Agrija

A documentary film exploring humanity's relationship with technology and with the natural world. Shot over a 5-year period in more than 30 countries, the film pioneers new timelapse, time-dilation, underwater, and aerial cinematography techniques to give audiences new eyes with which to see our world.

After a deadly incident involving her producer, rising pop star Naya flees with her sister and ailing father to a remote village. There, she’s forced to hide her identity and perform as a dangdut singer—while struggling to escape her past and the law closing in.

Divas

An experimental musical period drama about the witchhunts in 1595 in the south of the Netherlands. The film depicts the last days of the life of the young woman Heylken.

Cliché damsels in distress throughout film history share a common thread: their stories are often interrupted by a man. In truth, they don’t need saving at all. When they come together, they realize how much feminine energy they need in their lives.

A couple sees each other after their breakup, and it brings back memories.

Helen suffers from a rare fear of chalk. One day she feels encroached by several chalk figures in Helsinki and decides to confront her fear. In the Amos Rex museum, she discovers the works of Keith Haring in a catalogue and adapts his style to her needs for catharsis.

The myth of a goddess who rebels against traditional romance and falls in love with herself.

In the heart of the Caribbean, a mother and daughter confront a malevolent curse erasing identities of all the island's women, propelling them on a daring quest to reclaim their rich cultural heritage and triumph over the encroaching darkness.

Combining modern footage with home movies and interviews, filmmaker María Casado's life is explored, focusing on themes of family, history, and belonging, with a particular emphasis on childhood experiences related to home.

By the songs "HESONOO" and "X-GENE" from the Japanese group, XG, we embark on a regression to the origin of the universe until the emergence of life.

In April 2008, LRS toured across the USA and met some amazing female noise artists. This is what it is like to be a girl of noise.

Blind4love illustrates how time affects everything, depicting the journey from childhood to the present in the short film.

This tape is about a girl who seeks to free herself, the triangles represent Nazism The visual video tries to give another vision of reality from the purest freedom.

If you don’t laugh, you’re dead

Blind4love shows a sight never saw by anyone.

In the living room, RAMA (33), is painting the bottom of the wall which is full of TARA (6) crayon scribbles which resemble the shape of a ship with simple lines. JINGGA (30) is ironing her school uniform and feeding Tara who is busy drawing a boat in a drawing book. Rama looked tired, he suggested that JIngga stop painting so that Tara wouldn't get involved in scribbling. Hearing that, Jingga promised to take care of Tara so she wouldn't do it again. Rama said he was tired when he came home from work and found the house dirty. If JIngga can't get Tara to comply, then JIngga won't be allowed to paint anymore.

Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in 'The Balcony Movie' is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today's world.

In this extraordinary story of an ordinary man, Charles 'Chuck' Krantz experiences the wonder of love, the heartbreak of loss, and the multitudes contained in all of us.

Hot summer, Renaissance palace. Three women remain in a carefree state of limbo, and an enigmatic system fulfills all their life needs – it provides food, entertainment and development. There is one condition – they are not allowed to cross the wall that surrounds their place. From under the idyllic picture, the other, darker side of the new reality quickly shines through.