The newsreel series Jornal Português (1938-1951) was produced for the Secretariat of National Propaganda (SPN/SNI) by the "Portuguese Newsreel Society" (SPAC), under the technical supervision of António Lopes Ribeiro. It was conceived and employed as part of the propaganda machinery of Salazar's regime. Screened in cinema theatres prior to the main feature film, each issue of Jornal had approximately ten minutes in length and covered a variety of official government acts, national political news, major sports events and other assorted social and cultural affairs. Jornal Português is not only an indispensable document for the history of Estado Novo's propaganda, but also an unparalleled audiovisual archive of 1940s Portugal.
Território
Is Taiwan the scene of the next bloody war? A Chinese attack could trigger a conflict between the superpowers. How great is the danger of a Chinese invasion?
When a group of baristas in Buffalo, New York announce their intention to start a labor union, Starbucks responds with an elaborate, illegal anti-union attack. Featuring on-the-ground footage from workers and organisers, Partners takes us to the front lines of the historic union campaign that catalysed America’s Gen Z labour revival.
In the run-up to parliamentary elections in mid-October, Polish filmmaker Marcin Wierzchowski travelled across his country to gauge the atmosphere in a society that is more divided than ever.
Italy’s biggest political party, the Five Star Movement, promotes direct democracy through internet voting. Five Star Movement uses a digital platform named Rousseau, that allows Movement’s members to vote online and express their opinion on various issues. But who governs this data?
Political spots are a genre with its own rules, continuities and ruptures. This film explores different visions of Argentina constructed by publicists and candidates faced with the task of seducing voters.
From falsehood to mystification to manipulation and false impartiality, the whole logic of disinformation and brutality is brought to light. When the king of the media and his politico-journalistic buffoons are sifted by a radical counter-audiovisual power, the discredit of the "elites" sanctioned by the referendum of May 29, 2005 is better understood. With this film, Zalea TV's team had decided to laugh about it and make them laugh, even if at bottom these discoveries were rather disturbing. By staging a series of very simple techniques of "self-defense", this film is an invitation to self-disengage permanently. The use of the TV-B Gone, an instrument whose sole function is to turn off the television, appears here as the ultimate resort to media criticism.
Almost five years after their return to power, a new era has dawned under the yoke of the Taliban, an inflexible fundamentalist regime. Under their rule, the former republic has disappeared, replaced by an ultra-rigid power structure closed off from the rest of the world and the foreign press. An "Islamic Emirate of Afghanistan", largely unrecognised, even by Islamic theocracies. After four shoots, mainly carried out outside the official framework, "The Taliban Country" offers a glimpse into the heart of this new Afghan reality. Through the eyes of the men and women facing these upheavals, the film paints a portrait of a paradoxical and radical system. It offers an in-depth look at the workings of a state characterised by extreme rigour, unparalleled in the contemporary world.
For three months, the teams of Grand Angle investigated the fall of François Fillon. The right-wing candidate was the favorite of the presidential election. Was he the victim of a conspiracy? From a black cabinet? Settling accounts within his own camp? Has not he also been a victim of himself? The main protagonists of this incredible series have agreed to come back behind the scenes of this descent into hell. Headliners on the right, members of the campaign team, friends, enemies.
In the early 1970s, a group of secretaries in Boston decided that they had suffered in silence long enough. They started fighting back, creating a movement to force changes in their workplaces. This movement became national, and is a largely forgotten story of U.S. twentieth century history. It encapsulates a unique intersection of the women’s movement with the labor movement. The awareness these secretaries brought to bear on women’s work reverberates even today. Clericals were the low-wage workers of their era. America now confronts the growing reality of deep income inequality. The stories and strategies of these bold, creative women resonates in contemporary America.
An examination of our dietary choices and the food we put in our bodies.
This documentary follows ex-spy Alexander Litvinenko from his forced exile from Russia, to his death from poisoning in November of 2006.
An experimental documentary that explores Saudi Arabia's relationship with the U.S. and the role this has played in the war in Afghanistan.
Struggle is the story of how Ohio's 2004 presidential election was rigged through high tech and old fashioned ballot stuffing methods to deliver the election to George W. Bush.
Documentary that shows the events that culminated in the deposition of President João Goulart, on March 31, 1964, and the implementation of the military dictatorship in Brazil. Around 40 characters reveal behind the scenes and comment in detail on this important moment in Brazilian political history.
Bachar, le maître du chaos
The causes of the crisis. The background of the crisis. The effects of the crisis. Irrational corruption. Social involution. Dysfunctional government. Apeocracy has arrived.
Russland: Verbotene Geschäfte
Part of a series of portraits of past first ladies, this PBS documentary explores the political and personal lives of former first lady Nancy Reagan, who moved from Hollywood to the California governor's mansion -- and eventually the White House. While playing a behind-the-scenes but integral role in the president's policies, she also launched a campaign to "Just Say No" and later cared for her ailing husband as he suffered from Alzheimer's.