Del barro al barrio

Sunlight is the inspirational story of Donald Gray’s quest to save children trapped in the darkness of economic and social despair. His team works daily to “save one child at a time,” from a cycle of poverty, drugs, violence, and family disintegration.

Jazz en Claypole

Four roped men descend through the seracs of the Mer de Glace. One of them falls and has to be hoisted. The shot belongs to a collection of scenes that were presented together as a kind of travelogue film under the title of 'Voyages animés' in a diorama pavilion in the Universal Exhibition of Paris of 1900. The mountaineering scenes in this series include four scenes in the Mer de Glace and one in the Meije glacier. These five scenes, under a minute long, are the first mountaineering images ever filmed. Several of the 'Voyages animés' scenes were included in the Lumière catalog in 1901 under the title of 'À travers la France'.

A documentary about the unexpected restart of ArcelorMittal’s Blast Furnace 6 in Seraing, Belgium, which Arcelor had shut down in 2005. From a union perspective, the film invites viewers to experience the daily lives of the workers who, for months, lived through the many twists and turns of a story with high stakes for the Liège steel industry and some 10,000 families, filled with anxiety, hope, and emotion.

Abarrotes Barrera

An intimate documentary on the lives and artistic journeys of Renato Habulan, Egai Fernandez, Pablo Baens-Santos, Jess Abrera, and Antipas Delotavo - pioneers of the Philippine Social Realist movement. Centered on the founding of KAISAHAN in 1976, the film examines how the realities of Martial Law under the Marcos dictatorship shaped a generation of artists committed to social engagement through their work. It also highlights the crucial role of CAYA (Center for the Advancement of Young Artists) in nurturing the movement's early development. Through personal reflections and historical and contemporary perspectives, the documentary traces the artists' shared ideals and divergent paths, revealing the challenges, convictions, and creative resilience that affirm their enduring vision of art as a force that shapes Filipino identity—as witness, critic, and visionary. Created in part through a grant of the National Commission on Culture and the Arts.

A game of ice-hockey in progress in the Alps.

Tuesdays are days of great excitement in the quiet old town of Berne, when the whole population is bent on getting very much for very little.

Bioscoped from a motor. The center of fashion and society in the Bernese Oberland. The rendezvous of the most cosmopolitan crowd in Europe.

1903, cinematography by Frank Ormiston-Smith

Showing hundreds of boys, girls and adults on skis descending a steep snow-covered bank.

Taken from the front of a descending car, the track and the way in which the fertile valleys open out on either side, with the huge snow-capped mountains in the back ground, and the fine stereoscopic effect of the ever changing scene depicted in this film render it a truly telling picture.

Grimsel was the scene of the Austrian-French conflict of 1799. It is now one of the most popular passes in the Alps.

Interlaken, as its name implies, is dependent to a large extent on the two beautiful lakes for much of its popularity. An interesting short panorama from steamer arriving at this noted resort.

Kandersteg, the highest mountain village on the Gemmi route is a delightful spot and the center of fine excursions in the mountain regions of the Bluemlisalp. An interesting panorama of pine trees and mountains of the wildly picturesque district of the Bluemlisalp.

A film being photographed from the front of the engine. A grand view of the snow-clad peaks of this fine range of mountains is depicted from an ever-changing aspect.

1903, cinematography by Frank Ormiston-Smith

The peculiarity of this waterfall, with its narrow funnel-shaped opening, from which, on to the jagged rocks the torrent dashes, is here portrayed in all its pristine grandeur and beauty.

This opens with a view of the upper falls and great viaduct of the mountain railway, showing ascending and descending cars, and then a close view of the magnificent upper Reichenbach Falls, which by our operator having secured the picture with our new Rotary-Maxim Bioscope, gives a picture, which, for excellence, range, and completeness, could not be secured by any of the less up-to-date methods. The concluding full view of the grand cascade is truly magnificent and awe inspiring.

1903, cinematography by Frank Ormiston-Smith.