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In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.

Two instants separated by 99 days conflict with each other.

In French Polynesia, transgender people evolve with apparent fluidity in all components of society. Their presence, observed as early as the 18th century by Western travelers and missionaries, has never ceased to intrigue and fascinate, producing over time numerous myths that the transgender women and men of Polynesia are today attempting to deconstruct. Through a series of luminous and intimate portraits, this documentary gives them a voice and proposes a rereading of gender issues in the light of Oceanian thought: an obvious enrichment.

At the age of 15, can you know if you ever want to conceive or give birth to a child? The team coordinator at the gender clinic in the Dutch city of Zaandam is doubtful. And yet this is one of the questions he asks the young people who register for psychological guidance. A fellow psychologist trusts that young people know what is good for them. He is a trans man and one of the experts by experience who work at the clinic. The use of language, already such a sensitive instrument, proves to be more complex than some expect. There are those who see it as unnecessary to mention your pronouns when you introduce yourself, but the majority are in favor. Director Ingrid Kamerling switches smoothly between observation and interviews. Above all, there is a sense of the need to equip young people and their parents as well as possible for the emotional journey of drastic change that lies ahead of them.

The Alexander Ball is an observational documentary extravaganza celebrating Samoan-Māori-Australian trans woman of colour, Ella Ganza, and the Meanjin (Brisbane) ballroom scene, as she and her ballroom family prepare for one of the biggest pride events of the year: The Alexander Ball.

Luca longs for his lost love; Thalles for a name change; Raul to be a better person. They all share one element: they were born as women.

In this intimate portrait addressed directly to Hélène Hazera, filmmaker Judith Abitbol revisits a key figure of France’s countercultures from the late 1960s to the 1990s. A member of the Gazolines and the FHAR (Homosexual Front for Revolutionary Action), Hazera was a tireless LGBTQ activist who founded Act Up’s Trans and AIDS commissions—one of her proudest achievements. Her true victory, however, was becoming the first transgender journalist at a major national newspaper (Libération), and later a producer at Radio France and France TV. Through her story, Abitbol reconnects with the insurrectionary spirit and creative chaos of those decades—an era when French culture was shaken by radical imagination, humor, and defiance. The film celebrates these modern Antigones who dared to live their desires beyond the reach of any law.

In Córdoba, far from the Argentine capital, the end of a military regime promises a spring that is all too brief. “La Delpi” is the only survivor of a group of friends who are transgender women and drag-queens, who began to die of aids in the late 80s. In a Catholic and conservative city, the Grupo Kalas made their weapons and trenches out of improvised dresses and lip-syncing. Today the images of unique and unknown footage are not only a farewell letter, but a manifesto to friendship.

A look on transvestites and transsexuals in early 80's Paris. The documentary focuses on Elisa, a Brazilian transvestite and ends with a filming of a surgical operation male to female.

Documentary about the musical artist and drag queen Pady Jeff produced by students of the Social Communication degree at the Catholic University of Uruguay.

Cinema Fouad is a documentary portrait of Khaled El Kurdi, a Syrian trans woman living in Beirut, where she earns a living as a domestic worker and belly dancer. Soueid shows us scenes of El Kurdi’s domestic world: eating, applying make-up, dancing in her bedroom, all while reflecting on her life and experiences. She expresses her desire to undergo gender reassignment surgery, and mourns the death of her lover, a Palestinian freedom fighter. She often alludes to the aggressions she faces outside of her home, and through her adept defiance in the face of some of Soueid’s more goading questions, we recognize the echoing of these aggressions in his role as interviewer.

In May 1974, Valéry Giscard d'Estaing became the third President of the Fifth Republic. An alternation of power that did not speak its name opened the doors of power to a reforming president. Abortion, divorce by mutual consent, lowering the age of majority to 18 - in less than two years, the youngest President of the Republic - at the time - carried out reforms with a vengeance, without a united majority in Parliament, before failing in the economic sphere and losing the battle against unemployment. At the age of 90, the former President of the Republic has agreed to look back on these years and gives us a valuable account of his time in power.

7-year-old Sasha has always known that she is a girl. Sasha’s family has recently accepted her gender identity, embracing their daughter for who she truly is while working to confront outdated norms and find affirmation in a small community of rural France.

A documentary-essay which shows Costică Axinte's stunning collection of pictures depicting a Romanian small town in the thirties and forties. The narration, composed mostly from excerpts taken from the diary of a Jewish doctor from the same era, tells the rising of the antisemitism and eventually a harrowing depiction of the Romanian Holocaust.

More than 50% of transgender boys have attempted suicide. Through two life stories, directors Lexie and Logan unravel why their community is particularly vulnerable to living and dying quietly.

Ricardo was once Sara, a homeless HIV positive transvestite, living in the underbelly of Manhattan. Today he is a churchgoing, married man, "saved" by a Dallas ministry. He has renounced his homosexuality, but is his conversion complete? Susana Aiken and Carlos Aparicio offer an intimate look at Ricardo's transformation.

AmbulaTório

World-renowned director Martin Scorsese narrates this journey through his favorites in Italian cinema.

Kelet is a twentysomething black trans woman, whose greatest dream is to be on the cover of Vogue magazine. For the Finnish-born and Manchester-raised Kelet, such models as Naomi Campbell and Iman served as role models giving her strength – and during the darkest times, kept her alive. After coming out, then 19-year-old Kelet was cut off from her family and she moved back to Finland on her own.

"TDS, derrière l'écran des travailleuses du sexe" is a deep dive into the lives of Betty, Anaïs, Noochka, Manon, and Barty. They have all ventured into the world of selling sexual content online. What pushes someone to take the step of signing up on these platforms? What are their motivations? What are the consequences on their personal lives? Why do some choose to stick with it for years, while others decide to stop for good?