Tolubay The Critic

THE SECRET STORY arose as a response to several beautifully decayed toy figures from the 1930s that were given to me as a gift. These figures, and other toys, objects, and illustrations that I found from the period between the world wars, suggested a kind of unearthed hidden narrative which I have attempted to re-piece together, as if these figures were the hieroglyphics of a just-forgotten tongue. THE SECRET STORY revolves around the central figure of the woman, and her girl-double, who look somewhat like a versions of Snow White. She wanders through landscapes of rivers and floods, home and war, and memory and illness, culminating in an ecstatic walk in the forest, suggesting both the dark and cathartic trajectories of the richest fairy tales.

Sam, a grumpy raccoon is stuck sharing a cell with Bob, a sweet but dim manatee. Sam hatches an escape plan. In their chaotic jailbreak Sam’s hardened edges soften as Bob’s loyalty shines. Will they escape? Maybe. But together, they’ve already cracked something bigger: trust.

To revenge brave jay Zakara, evil crown Kvanchala teams with a fox and kidnaps Zakara's bride Ketevan from the wedding. Kvanchala's cruel plan fails as Zakara's friends help him to rescue Ketevan and the fiesta continues.

A mysterious and sensual woman gets ready to go out with her boyfriend. Who will she go out with? Who will be the lucky one? The film is a tribute to the seventh art with more than fifty references to famous films and characters from cinema.

M-ARGINI

Single shot of a man behind an x-ray screen on which his x-ray is clearly visible and moving. Another man sits on a chair to the right of the screen. The x-ray image that appears on screen is same as seen in last sequence Dr. Macintyre's X-Ray Film.

Every week, two friends born 67 years apart share their life stories in a senior home's living room. The younger friend convinces the 107-year-old lady to join her in an adventure: a road trip to the sea.

In a forgotten, abandoned carnival funhouse, the sins of the past are doomed to repeat their dark secrets for all eternity.

A queer stop-motion animation live-action hybrid film following four women in a surrealist parallel narrative unconstricted to heteronormative space and time.

In a dystopian sci-fi society amidst social unrest between Humans and Automatons, an orphan rescues an injured girl from the rumble of violence. As they hide out together in a bunker-like room, their burgeoning friendship gets tested as external forces threaten to fracture how one sees the Other.

A father and his son are losing the race. To win, the boy turns himself into a car tyre. Sierra looks at toxic masculinity through dark irony, while pulling us into the surreal car racing world. Loosely inspired by the director's childhood, this animated black comedy includes fragments of a stop motion film animated by the director's father during Soviet Estonia.

'What would you be willing to do for them to love you? '

At midnight, two elves help a pair of shoemakers in distress by making shoes. They make it a condition that they are not watched. When the cobblers do it anyway and then send them the matching clothes, they stop working but continue to help the cobblers.

Alfred Hitchcock was a great director, observer, and researcher of cinema. By imagining a typical day in his life, Ahn reveals the director's unrealized visions through animation. This was Ahn's first theatrical release, shown along with a live-action feature film.

The film existed only in Jacque’s memory because all that remained were the two cardboard thief characters. Jacques called upon his memories to recreate the decor and the characters with a decorator. The operator then filmed frame by frame to reconstruct the film.

When Agnès Varda was preparing the film Jacquot de Nantes in 1990, she was able to shoot in the small apartment where Jacques was raised. While emptying the attic, Agnès found pieces of 9.5 mm film, dry and folded, almost broken and two small cardboard figures. The film was impossible to project and the film had to be remade. Showing the pieces of film to Jacques he immediately identified La Ballerine. A student from the Fine Arts School of Nantes therefore redrew each shot, frame by frame, on blank 16 mm film.

Sternenstaub und Seelenvogel

A rat goes to the urinal to pee

Following a morphing blob of flesh through an artificial landscape of urban textures we take part in a process of creation and adaption. From a simple square to increasingly complex moving patterns, the organic seems to get lost in the artificial which begins to dominate rhythm and structure of the world.

pierrot & fedora