Entertaining an Evening Projectionist

In this innovative blend of documentary and fiction, Rosa and Paloma, two trans Latina sex workers in Queens, New York, fight transphobic violence, persecution from the police, and defend their cases of trafficking in an increasingly anti-migration political environment in the U.S.

Filmmaker Binevsa Bêrîvan travels to Armenia to capture the daily life, customs, and history of the country's Yazidi Kurdish community.

From the 1st projection to the newest technology IMAX and 4DX, we will travel trough the history of french theaters, asking questions about technological developments throughout history, and finally, the hoped-for future of movie theaters and how they envision themselves in 20 years.

This is the story of my grandfather, Tiago Florit, who for 50 years was a film operator at the Teatre Principal de Maó, in Menorca. It is a review of his life, from his birth to his death, in a cinematographic key. A true love story to cinema.

Documentary charting the experiences of projectionists who work or worked in cinemas in London, exploring the skills and dedication required for this unique role, set against changes in technology, society, and entertainment.

Documentary directed by Pío Caro Baroja, divided into eight distinct parts: Man, Stone, Meadows, Trees, Rural Environment, Iron, Sea, and Villages. This eminently ethnographic work is a compendium of the customs and traditions of a people with an ancient history, which today remains a witness to many images that will never again be part of everyday life.

A documentary on the experiences of the Nubetya Yaptiks nomadic family in the Yamal Peninsula, Eastern Siberia, from 1992 to 2001.

Rites and operation of the circumcision of thirty Songhai children on the Niger. Material of this film has been used to make "Les Fils de l'Eau".

Unable to purchase a $50,000 digital projector, a group of film fanatics in rural Pennsylvania fight to keep a dying drive-in theater alive by screening only vintage 35mm film prints and working entirely for free.

This film is a portrait of unique cultural space for Spirits, Gods and People. While permanent theatres are commonly built in most cosmopolitan modern cities, Hong Kong preserves a unique theatrical architecture, a Chinese tradition that has lasted more than a century - Bamboo Theatre.

A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

What is the role of an ethnographic filmmaker as an outsider and student of a culture? Is it about representing, demonstrating, and reflecting or exposing, participating, and transposing? Although these are not binary terms of the historic discussions in anthropology, they share a lot to be experimented through shared cine-anthropology and sensory multimodal ethnography.

A 'cine-ramic' roller-coaster ride through the rise, fall and re-birth of projected film.

Kurnia, a 37-year-old woman, returns to face her past memories through projected images that bring both emotion and sorrow. On this journey, she recounts the stories of love, acceptance, separation, and regret that shaped who she is today. Remininsing her memories, Kurnia slowly finds the strength to let go of her attachment to the past and attain a sense of acceptance.

The film tells the story of ancient Ingush lullabies - Ingush women and men tell the lullabies of their families and the stories associated with them: love, friendship, blood feud.

Film about the singing and dancing culture of the Ingush people

In the Frozen Tomb of Mongolia

An ethnographic documentary about the Mangbetu tribe of the Belgian Congo (now the Democratic Republic of the Congo). The film features a discussion of various rites including the Mangbetu practice of head binding, as well as various examples of traditional music and dance.

This ethnographic short portrays a ritual using masks among the Dogon people of Mali.

A moving portrait of traditional Finnish American culture in the Upper Peninsula of Michigan, highlighting that fragile community of memory connecting ourselves with parents and grandparents. It uses the “biographical model” of folklore filmmaking to tell the story of Erikki Vourenmaa, a 92-year-old Finnish immigrant, and his family living near Ironwood, Michigan. This three-generation farm family works, celebrates, reflects, and grieves together. The film explores the meaning of family, ethnic history, aging and intergenerational bonds. It contrasts between the immigrant elder, his American-born son and the partially assimilated grandchildren to illustrate change and continuity in the "sauna belt" of the Lake Superior Region. As Dr. Sharon Sherman concluded, “Loukinen’s focus on the bonds between generations will strike emotional chords about family relationships and ethnic identity for numerous cultural groups.”