Singapore is a football nation. Every weekend, thousands of amateur players, from schoolboys to office executives to retirees, gather to play the Beautiful Game. Not for glory, not for fame; but for passion, football and friendship. This spirit is forged in the neighbourhoods; void decks, street soccer courts, open fields or any patch of grass. All across Singapore, footballers have a place they call their ‘Homeground’. For the first time, this football culture is captured on film. Homeground is a love letter to playing spaces we call home, and a tribute to all amateur footballers in Singapore
Puños de barrio fino
Pro basketball player Giannis Antetokounmpo narrates his journey reconciling himself with his roots between cross-cultural worlds.
Documentary short showcasing the genius of jazz greats Coleman Hawkins, Roy Eldridge, Cozy Cole, and Milt Hinton, among others.
Every day, fishermen venture out into the polluted waters of Sepetiba Bay to provide for their families, searching for what remains of the region's marine life.
A short documentary film made up of archival footage shot in 2003, which was reworked and edited in 2018-2019. The film shows a haphazardly shot, fragmented property viewing and inventarisation through the eyes of a child, featuring a voice over by that same child. Because of having unrestricted access to their family’s camcorder as a child, there were a few instances where the artist's child form had shot ‘full length’ documentary films - with this documentary short being one of those instances. Often these documentations were a call for seeking comfort in a new surrounding, stemming from a deep fear of being forgotten or unheard, and a playful way of documenting one’s thoughts and feelings. In many ways the artist, Mees Joachim, was the original vlogger, before the advent of Youtube.
Alejandrina show us her connection with fire, plants and animals. Meanwhile, she tell us the changes that massacres, terrorism and drug trafficking have provoked in her culture. Are the lumbermen or the miners going to end her cultural history?
The subject of the film was the Hauka movement. The Hauka movement consisted of mimicry and dancing to become possessed by French Colonial administrators. The participants performed the same elaborate military ceremonies of their colonial occupiers, but in more of a trance than true recreation.
Behind the scenes of 'Thir13en Ghosts' (2001)
Filmed as Brazil was transitioning back into a democracy after over two decades of dictatorship, ‘Mulheres: uma outra história’ focuses on various aspects of women's participation in the Brazilian political scene and features interviews with some of the 23 women newly elected to the Constituent Assembly who managed to gain the approval of some of their proposals for the Brazilian Constitution which was being written at the time. The film features appearances from suffragist Carmen Portilho, who reminds viewers about the long history of struggle for women to earn the right to vote in the country, and Jandira Feghali and Benedita da Silva who would become some of the most influential political leaders in the country’s history.
The documentary deals with the topic of body positivity and shows how different we can be depending on the environment.
A story about the relationship between a grandma and her granddaughter, despite the physical difficulties.
Karol is performing as a drag queen, Lola. He's trying to fit into the new environment and find his true self.
In a polish countryside lives a woman who's really close to nature. During the night, she performs rituals like burning roses or cleansing with a hen's egg.
Julia is spending her summer alone by the sea. She's trying to meet new people through Tinder.
Impressions of the rue Mouffetard, Paris 5, through the eyes of a pregnant woman.
The story of a 83-year old granny who recently started using Facebook.
A three-minute visual essay on African-American stereotypes regarding sexuality, and their connections to pornography and modern society.
The Text Allows No Interpretation is a personal essay documentary displaying the director’s conversation with his trauma in a stream of consciousness. The moments in photographs and videos are set in temporal disarray, meeting the superimposed phone calls speaking to and around the trauma from the past. The ever-present noise of repetition is created through jumps between memories of fear and death during the decade-old Arab Spring to insomnia and anxiety emerging through the footage of NATO military exercises on the borders of Russia.
The sacred and the profane are explored through the dialectic between sacred images and the world of BDSM when we meet Guilherme and his fetishist persona Luke.