Quando duas pessoas se encontram no Solstício de Outono

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

In candid conversations with actor Jonah Hill, leading psychiatrist Phil Stutz explores his early life experiences and unique, visual model of therapy.

Filmmaker and new media artist Tong Xie’s debut short probes the unease, confusion, and obsession experienced by the body as it crosses the urban physiognomy. Set amidst the shadowy loneliness of Paris at night, Absolutely No Sexual Favors je pense à toi 吾想汝顯 depicts the psychological and corporeal marginality of queer identity and desire through perpetually displaced figures.

In the heart of the Caribbean, a mother and daughter confront a malevolent curse erasing identities of all the island's women, propelling them on a daring quest to reclaim their rich cultural heritage and triumph over the encroaching darkness.

Filmed over five years across varied sites, Devereaux gives quiet attention to the shifting sensations of place. From rain and snow to beaches, mountains, and city streets, the film traces environments in contrast: rural and urban, water and land, summer and winter. These images, held in long takes, resist narrative flow, instead assembling a meditation on how landscapes provoke moods, memories, and ideas.

The sun’s energy circulates throughout the earth, feeding the cycle of life. Everything is connected in a natural loop, which repeats, like the circular discs of magical optical toys. This perfectly balanced rhythm is disrupted by human excess, throwing the cycle out of orbit and temporarily stopping the circulation of energy in nature.

Shot in a series of long-takes over several days, the film follows a flower shop attendant (played by Devereaux, then actually employed at a small flower shop by the beach) in fragmented detail. The order of scenes resists chronology: moments recur, shift, or vanish, creating not the passage of a single day but the jumble of many, refracted into a meditation on routine and its quiet abstractions.

When asked a question on politics, late Palestinian poet Mahmoud Darwish once answered: “I write about love to expose the conditions that don’t allow me to write about love.” In TWO TRAVELERS TO A RIVER Palestinian actress Manal Khader recites such a poem by Mahmoud Darwish: a concise reflection on how things could have been.

A folk singer in 17th-century Kerala discovers a mansion. Inside, he encounters an enigmatic cook and a powerful master, setting in motion a chain of events that changes his life.

Nine fictitious documentaries and films reflect the mood of late 1970s Germany, particularly the two-month period in 1977 when a businessman was kidnapped by the RAF (Red Army Faction). The kidnap had been made to orchestrate the release of the original leaders of the RAF, aka the Baader-Meinhof.

Two queer Brazilians go skinny dipping in a lake where they talk about love, sex, colonialism and migration, on a pandemic summer afternoon in Berlin.

A short student film reflecting on the reality of living in the modern urban dystopia

Alinur, a student filmmaker, tries to make a film about the apocalypse for his capstone project. The movie itself happens to be about a mercenary named M who inadvertently causes an apocalypse. As he tries to “create” the destruction of this supposed apocalypse through utilizing technical gimmicks that he has enforced onto the production of the film, this supposed effort also creeps in as a force that starts to “destroy” him, piece by piece. The outcome of it tests the sincerity of not only the film itself but also of the performative efforts that Alinur has made as a filmmaker—even this test might not be as sincere as it seems.

The inner mind of Aaliyah Petra, a young black dancer fighting to withstand the immense pressure of being her family and community's “Moneybaby.” Aaliyah battles through the overwhelming pressure to succeed, discovers her own resilience, and realizes the true meaning of Black Excellence.

Experimental short film that explores the rise and decline of the Soviet Union, from the revolutionary spark of 1917 to the challenges and sacrifices endured during World War II, until its dissolution in 1991.

An experimental film created from 3 years worth of abstract pencil drawings with the goal of being a catalyst for unveiling a new mental landscape in viewers.

Now I shall sing the second kingdom there where the soul of man is cleansed, made worthy to ascend to Heaven. (Purgatorio: Canto I)

We observe the daily routines of an elderly couple. Within the quiet flow of time, a longing for youth and irretrievable memories begin to surface. This piece reflects the sorrow hidden in the stillness of old age and the deep yearning for the past.

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

In this 60 second art piece, a dog named Layla is called upon by nature to defend harmless daisy flowers from the wild grass that is conquering their territory.