Racismo: Uma Descolonização Em Curso

Negotiating Amnesia is an essay film based on research conducted at the Alinari Archive and the National Library in Florence. It focuses on the Ethiopian War of 1935-36 and the legacy of the fascist, imperial drive in Italy. Through interviews, archival images and the analysis of high-school textbooks employed in Italy since 1946, the film shifts through different historical and personal anecdotes, modes and technologies of representation.

Touche pas à mon pote

In the eighteenth century, the family of BBC World News anchor and correspondent, Laura Trevelyan, were absentee slave owners on the island of Grenada, profiting for years from the sale of sugar harvested from five different sugar cane plantations. When slavery was abolished in 1834, the UK government paid compensation to slave owners, but the enslaved received nothing. In the wake of the racial reckoning in America following the death of George Floyd, Grenada's national commission on reparations for slavery has begun to meet and debate what reparations means. In this film, Laura she travels to Grenada to try and learn more about the legacy of slavery on Grenada and her family's involvement in the slave trade.

We follow a team of scientists on a gruelling expedition into a remote rainforest in Mozambique. They're hoping to prove that Mount Mabu's animals and insects are unique and in need of official protection.

This is a 25-minutes piece about the DPRK (North Korea), a country Vltchek visited and fell in love with. Vltchek goes against the hegemonic western propaganda that is perpetuated towards DPRK and their people, showing the beauty that resides in the country.

Francisco Esteves, an elevator technician, lives between routine and a quiet passion for art. Inspired by the music of The Doors, he reflects on the paths not taken and the dreams that still drive him, in a constant search for meaning and freedom.

Imposed under the British colonial rule in 1860, Section 377 of the Indian Penal Code criminalise any sexual acts between consenting adults of the same sex, stigmatising them as 'against the order of nature'. On July 2, 2009 the Delhi High Court passed a landmark judgment scrapping this clause, thus fulfilling the most basic demand of the Indian LGBTQ community, which had been fighting this law for the past 10 years. Three characters, Beena, Pallav and Abheena travel through the city of Bombay heading to the celebrations for the first anniversary of the historic verdict. '365 without 377' is the story of their journey towards freedom.

Commissioned by the journal Présence Africaine, this short documentary examines how African art is devalued and alienated through colonial and museum contexts. Beginning with the question of why African works are confined to ethnographic displays while Greek or Egyptian art is celebrated, the film became a landmark of anti-colonial cinema and was banned in France for eight years.

Manuel Horrillo has visited for 7 years the fields where the clashes between the Spanish troops and the rebels of the protectorate took place during the so-called Rif War, a forgotten war of the Spanish collective imaginary.

The Moroccan Labyrinth

At a time when French flags are being burned and French embassies targeted, this documentary delves into the growing disaffection between French-speaking Africa and the former colonial power. Through the voices of African leaders, pan-African activists, and committed young people, the film questions the persistence of a relationship marked by the aftermath of colonization, the opaque agreements of "Françafrique," and a military presence deemed paternalistic.

Portrait of the Angolan people.

A Aldeia mais Portuguesa de Portugal

An exhaustive explanation of how the military occupation of an invaded territory occurs and its consequences, using as a paradigmatic example the recent history of Israel and the Palestinian territories, the West Bank and the Gaza Strip, from 1967, when the Six-Day War took place, to the present day; an account by filmmaker Avi Mograbi enriched by the testimonies of Israeli army veterans.

Filmed immediately after the end of the civil war in Angola, Há Sempre Alguém Que Te Ama records the return of Pocas Pascoal to the country where she was born, in an attempt to reconstruct the episode that, in 1975, led to the capture of the director along with her mother and sisters. An intimate documentary about memory and self-(re)construction.

The armies of Fascist Italy conquered Addis Ababa, capital of Abyssinia, in May 1936, thus culminating the African colonial adventure of the ruthless dictator Benito Mussolini, by then lord of Libya, Eritrea and Somalia; a bloody and tragic story told through the naive drawings of Pietro Dall'Igna, an Italian schoolboy born in 1925.

A chronicle of the violence that occurred in much of the African continent throughout the 1960s. As many African countries were transitioning from colonial rule to other forms of government, violent political upheavals were frequent. Revolutions in Zanzibar and Kenya in which thousands were killed are shown, the violence not only political; there is also extensive footage of hunters and poachers slaughtering different types of wild animals.

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.

A behind-the-scenes look at "Viagens", one of the greatest portuguese records of the 1990s, in the year of its 20th anniversary.

Two tons of snow—flown from New Hampshire to Puerto Rico in 1952 in order to “gift” Puerto Ricans a “white Christmas”—become a metaphor for the colonialist paternalism of America’s relationship to Puerto Rico.