Предыстория войны. Рождение «народных республик»

After the start of the Special Military Operation, Steven Seagal personally communicated with the victims of Ukrainian nationalists and saw with his own eyes what was happening in Donbass. He became one of the few who met with captured nationalists from the «AZOV» battalion and visited the sites of their crimes against civilians in Donetsk and Lugansk. His visit to Donbass attracted the attention of the world community and the media. Unique footage and eyewitness accounts are in the documentary film «In the Name of Justice».

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

A dual portrait of young drifters on the streets of Odessa, where every day seems the same and the future keeps getting further away.

A concert movie dedicated to the formation of the World Club of Odesa under the leadership of Mikhail Zhvanetsky. "Let many people be proud of the expanses and fields," says Mikhail Zhvanetsky himself about his favorite city, "someone falls to his favorite birch tree, thinking that it grows only here. We have the only homeland - Odesa, the only party of Odessites. Odesa is halfway around the world, from America to Australia. Odesa is a phenomenon, an Odessite is a character. Odesa was, is and will be one of the most famous cities on this temporal globe. And we, who stayed, and you, who left, will live and live with it.... Odesa is worth dedicating your youth and old age to it, and it will repay you like a native land".

Two families from Russia and the US are preparing to adopt a child from an orphanage in Russia. A Russian family brings home two children and experiences the first difficulties and joys of a new life. And on the path of an American family to adopt a 5-year-old girl with disabilities, there is a new law signed by President Putin that prohibits Americans from adopting Russian children. Will little Polina's dream of her own family come true?

Армия

The short film is based on events surrounding a 1977 mining accident in the Donbas region that ultimately led to the mine’s closure. In the film, locals, artists, and curators traverse the surface, paralleling one of the underground routes of the Novator mine. The procession ends at the monument to the dead miners, which is located just above the site of the underground accident that led to the death of the workers. Participants walk across the postindustrial landscape of Donbas, over the plowed fields, by bushes and courtyards, connecting the ground and the underground spaces through the choreography of their bodies.

Purushan, a student on his way to Delhi, becomes obsessed with the tragic suicide of a young drummer. He collects many people to go with him to tell the boy’s mother.

Professor Gromov constructs a robot called Electronic, which looks exactly like Sergey Syroezhkibn, a 6-grader from one of Odessa (USSR) schools. The robot also acts a lot like a human, and its dream is to become a real man. Electronic escapes from the professor's lab and accidentally meets Sergey, his prototype. Meanwhile, a gang lead by Stump is trying to kidnap Electronic to make him steal pictures from museums. For this purpose they send their hitman Urrie.

In a small, poor town, a young worker falls in love with an actress from a traveling theater troupe and tries to keep her close, dreaming and working hard to rebuild a new town while the troupe increasingly faces decline and the end of its run.

A four-hour journey through the first ten years of Les Guignols. Cult sequences, historic sketches, reference expressions... offer sixty or so “Guignolized” personalities the opportunity to analyze the phenomenon or react to their puppets. Their impressions, shared with Gilles Verlant, punctuate the Night. All those who have made Les Guignols what they are today - Alain De Greef, the historical authors, puppet creator Alain Duverne, etc. - take the opportunity to reveal a few of their secrets.

This film documents Kutlug Ataman's artistic production in a retrospective approach and elucidates his works with his own words and with commentaries by curators, art institution directors, art historians and critics who are familiar with his production through close collaboration, to witness the construction of an impressive artistic production spanning 15 years. The film also includes the excerpts from the artworks and the installation footages of their realization.

Tells the story of the tragic events in Ukraine in 1932-33, the genocidal Great Famine or the Holodomor, and one Welshman's attempts to tell the world what was happening.

The world of fashion, between the end of the Sixties and the beginning of the Noughties, had a key character that embodied its spirit and told the tale: journalist Anna Piaggi, living witness of that contamination between art, society and culture that changed fashion and sanctioned its success on a global scale. The daughter of a manager for La Rinascente (Milan's iconic high-end shopping mall whose foundation goes back to 1865), Karl Lagerfeld's muse, "a poet with her clothes" in the words of Bill Cunningham, her life is retraced through interviews with designers (Jean-Charles de Castelbajac, Stephen Jones, Manolo Blahnik, and more) together with archival images from four decades of fashion history.

La fiel infanteria

Film produced by the Puppeteers of America documenting a visit from Jim Henson and Frank Oz to MIT in 1989. It features an introduction as well as closing comments by Frank Oz both from 1993.

Arise Firebird tells the story of professional women of color pushed out of the corporate world due to workplace trauma from sexism and racism and bullying and harassment, and how they are rebuilding their careers and lives doing work they love, on their own terms

A powerful short documentary inspired by the launch of the genre breaking PlayStation 3 title HEAVY RAIN. 

Directed by the acclaimed filmmaker Neil LaBute, the seven minute short was filmed in London, LA & Paris and asks leading luminaries, 'How far would you go to save someone you love?' 


Born in 1918 in San Diego, Williams was a latchkey child from a broken home, raised by a mother more dedicated to the Salvation Army than to her two sons, and by a father who spent more time away from home than in it. Williams found salvation by doing the one thing he loved most: hitting baseballs. In his rookie season with the Red Sox, where he would spend his entire career as a player, Williams batted .327, socked 31 homers and led the league with 145 RBI. Over the next 21 years, despite losing five seasons of his prime to active service as a U.S. Marine Corps pilot, Williams hit 521 home runs, twice captured the Triple Crown, and became the oldest man ever to win a batting title. He finished his career with a .344 lifetime batting average, was the last man to hit over .400 in a full season, batting .406 in 1941, and was a first-ballot inductee into the Baseball Hall of Fame.

The political murder of a Moscow lawyer and the cancellation of 259 pending American adoptions of Russian orphans are seemingly disparate events found to have a deep and insidious connection. Connecting the dots from Russia’s warehousing of abandoned and special needs children to the cross-borders dealings of a billionaire investment banker to one American family’s tragedy, the film explores how Russian political corruption is linked to a single adopted child, whose accidental death becomes the declared reason behind Putin’s Russian Adoption Ban.