Mini Epochs

In an alternate Manhattan, two researchers-Robert Lang and Jeff Hawthorne-are drawn into Project STARLING, a covert operation buried deep within the Titanpointe building. When Hawthorne breaks protocol and vanishes into a mysterious portal, the city reels from unexplained phenomena. Lang is forced to navigate a collapsing reality as STARLING agents turn ruthless and the boundaries between dimensions begin to rupture. As transformations unfold and the city descends into chaos, both men confront forces beyond comprehension-shifting identities, spectral adversaries, and a growing sense that something vast and irreversible is approaching.

Abstract video art by John Sanborn and Dean Winkler. Dedicated to Ed Emshwiller.

Taking inspiration from 20th-century avant-garde experiments in graphical sound generation, the entire image in O/S functions as an optical soundtrack. Abstract motion becomes sound.

An abstract computer-generated film. The image is of squares revolving in space around and through each other. Colors and forms multiply and divide against a beautiful symphonic score by George Kleinsinger.

A meditative journey through the surreal inner spaces of the filmmaker's mind as passing images and thoughts overlap, yearning to coalesce into a concept.

Short experimental animation by Jules Engel

Short experimental computer animation by Jules Engel

Decoherence is an audiovisual composition made with sound waves, water, and granular and spectral processing. A 60 cycle drone from a speaker cone below creates subtle patterns on the liquid surface, which grows increasingly turbulent. This piece explores interference patterns, the interplay of macro and microscopic patterns, chaos and continuua.

The sun’s energy circulates throughout the earth, feeding the cycle of life. Everything is connected in a natural loop, which repeats, like the circular discs of magical optical toys. This perfectly balanced rhythm is disrupted by human excess, throwing the cycle out of orbit and temporarily stopping the circulation of energy in nature.

An experimental sampled film which shows the pleasurable art of movies about movies through scenes inside of theaters.

Exploring the conscious, the unconscious and the self, By Winds and Tides takes a deep experimental dive into the birth of an idea—how it takes shape, how it is released. An allegorical quest, the film combines images and words into a singular sigh.

An experimental avant-garde film where the character battles with herself, struggling to understand and embrace her true identity. Blending dream-like and reality sequences together, the film connotes inside the character’s mind. Escaping to different parts of her subconscious, she is met with confrontation, fear & desire. This piece of work highlights themes of identity, surrealism & subjectivity, where the instability of the self is at the forefront of the film. The film uses elements of mixed media montage to portray the character’s inner thoughts.

Sarah and her two cats go about their separate lives. The cats have strange dreams about their desires, and Sarah develops an unshakable paranoia that something is wrong with them. Sarah's paranoia bleeds into her social life, and her two cats have their dreams come true.

A short experimental animation by Jules Engel

Martín, a young urban raver, is involved in a strange accident on the road on his way to a party in the middle of the Argentine Pampas. Finding refuge in a mysterious country grocery store and sheltered by two strange locals, Martín's paranoia begins to take over him. As the hours progress, his perception begins to distort, unleashing disturbing visions that will lead him to confront the supernatural forces that hide in the night.

An experimental short from Oskar Fischinger

An important sensory organ, the eye, is damaged. The exhausting healing process takes us on an inner journey full of pain, fragility and mental unrest, in which even superstition and witchcraft seem to have an influence on recovery.

A seashell belonging to a northern moon snail twists and turns 360 degrees in multiple wooden homemade contraptions and through contact sheets at a progressively rapid pace, before finally synthesizing the gnomic growth of the spiral shell and exploring the phenomena of virtual and real space and time. Directed by Al Jarnow.

Iwasaki’s ink oscillates like an evil lava lamp that might actually be alive and its progression into more and more disturbing images create an impressive sense of dread in a film that is basically just some pencil drawings on a blank background. (Film School Rejects)

A child is attacked and turned into a chimera and must learn to navigate his strange world as an entirely new kind of being.