the film centers on a group of young people from different social backgrounds, united by their addictions.
I am grateful to the Chinese for the invention of gunpowder — it feels as if they made it for me. Its discovery happened by accident, originally conceived as a way to ward off evil spirits. This film begins in China, then moves to an event in Cartagena, and ends centuries later in Bogotá.
The Philosophy of Horror is a seven-part abstract adaptation of Noël Carroll’s influential film theoretical book of the same title (published in 1990), which is a close examination of the horror genre. The film uses hand painted and decayed 35mm film strips of the classic slasher movie A Nightmare on Elm Street (Wes Craven, 1984) and its sequel A Nightmare on Elm Street 2: Freddy's Revenge (1985).
Joel is part of the avid audience of police shows. Punitive content surrounds him and the boundaries of this relationship are becoming less and less clear: does he consume violence or does violence consume him?
This J.G. Ballard documentary assembles decades of interviews and archival material to paint a striking portrait of one of the most imaginative and provocative writers of the 20th century.
Formerly incarcerated writer Marvin Wade speaks personally about his 25 years in prison and the positive transformation he achieved in spite of, not because of, the criminal legal system around him.
An philosophical film assembled from archival NASA footage exploring humanity’s search for meaning in the silence of space.
In 2024, during an artistic residency at Periférne Centrá (Dúbravica, Slovakia), Cristian Estrella filmed the folkumentary „Medzi dolinami, medzi vŕški, po stopách budúceho zvuku Slovenska“ while producing the album "The Future Sound of Slovakia Vol.1" by Mira Tus Manos. But every film leaves scenes out. What doesn't fit due to time, rhythm, or because the main story needs to go elsewhere. "Medzi scénami, medzi hlasmi" is exactly those outtakes: already edited material that no one had seen, divided into two parts —SIDE A and SIDE B— where artists from Argentina, England, France, Catalonia, Amsterdam, New Zealand, and Slovakia speak not only about the project but also about their own artistic practices, personal stories, and internal maps.
40,000 years in the making: Kogonada's video essay created for The Connected Series.
A photograph of an unknown Mapuche great-grandmother is the starting point of this documentary essay. Through the analysis of said picture, conversations with family members, a trip to southern Chile cities, and an actress who re-enacts the photo, we see the existing prejudice against indigenous people.
1940. On the border between Latvia and the USSR, a woman is killed in front of her house as she tried to protect her son from the liberating attack of the Soviets. Almost 80 years later, the archive photo bearing witness to this news item and representing a collateral victim of the European Union’s founding conflict forms the starting point for a journey undertaken by Davis Sīmanis. He navigates from one side to the other of this border, which today represents another separation, one that is geographical but also cultural: between Europe and Russia.
Following an act of vandalism, the Palestinian filmmaker's father decides to install a surveillance camera to record the scenes unfolding in front of the house. Everyday family life, or neighbours going to work, Unusual Summer captures fleeting moments of poetry whereas, in the background, the daily choreography of Ramla, located in today's Israël, comes to the surface.
The Weight of Sight is a playful and very personal essay where director Truls Krane Meby, through a massive archive of his own material - anything from DV-tapes to 35mm - explores the last 20 years of digital development - how it’s influenced the images we make, and our bodies. What kind of images do we get of the world now that everyone is a photographer, and what does it do with how we unfold our identities? How has the internet both captured and freed us? And will Truls even dare to show this film?
For 'Et les chiens se taisaient' Maldoror adapted a piece of theatre by the poet and politician Aimé Césaire (1913–2008), about a rebel who becomes profoundly aware of his otherness when condemned to death. His existential dialogue with his mother reverberates around the African sculptures on display at the Musée de l'Homme, a Parisian museum full of colonial plunder whose director was the Surrealist anthropologist Michel Leiris.
The reflection of the first visions experienced by a young experimental film director after death. A film centered on understanding death itself as quickly as possible.
This singular 6-part essay film on the history of the state of Rhode Island illustrates the adage that the universal is best reached via the particular: the very local issues investigated in the film blossom into a body of insights and speculations extending far beyond the borders of any region. 'monument' weaves statues, plaques and place names together with the routine movements of everyday life. Readings from history books, monologues from a fictional tour guide, and personal home movies are paired with interviews relating to the Colonial Era, the Slave Trade, the American Revolution, the Industrial Revolution, Indigenous Cultures, the Abolitionist Movement, Organized Crime, Urban Planning, Capitalism, Baseball, Ancient Geology, and Apple Pie. Over time stories overlap and voices converge to create a dynamic, multi-layered temporal x-ray, challenging the objectification of history with the animism of storytelling.
A study of observation, perceptions and sensations of nature and human interactions from the eye of a digital camera
A meditative essay.
The evocative narration of Charlotte Rampling guides a descent into the labyrinthine world of Chris Marker, the best-known author of unknown films, who spent a lifetime concealing himself behind a veil of pseudonyms and images of cats. Moving through a constellation of personal documents and film fragments, an archivist attempts to decode the man through the material traces he left behind.
A look into the career and impact of "classical liberal" talk show host Dave Rubin.