Mon nom est Lilith

Le pont de Mauves

The film existed only in Jacque’s memory because all that remained were the two cardboard thief characters. Jacques called upon his memories to recreate the decor and the characters with a decorator. The operator then filmed frame by frame to reconstruct the film.

When Agnès Varda was preparing the film Jacquot de Nantes in 1990, she was able to shoot in the small apartment where Jacques was raised. While emptying the attic, Agnès found pieces of 9.5 mm film, dry and folded, almost broken and two small cardboard figures. The film was impossible to project and the film had to be remade. Showing the pieces of film to Jacques he immediately identified La Ballerine. A student from the Fine Arts School of Nantes therefore redrew each shot, frame by frame, on blank 16 mm film.

A young girl transforming between different personalities during a 20-year period. The video is made with 187 morphed passport photographs taken 1981-2001.

Following the events of “Guardians of the Galaxy Vol. 1,” Baby Groot is finally ready to try taking his first steps out of his pot—only to learn you have to walk before you can run.

Groot discovers a miniature civilization that believes the seemingly enormous tree toddler is the hero they’ve been waiting for.

Groot investigates a spooky noise that’s been haunting the Quadrant, which leads to an intense dance off.

Everybody needs some alone time to relax and wash up, but things go quite differently when you’re a Flora Colossi toddler.

Groot sets out to paint a family portrait of himself and the Guardians, only to discover just how messy the artistic process can be.

Anatomy of a moth

Two men sit on an island watching the sunset. When a storm gathers, they decide to build a boat. While one man is mindful of the coming danger and urges speed, the other wastes his time on decorative details. Dammbeck’s last film made in the GDR before he left for West Germany is based on a Chinese fable, with music by internationally known jazz musician Günter “Baby” Sommer.

For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).

Attempting a backflip is not exactly safe. You can break your neck, or land on your head, or land badly on your wrists. So, I let my avatar learn the trick. He practices on a 6-core processor with the help of Machine Learning.

This is a classing Jordan animation, primarily in B/W, with touches of color. Actually, the engraved art work was film on color negative, so that subtle variations in tone are recorded. The mood--enhanced by John Davis' original music--is dream-like. It is both lyric and crackling, producing a kind of anticipatory tension. The scenes, in the usual Jordan manner, follow the surreal principle of placing objects and people where the ought not to be, and making movements that in the waking world are impossible. Each scene is a kind of drama from another world.

A Viking warrior fights a dragon in a volcano to avenge the destruction of his village and his wife’s death.

Two coral harvesters brothers are about to finish their working day, when the elder one discovers a mysterious underwater cave.

Would you feel it? Would you know it? Travel back in time and see for yourself.

An NTSC space opera.

In the village of Dodoba, the frog Garo is murdered. A red toad, who is found next to the corpse, is responsible for the terrible crime. At the trial, he tries to defend himself, but the villagers do not believe in the innocence of the strange outsider.

Russian stop motion animation depicting the court of the Duke and Duchess as they mock and abuse the titular hero.