Jumbo

An educational entertainer sending a message to the society to understand and care for the elderly.To know their insecurities and fears as they approach the twilight of their lives. The movie is based on the fact that in the flag end of life all that old people need is love and companionship. Loneliness,insecurity and unpredictability of life makes them bitter. The main attraction of the movie is the unique revolutionary solution to all these issues that will be revealed to the audience in this movie. Laced with humour,10 nahi 40 sends out a message to the youngsters to be more understanding towards the elder people and to the older people it emphasises that life is beautiful and has to be lived with zest and

Yeh Shaadi Nahi Ho Sakti is based on Shakespeare's classic comedy with a Desi twist. Lakshman can't marry his lady love Priya until her stubborn elder sister Pallavi gets married. As a result, Lakshman devises an elaborate plan which includes getting Pallavi hitched with an NRI and passing off a drunk theatre actor as his own rich father. When Lakshman's real father learns about the wedding plan, misunderstandings and mayhem ensue. Will the marriage finally take place?

A stressed father, a bride-to-be with a secret, a smitten event planner, and relatives from around the world create much ado about the preparations for an arranged marriage in India.

The first Hindi film to deal openly with the subject of homosexuality. It's the story of a journalist who has an affair with an ageing industrialist.

A naive bullock-cart driver falls for a traveling dancer.

A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.

A love triangle forms after a male finds his best friend has married his sweetheart.

The 25-year-old love story of a couple is told through the lens of their teenage daughter after she is diagnosed with pulmonary fibrosis.

In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.

The story centers around a small town entrepreneur named Maniram who makes a major profit by cheating people and selling them tainted food. His business is run by his daughter-in-law Tejo, who is married to Maniram's mentally challenged younger son. When Maniram's elder son comes back into town to get married, things start to go awry.

Sultana, a small town prostitute and her pimp Khudabaksh migrate to the metropolis, bringing with them their dreams and meagre belongings. Sultana goes about her bright and artful seductions but somehow misses her targets. Her business collapses. Desperately, Khudabaksh too tries his hand at many jobs but is unsuccessful. Sultana's loneliness and despair get objectified in her desire for a 'salwaar' that she needs to complete her black ensemble for the observance of mourning for Moharram.

This film suggests a network of hierarchical relations between people through sometimes subtle and at other times blunt illustrations.

Two close friends, Neelu and Madhu, agree that men cannot be trusted, and as such decide to dump their current boyfriends, and marry someone else who meets with the approval of their parents. Shortly thereafter, Madhu is introduced to Chandrakant, whom she likes, and soon both are married. On their honeymoon, she meets with Neelu, who has married Deepak, also her parents' choice. Both are delighted to see other, and cannot wait to meet the others' spouse, little realizing the shock they will get when they do so.

Yudhra, who is struggling with anger issues, is assigned an undercover mission to bring down a powerful drug syndicate headed by Firoz and his son Shafiq. Yudhra accepts the responsibility as he wants to exact revenge against Firoz for his parents's death.

This offbeat film Gauraiya is based on true incidents with imaginary story portraits of north India situated desert area of Patha. Which is a place of downtrodden and poor people who are victimized by bandits and other criminals. The reason behind this is only unemployment and illiteracy A sensitive girl Shefali who comes from a small city is doing a Ph.D. in Criminology. She has thought of writing a book entitled END OF CRIME because she is worried about crime and its victims

Aman Khanna, a once successful singer, is drowning his life into alcohol, despair and self- destruction after his 6 years old son died in a freak accident. Aman's wife, Meera who has an autobiographical bestseller to her credit is trying to cope with their financial burdens and Aman's lack of responsibility.

Two petty thieves face-off against gangsters, bandits and police after forging a treasure map.

Circumstances force a mill worker with a sick child to take the law into his own hands. It is only when he arms himself with a gun and storms into the hospital that people begin to notice his plight.

Shahjehan (a raw Rehman in one of his first releases) is approached by a Rajput chieftain, Jwala Singh, narrating the plight of his foster daughter, Ruhi (Ragini), who is blessed with unheard of beauty. This gives rise to an army of suitors, who indulge in violence to prevent her from getting married by scaring her to-be grooms. Her beauty, confined to four walls of Jwala's haveli becomes part of folklore, and street gossip, through the poetry of Sohail (Saigal) who accidentally catches her glimpse, and falls in love with her.

Ravi, a young migrant and poet-turned-Maths teacher, brings his new wife, Suman, to live with him in Mumbai. Weaving in and out of imagination and reality, the film lyrically explores how the new couple find their feet.