Film Is Not a Sausage: Borowczyk and the Short Film

Take a deep dive into the fascinating creative journey of the beloved To Your Eternity series through exclusive statements from its manga and anime creators, including Oima Yoshitoki, Kiyoko Sayama, and more. With narration by Kenjiro Tsuda, this documentary features footage to illustrate the past arc to prepare the new adventure in the contemporary arc and beyond.

Documentary which follows Bo Widerberg during the making of 'Man on the Roof', 'The Butt' and a failed theater production.

A behind-the-scenes look at the making of "March of the Penguins".

2nd Edition of Loose Change documentary. What if...September 11th was not a surprise attack on America, but rather, a cold and calculated genocide by our own government?We were told that the twin towers were hit by commercial jetliners and subsequently brought down by jet fuel. We were told that the Pentagon was hit by a Boeing 757. We were told that flight 93 crashed in Shanksville, Pennsylvania. We were told that nineteen Arabs from halfway across the globe, acting under orders from Osama Bin Laden, were responsible. What you will see here will prove without a shadow of a doubt that everything you know about 9/11 is a complete fabrication. Conspiracy theory? It's not a theory if you can prove it.Written and narrated by Dylan Avery, this film presents a rebuttal to the official version of the September 11, 2001 terrorist attacks and the 9/11 Commission Report.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Co-curated by Jenni Olson and the late Black gay activist Karl Knapper, this entertaining showcase of vintage movie trailers traces the evolution of African American cinema through its most crucial period, 1952-1976. Filled with insights on race and social dynamics, this fascinating compendium of coming attractions explores an extensive range of stylistic approaches—Blaxploitation, Comedy, Music Bio, Plantation Drama and more—offering an outrageous joyride through motion picture history. Beyond mere camp, these marvelously condensed gems crystallize a range of African American identities and personalities, tracking the meteoric careers of Sidney Poitier, James Earl Jones, Billy Dee Williams, Richard Pryor, Pam Grier and others through their bold performances in movies both hugely popular and practically forgotten. Afro Promo provides a compact glimpse at the representation of African Americans through twenty-five dynamic years of American cinema history.

Years spent recording footage of creatures from every corner of the globe is bound to produce a bit of drama. Here's a behind-the-scenes look.

Documentary about the efforts to reconstruct Sam Fuller's The Big Red One closer to the film Fuller had originally envisioned.

Go behind-the-scenes every step of the way with immersive footage from the making of the series, along with insightful interviews on set from the cast and crew of Ms. Marvel as we watch Iman Vellani and her character, Kamala Khan, become the fan-favorite superhero right before our eyes.

Go behind the scenes with stars, puppeteers and creators as they bring Jim Henson's magical world of Thra back to life in a sweeping fantasy series.

Retrospective documentary on the making of the low-budget horror film Prison (1987)

The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.

A documentary about the making of 1976's "Obsession" featuring interviews with director Brian De Palma, stars Cliff Robertson and Genevieve Bujold and more.

Making-of documentary about Lino Brocka's 1975 film "Manila in the Claws of Light," featuring interviews and behind-the-scenes footage.

A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.

A short documentary exploring the ongoing relevance and power of 'Salò o le 120 giornate di Sodoma'.

Return to Crystal Lake: Making 'Friday the 13th'

Documentary exploring the making of the third installment of the popular post-apocalyptic roleplaying game series Fallout. The Making of Fallout 3 features behind the scenes footage, concept art and was only made available to people who had purchased the collectors edition of the game.

A documentary incorporating footage of Montgomery Clift’s most memorable films; interviews with family and friends, and rare archival material stretching back to his childhood. What develops is the story of an intense young boy who yearned for stardom, achieved notable success in such classic films as From Here to Eternity and I Confess, only to be ruined by alcohol addiction and his inability to face his own fears and homosexual desires. Montgomery Clift, as this film portrays him, may not have been a happy man but he never compromised his acting talents for Hollywood.

In 1928, as the talkies threw the film industry and film language into turmoil, Chaplin decided that his Tramp character would not be heard. City Lights would not be a talking picture, but it would have a soundtrack. Chaplin personally composed a musical score and sound effects for the picture. With Peter Lord, the famous co-creator of Chicken Run and Wallace & Gromit, we see how Chaplin became the king of slapstick comedy and the superstar of the movies.