I Dreamed of a Man Who Dreamed of Horses

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The notion of a Cuban civil society is often misrepresented in the U.S. mainstream media. According to most sources, Cuban civil society is limited to the opposition, which has little impact on the Cuban political scenario. Regardless, yearly, the U.S. government allocates tens of millions of taxpayer money to empower dissidents in the island. By doing so, it overlooks genuine expressions of pluralism, reform and contestation which are shaping the Cuban public sphere, sometimes in autonomous ways, sometimes within State-run institutions. Through in-depth interviews to members of Cuban Civil society, this documentary explores the complexities associated to these processes, following the itinerary of the debate about the concept of civil society generated in Cuba, since the 90s to the present.

Poetic stroll in the work of Jean Genet.

A fourteen-minute documentary splitted in two parts where we can see Anne Sexton at her home reading, talking about poetry and about her family.

Dueño del tiempo

Solentime (2020), directed by Carlos Henríquez Consalvi and Camilo Henríquez, revisits the memory of poet-priest Ernesto Cardenal and the Christian community he founded in the Solentiname archipelago, where art, faith, and revolutionary consciousness converged. The film reconstructs a failed 1973 documentary project, when a young Consalvi traveled from Venezuela to film Cardenal with a 16mm Bolex, only to discover the footage was ruined. Nearly five decades later, during the COVID-19 lockdown and after Cardenal’s death, father and son assemble photographs, archival images, and sound to evoke that encounter and the fragile persistence of memory, turning loss, decay, and time into the material of the film itself.

During a drawing workshop, a girl traces on the wall of her room the memory of her sexual abuse; a young woman recalls the night in which the deception of those she once called friends turned into harassment. By sharing the stories with other girls and women, they realise that these are not isolated events but fragments of a shared wound.

In the summer of 1994, a team of public television reporters filmed and interviewed seven Cubans a few days before their risky venture of setting out to sea in homemade rafts to reach the coast of the United States. Six made it far enough to be picked up at sea by the U.S. Coast Guard. When these balseros (rafters) were finally allowed to go to the United States, the film crew went with them to a string of several cities. Seven years later, the film crew visits them again, to discover that their destiny has been in the United States. Theirs is a true story about some of the authentic survivors of our times, the human adventure of people who are shipwrecked between two worlds.

Jean Sénac, born in Béni Saf in Algeria in 1926 and died in Algiers in 1973, is today considered one of the great French writers and poets and the only one of his reputation to have accompanied the Algerian revolution before November 1954. part of all the debates and got involved, very early and with immense enthusiasm, in a work of commitment which ended badly. His poetry, his sexual preferences and his political lyricism work against him: rejected as much by the Pieds Noirs as by the FLN activists then by the power in place in Algiers, Jean Sénac was assassinated in 1973 at his home in Algiers, in circumstances never clarified.

This anthology film, whose Chinese title begins with a romantic name for human excrement, premiered internationally at Rotterdam and won Best Screenplay from the Hong Kong Film Critics Society. A variety of Hong Kong people wrestle with nostalgia when facing an uncertain future. Their stories give way to a documentary featuring a young barista turned political candidate.

A biography of the poet W. B. Yeats and his contribution to the Irish independence movement as a Protestant nationalist.

The word trauma has many shades. The documentary Confession opens up the topic of sexual harassment in the church, which the director has experienced first-hand. She looks back at the world before the trauma, and searches for answers herself to the questions of whether she will be able to come out of it after some time, and whether she will find the courage to tell her parents about it.

Cuba Jazz

Elen Řádová and Tomáš Mašín’s student work draws on the genre of action films, which are characterized by emotionally intense and violent scenes. Excerpts from period blockbusters are supplemented with visual effects and edited in a way that drives the particularities of the action film genre to the point of absurdity. The resulting visual whirlwind thus deliberately escalates—and thereby diminishes—the dramatic impact of the original footage.

Janka Vidová made this video while studying in the New Media Studio of Michael Bielický. The artist borrowed an analogue video camera from the studio and filmed her visit to the region of her hometown in Slovakia. Using visual effects and instrumental music, she edited the resulting footage into a poetic film that captures the dreamy atmosphere of the snowy countryside.

Shot in Cuba in 1961, this documentary follows a volunteer militia brigade organized in defense of the Cuban Revolution. Joris Ivens and his crew observe military training, daily life, and collective discipline among civilian volunteers. The film emphasizes popular mobilization as a defining feature of the revolutionary state.

Teresita's Dream follows the extraordinary story of Cuban scientist Teresita Rodríguez. When her mother is diagnosed with Alzheimer’s, Teresita embarks on a deeply personal and politically complex journey to find a treatment – joined by a team of mostly women scientists. What begins as an effort to help her mother, leads to a discovery that could change how the world treats this devastating disease forever.

After World War II a group of young writers, outsiders and friends who were disillusioned by the pursuit of the American dream met in New York City. Associated through mutual friendships, these cultural dissidents looked for new ways and means to express themselves. Soon their writings found an audience and the American media took notice, dubbing them the Beat Generation. Members of this group included writers Jack Kerouac, William Burroughs, Allen Ginsberg. a trinity that would ultimately influence the works of others during that era, including the "hippie" movement of the '60s. In this 55-minute video narrated by Allen Ginsberg, members of the Beat Generation (including the aforementioned Burroughs, Anne Waldman, Peter Orlovsky, Amiri Baraka, Diane Di Prima, and Timothy Leary) are reunited at Naropa University in Boulder, CO during the late 1970's to share their works and influence a new generation of young American bohemians.

A poem about mania written by Omar Zefier. His second film.

Jakub Strach aka NobodyListen is a successful Czech DJ and music producer. A portrait of his life and work can be seen as a manifesto of the millennial club-going generation. After hundreds of shows and preparations for the upcoming, renowned Addict party, the DJ must deal with the consequences of inflicting a wound scarring his image. Footage from the club backstage mingles with scenes of everyday life in which NobodyListen ponders the dark sides of the club scene, like drugs and misogyny. During the shooting, the Covid pandemic strikes, revealing the insecurities of work in culture.