Wallace Carlson walks viewers through the production of an animated short at Bray Studios.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
IN THE LAND OF GIANT PYGMIES, a diary of Aurelio Rossi's 1925 trek into the immense Belgian Congo, preserves a long-gone-Colonial-era wonder at natural resources, "primitive" tribes, customs and costumes in Europe's cast African possessions, and implies that the "dark continent" could benefit from the "civilizing" influences of home.
Surfing at Waikiki Beach, Hawaii, on the island of Oahu. Most surfers are human, one is a dog. The educational documentary is part of the Bruce Scenic Novelties series.
The Antwerp Zoo covers a fair extent of ground, and was already in 1910 generally considered as an important one. A large number of views of birds and animals were taken and hand coloured. In those days, the monkey house was in for much attention. People found that the various comic incidents added a touch of whimsicality.
An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s.
Ventanas
This non-narrative short film examines one of the great American icons: the Louisville Slugger baseball bat. The film was conceived by its co-directors, Marlon Johnson and Dennis Scholl, along with the Louisville Orchestra's conductor, Teddy Abrams, to be screened set to a live performance by the orchestra of Claude Debussy's "Jeux".
A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
Produced in 1922, this 9-part silent documentary is an important document of the beginnings of industrialization in Brazil and the conditions of workers at the time.
A documentary from Erkki Karu, one of the earliest pioneers of Finnish cinema: This government-produced propaganda film introduces the nature, sports, military, agriculture and capital of Finland.
"La Gigue" (Gaumont #590) is part of the "Miss Lina Esbrard. Danseuse cosmopolite et serpentine" series of 4 films, and should not be confused with "Danse excentrique" (Gaumont #587), "Danse serpentine" (Gaumont #588, the only extant film in the series), or "Danse fantaisiste" (Gaumont #589).
"Danse fantaisiste" (Gaumont #589) is part of the "Miss Lina Esbrard. Danseuse cosmopolite et serpentine" series of 4 films, and should not be confused with "Danse excentrique" (Gaumont #587), "Danse serpentine" (Gaumont #588, the only extant film in the series), or "La Gigue" (Gaumont #590).
"Danse serpentine" (Gaumont #588) is part of the "Miss Lina Esbrard. Danseuse cosmopolite et serpentine" series of 4 films, and should not be confused with "Danse excentrique" (Gaumont #587), "Danse fantaisiste" (Gaumont #589) or "La Gigue" (Gaumont #590).
A display of flower bouquets, rotating to show the Kinemacolour process.
A woman is shown various wallpaper samples, in a short displaying the Kinemacolour process
A movie follows a regular working day of a woman who works in a factory. She wakes up at 3am and goes to sleep at 10pm.
Buster Brown creater R.F. Outcault sketches his creation. Part of the Buster Brown series for Edison film studio.