Rastros que Deixamos
In this deeply personal video diary, a young researcher tries to make sense of her fascination for the film "The Pain of Others" by Penny Lane. A deep dive into the discomforting world of YouTube and online conspiracies, that challenges traditional notions of what documentary cinema is, or should be.
An experimental documentary about dead turtles, crab swarms, decaying tennis courts, and microscopic histories. The filmmakers shot their explorations into the abandoned golf courses, factories, and resorts of Sarasota, Florida and spoke to local youths who are using them for new and strange purposes. What would the Surrealists and Situationists think of a suburban, subtropical tourist town? What goes on in a storage unit in the dead of night? What is the afterlife of a decommissioned train car? What ghosts haunt a ruined hotel? What is the life cycle of a city? When will waters wash it all away?
In 2010, an obsessed gamer designed the perfect game of Sim City. Achieved through a repeating pattern of clustered high rises, “Magnasanti” exposes the hellish consequences of top-down civic design. In his new documentary, John Wilson explores how New York City is creeping closer and closer to realising this fictional metropolis.
Reminiscences of a trip to Čáslav
Premiered at the 2017 Locarno International Film Festival.
In this video I share my experience as the first Resident of the Harun Farocki Institut in Berlin during the winter of 2016-2017. Produced for the Goethe Institute.
Nonstop
An experimental portrait of Fernando Fernán Gómez, one of the most renowned Spanish artists of all time.
The mind process behind the film, Transformers the Premake, explained by Kevin B Lee himself.
A lo Mejor Algún Día
In an age of chaos, destruction, and decay, the resurrection of nature was the last ray of vitality and a testament to survival. The film ventures into the haunting remnants of humanity, the silent witness of its collective collapse, and the ethereal rebirth of nature in the absence of mankind. The intriguing scenes are experienced through an omnipresent and atemporal perspective.
90's era home videos of a Mexican father starting a new life in the United States
Im Reich Des Squatters
EMPATHY (a digital love letter) is a short essay documentary, a heartbreaking comedy about a break-up, an attempt to concretize emotion and evoke empathy from a writer’s approach. After getting her heart crushed in a relationship, a woman writes a letter to the man she loves for a simple reason—to evoke his empathy towards her. Knowing the premise of human emotions, the woman starts her letter with her own life stories, follows with a blunt confession of affection, and ends with a cursing when she can’t handle the emotions anymore.
Hovory o lékařské etice
LA PELÍCULA DE MENTIRA
A dream walk through the United States of America; a meditation on the thoughts and ideals of its inhabitants, as they are exposed in their silent but eloquent home movies.
Through the footage from his family's Handycam, the director creates a portrait of his family that is falling apart.
If cinema is the art of time, Linklater is one of its most thoughtful and engaged directors. Unlike other filmmakers identified as auteurs, Linklater’s distinction is not found on the surface of his films, in a visual style or signature shot, but rather in their DNA, as ongoing conversations with cinema, which is to say, with time itself. A visual essay produced by Sight and Sound.