The Dawn of Sound: How Movies Learned to Talk

The fabled queen of Egypt's affair with Roman general Marc Antony is ultimately disastrous for both of them.

In 1918 a young and simple Mongol herdsman and trapper is cheated out of a valuable fox fur by a European capitalist fur trader. Ostracized from the trading post, he escapes to the hills after brawling with the trader who cheated him. In 1920 he becomes a Soviet partisan, and helps the partisans fight for the Soviets against the occupying British army. However he is captured by the British when they try to requisition cattle from the herdsmen at the same time as the commandant meets with a reincarnated Grand Lama. After the trapper is shot, the army discovers an amulet that suggests he is a direct descendant of Genghis Khan. They find him still alive, so the army restores his health and plans to use him as the head of a puppet regime. The trapper is thus thrust into prominence as he is placed in charge of the puppet government. By the end, however, the "puppet" turns against his masters in an outburst of fury.

In Puritan Boston, seamstress Hester Prynne and kindly Reverend Arthur Dimmesdale fall in love. After Dimmesdale must go away for a time to England, he returns to discover that Hester has given birth to their child and is the focus of local censure.

Don Carlos, heir to the Spanish throne, and Princess Elisabeth of Valois are deeply in love but King Philip, Carlos's father, wants Elisabeth for himself.

Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.

'Uit het rijk der kristallen' is one of several scientific films made ​​by J.C. Mol. In the film, the crystallization processes of various chemicals are shown. There are different versions of Uit het rijk der kristallen: the original silent film was given a soundtrack in the 1930s, and there is a colour version of the film which was made ​​using Dufay colour. A clip from the film, or other shots of identical crystallization processes, can be seen in Mol’s other films. The film was not only screened at educational and scientific presentations, but also resonated within avant-garde circles. The film was screened at the first show presented by the Harlem branch of the Filmliga. This was followed by a screening at Amsterdam’s Filmliga, and at ‘Studio 28’ in Paris. There, the film was screened as a ‘triptyque’, with three projectors side by side.

King Edward VII's coronation ceremony.

The tyrant Emperor Heliogabalus lives a life of debauchery and set lions loose among his guests.

This 10-minute short documentary exploring the shifting state of the American poultry industry was preserved in 2015 from an original nitrate print. More information is available on the film's page in the National Film Preservation Foundation's website, where this version can be found featuring original music by Michael D. Mortilla.

Palestine, under the rule of Rome. Salome, daughter of Herodias and both niece and stepdaughter of King Herod, becomes infatuated with the prophet John the Baptist, who publicly denounces the depravity of the royal family and proclaims the arrival of a new messiah. (Film presumed lost.)

Born Fernando de Bulhões, he was a precocious Portuguese youth, concerned with the suffering of the poor. Grown into a contemplative young man he renounces the world to join first the Augustinian Order and then the Franciscans order (where he takes the name Anthony) in his dedicated service to the faith.

A divinely inspired peasant woman becomes an army captain for France and then is martyred after she is captured.

Terje Vigen, a sailor, suffers the loss of his family through the inflexibility of another man. Years later, when his enemy's family finds itself dependent on his benevolence, Terje must decide whether to avenge himself.

Three friends are playing cards in a beer garden. One of them orders drinks. The waitress comes back with a bottle of wine and three glasses on a tray. The man serves his friends. They clink glasses and drink. Then the man asks for a newspaper. He reads a funny story in it and the three friends burst out laughing while the waitress merely smiles.

A law student becomes an outlaw French revolutionary when he decides to avenge the unjust killing of his friend. To get close to the aristocrat who has killed his friend, the student adopts the identity of Scaramouche the clown.

Photo sequence of the rare transit of Venus over the face of the Sun, one of the first chronophotographic sequences. In 1873, P.J.C. Janssen, or Pierre Jules César Janssen, invented the Photographic Revolver, which captured a series of images in a row. The device, automatic, produced images in a row without human intervention, being used to serve as photographic evidence of the passage of Venus before the Sun, in 1874.

A retrospective about the world of the mineral, following different narrative lines, centered on housing, labor, transport, recreation among others. Original copy is lost, only 14 minutes are available.

As Alice and Cora Munro attempt to find their father, a British officer in the French and Indian War, they are set upon by French soldiers and their cohorts, Huron tribesmen led by the evil Magua. Fighting to rescue the women are Chingachgook and his son Uncas, the last of the Mohican tribe, and their white ally, the frontiersman Natty Bumppo, known as Hawkeye.

The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather.

Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a cemetery. Ranks of skyscrapers extrude columns of smoke and steam. In plain view. Or framed, as through a balustrade. A crane promotes the city's upward progress, as an ironworker balances on a high beam. A locomotive in a railway yard prepares to depart, while an arriving ocean liner jostles with attentive tugboats. Fading sunlight is reflected in the waters of the harbor. The imagery is interspersed with quotations from Walt Whitman, who is left unnamed.