The Men in the Closet

DEAR ROBERT_

The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.

Procedurally-generated frames slowly expand in density to visually explore the mind of a psychopathic, narcissistic teenager, up until the demise of the subject.

Simon is an eight-year-old boy who seems to have everything from life. He’s a handsome child, he’s rich yet unhappy. He senses that there’s something wrong with his life and this leads him to wander off thanks to his fervid imagination. His greatest wish is to leave the materialistic world behind since he isn’t fond of it. That’s why the only present he wants for Christmas is for Santa Claus to take him away to live in his fairyland toy factory. At the same time, a secret that his family has been keeping for a long time suddenly comes to the surface and it is feared that the worst might happen soon. The expectation for the stroke of midnight on the night before Christmas is transformed into reality for everyone on the eve of something truly different. Something terrible that might happen.

After a woman comes into contact with photographs from an archive, she reflects on her existence through her memories and the memories printed on photographs.

'Ad Meliora' (translation: Towards Better Things) is an experimental short film about the struggles girls go through growing up in a male dominated society.

Picnic

Alex returns to a lifeless home that she ran away from at a young age. Once home, she begins filming a video about her past life but begins to question why she is putting her misery on display instead of doing what makes her happy.

Three ancient heroes encounter the spectres of their dead loved ones and struggle to let them go.

A woman reflects under the parapet.

Love and admiration in 16mm. The fusion a beauty that exists throughout three generations; my three Venus.

Quem és, Clara?

Water hands is the literal Chinese word for ‘sailor’. The sailor himself remains off-screen in this film, just like the woman who is waiting for him. The tight black-and-white images move through Singapore and Montenegro, while a logic all of its own links the various worlds and narrations.

A fish has an identity crisis within the glass of an aquarium.

Motion. Struggle. Pain. A dive into memory, into a conscious land. But at some point in time, the mist will fade away. Will it be the beginning?

On a night defined by desperation, a young addict must confront his deepest traumas when a ruthless decision pushes him to the edge of his own fractured psyche.

Job pleads to God for an answer to his suffering and receives one.

A self-reflective film on internet trolls and putting oneself online.

In March 2020, an Argentine woman flees New York with her Peruvian husband for his family’s empty beach house outside of Lima, whereupon an unplanned pregnancy precipitates the destruction of her marriage. In the present, she rips the moments of this narrative from their context, and reconstructs her story to reckon with her profound feeling of loneliness and the experience of time in which it has trapped her.

Vento