Danseur Dérangé

Corazón en el cenicero

History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.

In 1890 Paris, Moulin Rouge is a nightclub where crippled artist Toulouse-Lautrec feels like he fits in. In the following years, he meets two women who provide an opportunity for him to find true love.

After an unexpected tragedy, two brothers reach out to an old friend for help, but her untamed boyfriend gets in the way.

A young boy wakes up one day with the inexplicable behavior of an ape.

Helmut and Sabine Halm have always managed vacations of lazy privacy at their favorite retreat on Germany′s Lake Constance. So when the energetic, handsome Klaus Buch turns up with his beautiful girlfriend Helene, Helmut is quite ready to dismiss this dimly familiar acquaintance. But Klaus is overjoyed to recognize his old schoolmate Helmut, eager to recall every incident of their shared time, and to display every detail of this successful lifestyle as a fit sportsman and author. The precious days of privacy give way to an unwanted and awkward intimacy, as the Buchs and the Halms hike, dine and sail together. Their joint activities aggravate myriad psychological tensions among the four characters, which are all the more intensely ironic for their peaceful veneer and which must eventually erupt.

An artist’s final painting becomes the backdrop of a tense dinner date in which a couple debate the legitimacy of wine tasting.

Six years after an office elevator accident that claimed many lives, PT Jamsa Land is terrorized again. Linda, the company's public relations staff, is trapped in the elevator and forced to face a mysterious voice from the intercom. Her child is taken hostage, and Linda has no choice but to participate in a dangerous game that slowly reveals the dark secrets of the tragedy six years ago.

Outdoor Enthusiast, Content with his life is suddenly unplugged from his ‘Reality’

An abstract exploration of memory and loss.

A former investigative journalist goes undercover at a psychedelic wellness center to find her missing sister. What she uncovers is far more unsettling than she expected. Wet Paper Bag is a psychological drama that explores identity, control, and the quiet tension beneath carefully constructed lives.

Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.

"After the experience of making the film for my thesis defense, and, of course, translating and working on the essay Amateur vs. Professional [Amateur Cinema], particularly Maya Deren’s definition of amateur cinema, it became a concern of mine. After a difficult year, I decided, based on a personal manifesto shaped by my surroundings [Paramedia], to make a film that I myself would like to see more of. A film created through image, montage, and the possibilities specific to the cinematic apparatus, with an emphasis on organicity. At the same time, it was a response to the question of mainstream cinema versus art cinema, and ultimately an attempt to arrive at a third option, one that is completely separate from those two modes of cinema: experimental cinema, structural, abstract, expansive, and so on. The final product was Me, I'm Not."

A loop of a guy in Maine hanging out in his room.

The turkish ambassador is said to visit a village in Hungary.

Joey works as a waiter for a hedonistic community of summer holiday makers in a small Mediterranean paradise. It is unclear if their exaggerated behaviors are due to the fact that the summer is coming to an end or if its just the last of their summers.

A journey to an unknown star, a children's theatre play, an untalented writer and the fear of becoming the worst version of oneself. A mixture of live-action footage and animated scenes. A stream of (un)conscious stereotypes.

A short fil that follows a body subjected to institutional and diffuse forms of power: medicalization, psychiatric labeling, regimes of sexuality, and everyday violence. Moving between a white clinical space, a cemetery in Toulouse, and ordinary interiors, the film unfolds through gestures, textures, and encounters with other bodies. Inspired by Michel Foucault, Deleuze and Guattari, Artaud, Rancière, and critical thought from Latin America, this short film traces a sensitive cartography of emancipation and asks a simple yet difficult question: what can a body do when it attempts to reclaim its own history?

An inexperienced astral projector seeks his grandmother’s wisdom after meeting an uncanny woman in a place transcending reality.

The Chosen One is questioned about his destiny to save the world from everything.