An independent Australian horror/drama that explores the societal norms that break down among a small group of survivors in a post-apocalyptic world. Ravenous hordes of infected zombies terrorize the survivors, but it is the horror within their own sanctuary that they must fear the most.
Amber, an eccentric child-turned-adult star, and her lover Liz are moving slow after a romantic evening celebrating Amber’s recent Oscar Nomination. Liz awakens to a strange and invasive postal worker who seems fascinated with Hollywood stars, secretly enters the apartment. The film continues to be filled with secrets of longing, love, and the pain of rejection.
Janey arrives at a silent retreat in the middle of the woods for rehabilitation, only to discover that the men who run it aren't afraid to show her what lurks beyond the trees.
A couple unearth a bizarre mould infestation threatening the sale of their home, their relationship and their lives.
An erotic horror film about a boy who sleeps naked on a hot summer night and suddenly discovers that he's not alone.
Soura stumbles upon a bluebell field and is left in a haunting trance, plagued by disturbing visions. She returns to the field, desperate for a solution, and meets a girl suffering a similar fate.
An LSD-laced Internet ritual leads a young person into contact with a mysterious digital entity.
A family embraces the heart of evil in this Poltergeist remake/drag-show circa 1992.
For 18-year-old Finnish–Kosovan Fatu, a simple visit to the grocery store feels as nerve-racking as a lunar expedition: for the first time in his life, he’s wearing makeup in public. Luckily his best friend Rai, a young woman on the spectrum of autism, is there to ferociously support him through the voyage.
A nude woman relaxing on a bed to Minnie Riperton's song Les Fleurs is exited by its chorus. Director Saam Farahmand heats up the body hair debate.
Directed by Solveig Hoogesteijn, Macu, the Policeman's Woman (1987) is a Venezuelan crime drama based on a true story. The film follows Macu, a young woman living in a Venezuelan shantytown, who becomes romantically involved with a local policeman named Ismael. As their relationship develops, Ismael's jealousy intensifies, leading to tragic consequences. The narrative delves into themes of power, control, and the dynamics of abusive relationships within marginalized communities. The film is notable for its exploration of gender roles and societal issues in Latin America.
A Nepali mountaineer risks everything on a record-breaking Mount Everest climb to secure a brighter future for her daughters.
Although Nuni has been selected to play the lead (King David) in his Jerusalem grade school play, he'd secretly rather play the princess role instead.
Women are sexually insulted and threatened by men every day. Experts around the world are registering an anti-feminist backlash that seems to be on the verge of becoming socially acceptable. Particularly affected: women in publicly visible positions – such as politicians, actresses or entrepreneurs. Who is behind the attacks and what are the motives?
After the rise of the Taliban in Afghanistan and the restriction of women in public life, a preteen girl is forced to masquerade as a boy in order to find work to support her mother and grandmother.
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
Fred Martinez was a Navajo youth slain at the age of 16 by a man who bragged to his friends that he 'bug-smashed a fag'. But Fred was part of an honored Navajo tradition - the 'nadleeh', or 'two-spirit', who possesses a balance of masculine and feminine traits.
Identity is an experimental short film about gender fluidity, memory, and transformation.
Borrowing its title from the William Carlos Williams poem of the same name, Nameless Spectacle revela in the beauty of ordinary life through themes of voyeurism, power, and sexual violence. Projected on two duelling screens the viewer is unable to focus on the parallel perspectives of the film’s dual perspectives.
A work produced for the Morimura Yasumasa Exhibition at the Yokohama Museum of Art, (April 6 to June, 1996). It was shown in an old-style theater constructed within the exhibit space that featured photographs of Morimura playing famous foreign and Japanese actresses.