Filippo Giardina: La banalità del bene

Dillie, Liza and Adèle are celebrating 40 years with this BRAND NEW SHOW! Beautifully filmed at the Palace Theatre Southend-on-Sea, this triumphant show played The London Palladium and over 70 venues throughout the UK and in Australia. Fascinating Aïda have racked-up millions of internet followers, performed in the world’s most prestigious venues and been showered with awards and plaudits since they sashayed onto the scene back in 1983. Uniquely charming, with diamond-sharp satire, filthy, hilarious, belligerent, political, poignant and outrageous, this indomitable trio are still the mistresses of their craft. The show features much-loved favourites like Dogging and Cheap Flights plus wickedly hilarious new songs like AI, Tory MP and Citizenship Test ... Don't miss the chance to celebrate with these unstoppable performers in their glorious prime!

Max van den Burg: Op een bedje van Rucola

Masový Kašpárek

Foreign investors converge on a luxury hotel in China to bid on a new kind of radioscope. But, this is a hotel where Burns and Allen are the in-house medical staff, a measles risk sends the whole building into quarantine, and a madcap millionaire crashes dinner in his autogyro. Hotel and radioscope become a stage for an all-star cast of comedians and musicians, from vaudeville to the new generation.

Tired of performing solo for so many years, Mado decided to put together an international revue featuring singing, dancing, and comedy. And luckily for her, there are a few artists in the Nice area who would be perfect for this new challenge.

Dramatization of the life of legendary transgender cabaret and drag performer Marie-Pierre Pruvot, also known as Bambi.

A struggling female soprano finds work playing a male female impersonator, but it complicates her personal life.

On New Year’s Eve, a timid bank clerk is mistaken for a notorious criminal mastermind who rules the streets of Athens. Embracing his mistaken identity comes with a price though, as his unwitting white lie begins to unravel.

Charlie is a clumsy waiter in a cheap cabaret, suffering the strict orders from his boss. He meets a pretty girl in the park and tries to impress her by pretending to be an ambassador. Unfortunately she has a jealous fiancé.

Canapé Chucrut Cabaret 5º Edición

New Faces was a musical revue with songs and comedy skits tied together by a quirky plot. It ran on Broadway for nearly a year in 1952 and was then made into a motion picture in 1954. It helped jump start the careers of several young performers including Paul Lynde, Alice Ghostley, Eartha Kitt, Carol Lawrence, performer/writer Mel Brooks (as Melvin Brooks), and lyricist Sheldon Harnick. The film was basically a reproduction of the stage revue with a thin plot added. The plot involved a producer and performer (Ronny Graham) in financial trouble and is trying to stave off an angry creditor long enough to open his show. A wealthy Texan offers to help out, on the condition that his daughter be in the show.

A gang of robbers sowing unrest in the city are attempting dislodge the police for a crime kingpin; the band are composed of three women and a business magnate.

The FDP is gone - the financial crisis is still here. Fortress Europe is being built and the AFD would like to be in charge. The funded pension scheme is becoming a poverty trap for the average earner, so the only thing that helps is new enemy stereotypes to keep the democratically fooled at the bar where they are allowed to dance. Whoever controls the media rules the media democracy. The problems are not new, but they have evolved just as much as the program. Volker Pispers constantly updates his cabaret program and thus reflects the state of the republic: the ever new in the eternally same. Because while the media circus with its speech bubble jugglers makes us believe that something is constantly happening, virtually nothing is happening when it comes to the fundamental problems. You look in vain for respect in Pispers' programs. Blunt, crass and direct, he oscillates between bitterly angry and charmingly witty when he thinks the absurdities of the world through to the end.

A Parisian nightclub owner known for her performances of the can-can attracts the ire of a self-righteous judge. He hatches a plot to photograph her in the act but ends up falling for her — much to the chagrin of her lawyer boyfriend.

A violent stop motion cabaret for the cynical and depraved. Guilt, alcoholic apathy and the inevitable, looming apocalypse threaten to push a young man to the brink.

Stage registration of the thirteenth show by the Flemish cabaret duo Kommil Foo. About man and his everyday tragedy. And that that man is a wolf to his fellow man...

Stage registration of the fifteenth show 'Breken' by the Flemish musical comedy duo Kommil Foo. The performance opens with the question 'How do you get a grown man into a matchbox?'

Le manteau de Janis

More important than the Kastaars, sharper than Viktor Verhulst's jawline and louder than Fien Germijns. The First Avenger of media criticism finally comes back out of the ice to shout from behind his tub. It has been a scary world without Xander De Rycke. Flemish films are successful again, VRT's weatherman has retired and Niels Destadsbader has been replaced by someone who calls himself Meteor. Not to mention the channel that was hijacked by Gert and James, that singing competition in carnival costumes and Tom Waes complaining about history with our tax money on a potato patch. But not to worry, your best friend is back with the only year-end conference that matters.

Stage registration of the sixteenth show by the Flemish cabaret duo Kommil Foo. 'Schoft' is, once again, a show about the human condition. About mankind who tries to hold his own, but inevitably stumbles and falls. Time and again man will scramble up, only to fall again later. A laughable, but also comforting thought.