Life story of two women who earn money by baking bread on one of the streets of Baku.
Using unpublished photos taken by Italian war photographer Enrico Sarsini, and the reconstruction of key events, this film examines the battle for a strategically-located church that was defended by Azerbaijani teenager Natig Gasimov. After his surrender and interrogation by Armenian forces, he was never heard of again. This film finds out what happened to Natig and who may be responsible. Filmed over a period of three years, filmmaker Karan Singh spoke to witnesses in Armenia, Azerbaijan, Italy and Russia in his search for the truth.
The feature film reflects the terrible days of the tragedy and the suffering experienced through the example of Durdana Aghayeva and her brother Elshad Aghayev, who witnessed the Khojaly genocide and were subjected to severe torture for 8 days in Armenian captivity.
The events in the film are based on the life of the Scholler family of German origin, who lived in Azerbaijan since the 1940s.
Faced with the wreckage of a failed film project and the turmoil of his troubled youth, a young filmmaker, urged by his friends, seeks refuge in therapy. Each session becomes a battleground where he confronts his deepest fears and darkest nightmares. As his life unfolds in the therapist's office, a glimmer of hope emerges amidst the chaos. Yet the journey is fraught with peril, forcing him to confront painful memories and insecurities. Through unwavering determination, he triumphs over his nightmares, emerging from the shadows reborn and renewed. This film is a testament to the power of the human spirit, offering hope even in the darkest of times.
In October, during the tense days of the Nagorno-Karabakh war, the director takes his camera to the village of Ashagi Nuvedi in Lankaran. The film follows the daily lives of fishermen — Sakhavat, Ramesh, Rza and Tehran — living in the shadow of the war. They go out to sea every morning amid news from the front, fearing empty nets, and hoping for a miracle — a goldfish in difficult days.
J2-8243: Son Uçuş
The film "Last Autumn", written and directed by Rustam Babazadeh, is a comedy genre with elements of grotesque and satire.
The film is about Azerbaijan.
As a result of the second Karabakh war, a village should be ceded to Azerbaijan since a new highway is built through the Lachin corridor. The family of Narine, like many other Armenian families, needs to find a new place.
Based on the last wedding ceremony that was left unfinished 33 years ago due to the shelling of Khojaly by Armenians.
The recent democratic revolutions throughout Eastern Europe—Serbia in 2000, Georgia in 2003, and the Ukraine in 2004—all seemed to follow a quick and easy pattern: the exposure of rigged elections, followed by massive street protests, and a regime that collapsed without a fight. But THE DEMOCRATIC REVOLUTIONARY HANDBOOK reveals the lengthy and meticulous preparations behind these seemingly spontaneous demonstrations, showing how modern marketing techniques have combined with revolutionary politics to transform the region's governments.
Simple Countryside Living in Azerbaijan, by Amalia Hajieva "Don't let the length of the video fool you, for it has been years of memories in the making ♥︎ going through my videos and finding all these special moments has brought the biggest smiles to my face"
It is a revealing documentary about the iconic musician and the impact he has had on the music industry and society. Through an archive of previously unpublished stories and media, the film uncovers Muzaffarli's lesser-known public and social activities, giving audiences a fresh perspective on the man behind the music.
It's one of the most corrupt countries in the world and widely criticised for its human rights record but this year Azerbaijan is hosting Eurovision - one of the most glitzy TV music competitions in the world.
A feature documentary presented and directed by former Royal Marines Commando Emile Ghessen. The documentary tells the story of the 2020 war between Armenia and Azerbaijan over the disputed region of Nagorno Karabakh. In the fall of 2020, Armenia and Azerbaijan fought a brutal bloody war. Azerbaijan won, decisively. The feature documentary 45 Days: The Fight for a Nation tells the story of this conflict, from the Armenian perspective, focusing on the human cost of war and its impact on the large Armenian diaspora.
He is Khagani Aliyev, a resident of Saricali village of Aghdam. On July 23, 1993, Khagani Aliyev, who heard about another Armenian attack on Aghdam, went home to take his parents who had not left the village to a temporary safe area...
A couple returns to Aghdam, the city they once fled 32 years ago due to the war. It's a story about memory held in people, and about the small, powerful ways the past resurfaces when you finally face it.
Though both the historical and modern-day persecution of Armenians and other Christians is relatively uncovered in the mainstream media and not on the radar of many average Americans, it is a subject that has gotten far more attention in recent years.
For thirty years now, a dilapidated house has been providing essential asylum to war refugees from Nagorno-Karabakh. Three generations, including the children and grandchildren of people made to leave their homes, struggle to scratch an existence on the outskirts of Baku. They are faced with common problems: loss of home, outrooting, sadness and illnesses.