has dubbed 'Yom Rishona,' her celebration is haunted by the heavy aspects of living as queer and Jewish.

The encounter of a wound, a body and a city results in the alteration of the whole.

L'art d'aimer mourir

Experimental animation made by using mosaic tiles.

I was teaching Vicente how to handle the camera. He taught me how to see the world.

A poem told through Rebecca, the American Girl Doll.

Study of posters and graffiti on the walls of Paris, using ellipses, brief shots and quick camera movements. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2000.

A short experimental animation by Jules Engel

Short experimental animation by Jules Engel

Dynamite, tête de poisson!

Exploring the conscious, the unconscious and the self, By Winds and Tides takes a deep experimental dive into the birth of an idea—how it takes shape, how it is released. An allegorical quest, the film combines images and words into a singular sigh.

In 1975, soon after the end of the Vietnam War, Hoa Thi Le and Hue Nguyen Che fled the country on a small boat. After nine days at sea, they docked in the Philippines, where they were utilized as background extras for “Apocalypse Now.”

Batalhão

A short film by Bryce Hodgson.

Whether it be doing yoga with ants, printing with plants, or considering the travels of an apple: not all teachers are human in a bustling Spanish farmhouse. While instances of interspecies care are enacted beneath the cool stone arches of this rambling structure, the ecological niches (or roles) of various beings shift along with their unexpected environmental relationships. In a heavily altered landscape composed of serrated mountains and meticulously-maintained olive groves, human intervention is readily apparent; however, sometimes trees bear knowledge in addition to green fruits, and humans shape and are shaped by their environment in equal measure.

Banished from Lesotho, the titular character Molelekoa flees from the police. During the chase other characters discuss the complexities of life in Lesotho as well as the nature of art and death