Moulins, du gauche au droit

A documentary focusing on the rebuilding projects in Berlin after the fall of the Berlin Wall.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Ayi comes from a rural area of Eastern China and doesn’t have the residential permit that would allow her to work in Shanghai. Yet, she has been cooking in the streets for twenty years, in an old neighbourhood soon to be demolished. The film unveils the chaos of an ultra-modern city aiming to wipe out so-called substandard practices and to deport an unwanted population.

Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.

A tropical fish shop in the East End of London, the last of what used to be many. Tiny, watery dramas inside fish tanks accompany the thoughts of local fish-keepers, while father and son Big Tel and Little Tel work to keep the shop alive.

Toronto filmmaker Charles Officer profiles the young people of Villaways Park, a housing project on brink of historic change.

2021 was a turning point for Belarus and 6 Belarusian students - as well as for the city of Łódź, Poland, in which they found themselves. Across the rails of change and transformation, documenting a time that has not been before and will not repeat again. Heroes of the film have very different fates and experiences, but they are all connected by the place they found themselves in - the post-industrial and post-apocalyptic city, which becomes a part of their story and a hero of its own. Students, transport, quaters, youth, revolution, local apocalypse, changes and turns - they all mix in a documentary kaleidoscope 'Across the Rails'.

Universam Grochów was a now-defunct shopping and service mall that emerged in the 1970s in Warsaw's Praga-Południe district. This department store functioned as a shopping center and a hub for the social life of right-bank Warsaw. At the end of 2016, the iconic building was demolished. The film captures the final moments of the enterprise, with long-term and dedicated employees guiding us through its corridors. Their approach to work and economic model make Universam a living museum and a phenomenon at the intersection of urban planning and sociology. We also see the significant void left in the local community by the building's demolition.

Quartiers sous tension

Right to Wynwood is an investigative documentary that explores the causes and effects of gentrification in Wynwood. Through interviews with developers, gallerists, artists, community leaders, and members of the local Puerto Rican population, we seek to tell the story of how Wynwood went from Miami's oldest Puerto Rican community to its largest art district, and what that means for the future of the neighborhood.

Elle entend pas la moto

Following a national crisis, the citizens of Iceland rallied together to collectively write the first ever crowdsourced constitution. A deeply touching account of an eclectic group of individuals reinventing democracy through the rewriting of the nation's constitution, proving that Iceland is not a broken country but instead an intricate web of concerns, ideas, and ultimately creative solutions.

Over the course of over six decades, Honest Ed's became a Toronto Landmark. The neighbourhood it left behind when it closed its doors in 2016 reflects on its history and legacy.

What happens when we meet in the street? Suddenly, mistakenly, intimately. Estranged, rushed, too much, too little, too late. Smiles, small talk, and promises.

Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a cemetery. Ranks of skyscrapers extrude columns of smoke and steam. In plain view. Or framed, as through a balustrade. A crane promotes the city's upward progress, as an ironworker balances on a high beam. A locomotive in a railway yard prepares to depart, while an arriving ocean liner jostles with attentive tugboats. Fading sunlight is reflected in the waters of the harbor. The imagery is interspersed with quotations from Walt Whitman, who is left unnamed.

A film about "the father" of Malmö Eric Svenning and how the city has developed during his time.

Soulless City

A short documentary shot in November 2021 in Berkeley. It reflects on the ethos of privatization in American culture and how public spaces are being built to exclude people through cruel architecture. The context used is the gentrification circle around the University of California Berkeley intended to build student housing. An eye-opening journey that explores structures and elements you would never have stopped at.

"The theme of the film HIDDEN CITIES is personal urban perceptions, which we call 'the city'. The city, as a living organism, reflecting social processes and interactions, economic relations, political conditions and private matters. In the city, human memories, desires and tragedies find expression in the form of designations and marks engraved in house walls and paving slabs. But what the city really is under this thick layer of signs, what it contains or conceals, is what we are researching in the HIDDEN CITIES project. The source material for the film are 9 sequential photo works created by Gusztáv Hámos between 1975 and 2010. Each of these 'city perceptions' depicts essential situations of urban experiences containing human and inhuman acts in a compact form. The cities in which the photo sequences have been made are Berlin, Budapest and New York – places with a traumatised past: Wars, dictatorships, terrorist catastrophes."

On the tiny island of Martha's Vineyard, where presidents and celebrities vacation, trophy homes threaten to destroy the islands unique character. Twelve years in the making, One Big Home follows one carpenters journey to understand the trend toward giant houses. When he feels complicit in wrecking the place he calls home, he takes off his tool belt and picks up a camera.